Bovie Movie

Based on Helen Fielding’s hugely popular novel, this romantic comedy follows Bridget (Renee Zellweger), a post-feminist, thirty-something British woman who has a penchant for alcoholic binges, smoking, and an inability to control her weight. While trying to keep these things in check and also deal with her job in publishing, she visits her parents for a Christmas party. They try to set her up with Mark (Colin Firth), the visiting son of one of their neighbors. Snubbed by Mark, she instead falls for her boss Daniel Hugh Grant), a dashing lothario who begins to send her suggestive e-mails that soon lead to a dinner date proposition. Daniel reveals that he and Mark attended college together, during which time Mark had an affair with his fianc?e. When Bridget finds Daniel cavorting with an American colleague, she decides to change her life with a new job as a TV presenter. At a dinner party, she bumps into Mark again, who expresses his affection for her; when Daniel claims he wants Bridget back, the two fight over who deserves her affections the most. Popular British performers Gemma Jones, Jim Broadbent, and Shirley Henderson appear in the supporting cast.

In this comedy, a cop assumes a new identity in his valiant battle against crime: an elderly grandmother! Malcolm Turner (Martin Lawrence) is an FBI agent who is a master of disguise and will stop at nothing to get his man. When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. The thief’s girlfriend Sherry (Nia Long), who is also the mother of his child, lives in a small Southern town, and Malcolm plans to set up a stake-out in the house across the street from Sherry’s. However, the house is owned by Big Momma (Ella Mitchell), an older woman with a sharp tongue and no patience for back talk, and when Big Momma has to leave town, it leaves her house suspiciously empty. Determined to maintain his cover, Malcolm disguises himself as Big Momma, and now has to convince Sherry (and everyone else in the neighborhood) that Big Momma’s still in town. Big Momma’s House gained considerable pre-production publicity when Lawrence fell into a coma while jogging in a heat wave before the film’s start date; Lawrence claimed that he was trying to lose weight to fit more comfortably into his character’s “fat suit.”

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though “immensely popular” is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) — who is widely regarded as the most powerful wizard of the age — Hogwarts is renowned for its safety. Harry’s nonchalance eventually turns to blind rage after accidentally learning the first of Black’s many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard’s third year back at school — the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned.

A meek and lovable milquetoast married to an overbearing, overweight tyrant finds his life turned upside down when he meets the woman of his dreams in this romantic comedy starring Eddie Murphy, Thandie Newton, Cuba Gooding Jr., and Eddie Griffin. His entire life, Norbit (Murphy) has been picked on and put down, and after being bullied into marrying the most obnoxious woman in town (also Murphy) it appears as if that’s the way things will remain until the day he dies. Upon meeting the one woman who seems to accept him for who he is, Norbit is instilled with a newfound sense of hope for the future. In order to find true happiness, however, Norbit will first have to gather the courage to stand up to his monstrous spouse once and for all.

An aspiring musician becomes one of the most famous bartenders in New York in this high-spirited comedy-drama. Small-town girl Violet Sanford (Piper Perabo) dreams of making a name for herself as a singer and songwriter, so she moves to New York City in hopes of landing her big break. Needing to support herself until stardom rolls around, she takes a job as a barmaid at a new nightspot called Coyote Ugly, where the owner Lil (Maria Bello) and the staff of attractive young women dance on the bar, flirt with the mostly male clientele, sing along with the jukebox, and goad the customers into matching them shot for shot. Soon, local media pick up on the bar’s success, turning the staff into unexpected celebrities, a situation that presents its own set of problems. Coyote Ugly also stars John Goodman as Violet’s straight-laced father, Adam Garcia as a customer Violet becomes involved with, and Tyra Banks, Melanie Lynskey, Bridget Moynahan, and Izabella Miko as the barmaids; action-film titan Jerry Bruckheimer produced.

In this sequel to the urban comedy Friday, rap music star Ice Cube returns as Craig Jones, a streetwise man from South Central Los Angeles who has a knack for getting into trouble. This time out, Craig is still trying to outsmart neighborhood bully Debo (Tommy “Tiny” Lister Jr.); after Craig gets the better of Debo in a fist fight, Debo is determined to flatten Craig in a rematch. Looking to stay out of Debo’s way, Craig decides that it would be a good time to visit his cousin (Mike Epps) and uncle (Don “DC” Curry), who have recently won the lottery and moved into a spacious new home in the suburbs. Like Friday, Next Friday was written by Ice Cube and his frequent musical collaborator DJ Pooh; music video director Steve Carr made his feature debut with this film.

After a rather decided departure with his 1999 homage to Gilbert and Sullivan, Topsy-Turvy, Mike Leigh returns to his usual form for All or Nothing, a melancholy look at the day-to-day lives of a dysfunctional lower-middle class British family called the Bassetts. Timothy Spall and Lesley Manville (familiar to fans of Leigh’s previous films) star as Phil and Penny, a common-law husband and wife who toil their gloomy days away as a cab-driver and grocery-store cashier, respectively. When the couple come to realize the growing emptiness in their relationship, an unexpected emergency within their family brings them closer together and offers the possibility of reigniting the long-extinguished spark in their marriage. Hoping to repeat the Palm D’or win of Leigh’s 1996 film Secrets and Lies, All or Nothing was screened in competition at the 2002 Cannes Film Festival.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

First-time director Morgan Spurlock takes a look at the subject of obesity in the United States, specifically zeroing in on the business and culture surrounding the nation’s fast-food industry in this 2004 documentary. In addition to studying the marketing of fast food to American children and unsuccessfully attempting to gain an interview with McDonald’s executives, Spurlock attempts to become one of his own subjects by documenting a one-month binge during which he survived only on items from the McDonald’s menu, forcing himself to eat three meals a day and try every offering at least once. Super Size Me premiered at the 2004 Sundance Film Festival.

Director David Fincher’s dark, stylish thriller ranks as one of the decade’s most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset’s worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset’s retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset’s last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981).