Bovie Movie

The bumbling cops of Comedy Central’s hit television series take a trip to Miami Beach for a national police convention. After the trip there turns out to be much more difficult than anticipated, the bumbling crew must leap into action when the convention center becomes the target of a biological terrorist attack. Lieutenant Jim Dangle (Thomas Lennon) must keep together his motley and inept crew in order to save everyone from the disaster, and keep peace on the streets of the popular Florida city. The film features the same cast from the popular Comedy Central series of the same name.

Director Mark L. Lester modeled this police action drama on the Hong Kong style, guaranteeing plenty of over-the-top action sequences. Dolph Lundgren stars as police detective Chris Kenner, an American raised in Japan. He is given a new partner, Johnny Murata (Brandon Lee, making his Hollywood debut), a Japanese raised in America. The two are made for each other — Chris doesn’t appreciate American culture, while Johnny doesn’t much like Japanese culture. One thing they both enjoy are the martial arts, of which they are experts. The two are assigned to L.A.’s Little Tokyo, trying to nab the notorious Yoshida (Carey-Hiroyuki Tagawa), a drug manufacturer using a local brewery as his distribution center. Yoshida, a member of the Yakuza, has brought the residents of Little Tokyo to their knees. But Chris has personal reasons for wanting to get Yoshida — as a child he witnessed Yoshida murdering his parents. When Yoshida rapes and kidnaps Minako (Tia Carrere), a beautiful lounge singer, it’s the last straw and Chris and Johnny set out for Yoshida’s heavily guarded home for a big showdown.

Writer-director Vincente Aranda adapted his sweeping historical saga Tirante el Blanco (AKA The White Knight, 2006) from the bestselling European novel by Joanot Martorell. Casper Zafer (La Femme Musketeer) plays the titular soldier, Tirante. Ordered by the Emperor of Byzantium to free Constantinople from the autocratic rule of the Turks, Tirante and his men - who exude the strength and great fighting spirit of the Almogavars - succeed triumphantly - virtually sweeping the Turks aside, and ignoring the fact that the number of warriors in the opposition far exceeds their own count. In the process, Tirante also succeeds in deflowering the illustrious virgin Carmesina, heiress to the empire. The only lingering problem is that Tirante doesn’t hail from noble stock.

Nastassja Kinski and Peter Coyote star in this suspense thriller about a college professor who finds himself in a whirlwind of danger when he agrees to help a beautiful woman who has just escaped from prison. She was convicted of murdering a woman who was having an affair with her husband, and she swears she can prove her innocence — but helping her collect the evidence proves to be a risky assignment. Red Letters also stars Fairuza Balk, Ernie Hudson, Udo Kier, and Jeremy Piven.

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

The Devil’s Rejects director Rob Zombie resurrects one of the most notorious slashers in screen history with this re-imagining of the 1978 John Carpenter classic that spawned numerous sequels and countless imitators. As a child, young Michael Myers (Daeg Faerch) committed one of the most unspeakable crimes imaginable. Subsequently locked in an asylum and placed under the care of Dr. Loomis (Malcolm McDowell), the hollow-eyed boy grew into an emotionless man determined to escape back to his hometown of Haddonfield and complete the murderous mission that he began so many years back. These days, the long-abandoned Myers house sits decrepit and overgrown on a peaceful suburban street, its boarded windows and rotting wood a silent testament to the slaughter that has haunted Haddonfield for decades. Now Michael Myers (Tyler Mane) is back, and as the children of this typical Midwestern town fill the sidewalks for a fun-filled night of tricks and treats, Haddonfield is about to find out that there is no escape from pure evil. Brad Dourif, William Forsythe, Udo Kier, Dee Wallace, Sheri Moon Zombie, Danny Trejo, and Adrienne Barbeau co-star.

Hostel director Eli Roth’s genre-friendly Raw Nerve film group makes its gore-soaked splash with director Tim Sullivan’s kitchy remake of Hershell Gordon Lewis’ southern-fried splatter-fest. A drunken group of hard partying college-kids are in for a Spring Break they’ll never forget when they take a tragic detour through the small southern town of Pleasant Valley. Greeted by the overzealous mayor (Robert Englund) and promised a wild time at the town’s annual barbecue celebration, the initially-hesitant teens soon agree to spend the night when the citizen’s down-home hospitality simply becomes too much to resist. But things are not what they seem in the timeless town of Pleasant Valley, and as the thrill seeking students begin to disappear one-by-one in the most gruesome of fashions, it soon becomes obvious that they are to be the main ingredient in Pleasant Valley’s most tasty tradition.

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

A mute American working on a low-budget movie runs afoul of the Russian mafia in this internationally produced thriller. Billy (Marina Zudina), a special-effects makeup artist who is unable to speak, is in Moscow working on a cheapie slasher flick directed by Andy (Evan Richards), her sister’s boyfriend. Late one night, Billy returns to the set to pick up some equipment and stumbles on what appears to be the filming of an actual snuff film. Watching, unseen, as an “actress” (Olga Tolstetskaya) is bludgeoned to death before her very eyes, Billy flees the set, pursued by the snuff film’s crew. Eventually, she escapes and tells her story to her sister, Karen (Fay Ripley), and Andy. The film crew convinces the police that it was simply some special effects that Billy witnessed, then they start a deadly cat-and-mouse game with the hapless Americans. The intrigue soon leads Billy and her friends to “The Reaper” (Alec Guinness), the shadowy financier of an entire snuff-film underground. Director Anthony Waller’s screenplay for Mute Witness began as a tale of gangsters in 1930s Chicago, but he rewrote it to take advantage of Russia’s analogous present-day climate — and the country’s cheap sets and labor. Unexpected problems, from a diptheria epidemic to unexpected fines at the customs gate, nearly sank the production. The director convinced Guinness to appear in the film several years before principal photography began; the veteran thespian was paid nothing for his scenes, which were shot in a single morning in Germany.

It’s said that most American men think about sex once every two or three minutes, but this statistic would seriously underestimate the horniness of Jim (Jason Biggs), a high school senior in suburban Michigan. Jim is thoroughly obsessed with sex, a fact of which his parents become aware when they discover him performing the sin of Onan with a gym sock while watching scrambled pay-per-view porn. Jim’s buddies Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Oz (Chris Klein) are no less anxious to relieve themselves of their virginity, so they all make a pledge: they will go to bed with a woman in the three weeks before senior prom or die trying. Kevin appears to have the advantage, since he already has a girlfriend, Vicky (Tara Reid), but before he ventures into the Final Frontier, Kevin is urged to consult “The Bible,” a hand-written how-to manual possessing erotic wisdom passed down through the ages. Oz is a good-looking jock who is actually a nice guy — which is part of the problem, since he has his heart set on a nice girl, Heather (Mena Suvari), who does not seem the type to leap into bed within 21 days. Finch has no immediate prospects, though Jessica (Natasha Lyonne) is in a position to know if those rumors about him are true. And Jim is a truly hopeless case — after his attempted seduction of beautiful Czech exchange student Nadia (Shannon Elizabeth) turns out to be a disaster, he ends up going to the prom with Michelle (Alyson Hannigan), an annoyingly chatty band geek who does, however, have a fascinating story about a flute. American Pie was the directorial debut of Paul Weitz, who, along with his brother Chris Weitz (who served as producer), previously wrote several screenplays, including Antz and Madeline (where they presumably worked all their wholesome ideas out of their system).