Bovie Movie

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

In this sequel to the surprise hit Grumpy Old Men, life goes on much as it usually does in Wabasha County, Minnesota, with the only notable differences being that John Gustafson (Jack Lemmon) and Max Goldman (Walter Matthau) are getting along all right (or at least to the extent that they’re capable of getting along with each other), and that John’s marriage to free-spirited Ariel (Ann-Margret) is working out quite nicely. John and Max’s great obsession in life remains fishing, and both are vying to reel in “Catfish Hunter,” a trophy fish that local anglers have been trying to catch for ages. However, Max is outraged when Maria Ragetti (Sophia Loren) and her mother Francesca (Ann Morgan Guilbert) arrive in town and take over the local bait and tackle shop, only to announce that they’re going to close it down and open an Italian restaurant in its place. Max goes to remarkable lengths to foil Maria’s plans, but John thinks that his friend needs a wife, and that Max and Maria might make a good match. Grandpa Gustafson (Burgess Meredith) seems to think he’d be a good mate for Francesca, but then again he’s not known for being very fussy about women. John’s daughter Melanie (Daryl Hannah) and Max’s son Jacob (Kevin Pollak) are trying to work out their own plans to get married, and they might just make it to the altar if John and Max can stop interfering. Grumpier Old Men proved to be the last role for veteran actor Burgess Meredith, who died two years after it was released.

This cheerful holiday comedy, a surprise box office smash, featured a generous dollop of raunchy, crude humor and was greatly elevated by the presence of masterful performers in the lead roles. Jack Lemmon is John Gustafson, an ice-fishing Minnesota native who has been feuding with his neighbor and former best friend Max Goldman (Walter Matthau) for decades. The battle of wills between John and Max is characterized by crude name calling and harmless practical jokes. Max is unaware that John is having serious problems, chiefly that his daughter Melanie (Daryl Hannah) is experiencing marital woes and that his house is about to be confiscated by an officious IRS agent (Buck Henry). When it seems that John and Max may finally put aside their childish rivalry, however, sexy new neighbor Ariel (Ann-Margret) arrives and dates both men, pitting them against each other more fiercely than ever before. Despite their mutual loathing, the death of a friend, John’s problems, and a budding romance between Max’s son Jacob (Kevin Pollak) and Melanie may force the two old friends to reconcile.

The first feature-length motion picture to use computer-generated imagery to create not only effects, props, and environments but also the human cast members themselves, this lavish science-fiction adventure follows closely on the heels of another video game-based film, Tomb Raider (2001). Ming-Na provides the voice of Dr. Aki Ross, a female scientist in the year 2065, a time when Earth has been overrun by extraterrestrial phantoms borne of a crashed meteor. Humans have been pushed back to cities protected by barriers that keep the marauding space monsters away, but time is running out. Fatally infected by one of the ghostly beasts, Ross seeks information about their purpose and physiology, assisted by her mentor Dr. Sid (voice of Donald Sutherland) and the Deep Eyes military squad of courageous Captain Gray Edwards (voice of Alec Baldwin). Tension develops between Aki’s quest to stop the alien onslaught through study and the more extreme solution favored by the vengeful, saber-rattling General Hein (voice of James Woods), who would destroy both the aliens and the Earth itself. Aki ultimately comes to realize that the key to unlocking the mystery of the invaders lies within her own dreams.

The Lord of the Rings: The Return of the King brings Peter Jackson’s mammoth adaptation of J.R.R. Tolkien’s classic to a close in suitably epic fashion. Instead of starting just where the previous film left off, however, it goes far back in time to the moment the tormented creature Gollum first came to possess the One Ring. In this flashback, actor Andy Serkis (who voiced Gollum and performed his movements onset prior to the final CGI effects) finally gets to appear onscreen, portraying Gollum’s former self, Sméagol. This disturbing scene serves as a potent reminder that the Ring seeks to corrupt even the well-intentioned Frodo (Elijah Wood), who is increasingly struggling with the dark power of the Ring himself. Thus, the film returns to the present, following Frodo, Sam (Sean Astin), and Gollum as they journey ever closer to the foreboding land of Mordor. They pass by the terrifying dark city of Minas Morgul, watching as the dreadful army of the Witch King sets out for the human strongholds in Gondor, and move on to the rocky stairs to Cirith Ungol, where an even darker enemy lies in wait. Meanwhile, the rest of the Fellowship reunites in Rohan, having defeated the wizard Saruman on two different fronts, at Helm’s Deep and Isengard. They are not together for long, though, since the hobbit Pippin (Billy Boyd) gets into trouble, making it necessary for him and Gandalf (Ian McKellen) to hastily depart for Minas Tirith, capital of Gondor. Once there, they find the steward of Gondor, Denethor (John Noble), in an unstable mental state and the city preparing for battle against the amassing forces of Sauron. Denethor unwisely sends his only remaining son, Faramir (David Wenham), back into bloody battle to prove himself. He returns nearly dead, sending Denethor over the edge of sanity.

In another realm, elf Arwen (Liv Tyler) begins her journey to immortal life in the Grey Havens, on her way to leave Middle-earth — and Aragorn (Viggo Mortensen) — forever, but has a vision that causes her to once again reconsider her decision. Back in Rohan, the men are preparing to ride to Gondor’s aide. Éowyn (Miranda Otto) desperately wants to join the men in battle, but her uncle, King Théoden (Bernard Hill), orders her to stay and defend Rohan if necessary. The hobbit Merry (Dominic Monaghan) also desires to ride with the men, but is denied due to his small size and inexperience. Aragorn is met there by the elf Elrond (Hugo Weaving), who brings him the re-forged Sword that was Broken (in the ancient battle with Sauron) and urges him to take a different route to Gondor. Heeding Elrond’s advice, Aragorn, along with elf Legolas (Orlando Bloom) and dwarf Gimli (John Rhys-Davies), takes a cavernous path through the mountains, where they meet ghoulish ghosts who betrayed Aragorn’s ancestors and are doomed to eternal unrest unless they fulfill their broken oaths by aiding him. All but Frodo, Sam, and Gollum will meet on the massive battlefield of the Pelennor before the gates of Minas Tirith. The former three instead engage in a battle of wills between each other and the One Ring as they head toward the fires of Mount Doom to destroy it. Released in December 2003, The Return of the King topped even its massively successful trilogy predecessors at the box office, and went on to garner a whopping 11 Academy Awards, including Best Picture — winning in all the categories in which it was nominated and tying the record of total awards won with Ben-Hur and Titanic.