Bovie Movie

Independent filmmaker Jacob Aaron Estes makes his feature debut with the coming-of-age drama Mean Creek. Rory Culkin, Ryan Kelley, Scott Mechlowicz, Josh Peck, Trevor Morgan, and Carly Schroeder are teenagers living in small-town Oregon. Some of the boys take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they’re forced to deal with the unexpected consequences of their actions. Mean Creek was workshopped at the Eugene O’Neill Center’s National Playwrights Conference and premiered at the Sundance Film Festival as part of the American Spectrum program.

Eight brave sled dogs search for the master who is looking for a way to rescue them in this adventure drama. An American geologist (Bruce Greenwood) flies to Antarctica to participate in a project at the United States Research Base, where he teams up with arctic guide Jerry Shepard (Paul Walker) and his best friend, Cooper (Jason Biggs). The scientist soon discovers that Shepard also has eight other valuable friends — a pack of sled dogs he’s worked with for years, who have rescued him from a number of tight spots. As the three men explore a frozen mountain region, an unexpected accident coupled with a massive storm front forces them to fly to safety, leaving the dogs behind. Shepard is determined to rescue his canine friends, but he has to wait until the weather will allow him to travel back to the mountain, while the dogs struggle against the elements to survive as they attempt to make their way back home. Eight Below was inspired by a true story involving Japanese researchers exploring the Antarctic in 1957; the story was made into the film Nankyoku Monogatari.

With an insane asylum standing in for everyday society, Milos Forman’s 1975 film adaptation of Ken Kesey’s novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama’s boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other’s worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy’s message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions.

Kevin Costner directed and stars in this adaptation of David Brin’s science fiction novel The Postman (1985), first published in 1982 issues of Isaac Asimov’s Science Fiction Magazine. Costner’s return to directing after his Oscar-winning Dances With Wolves(1990) is a futuristic epic depicting the aftermath of a destructive war. Some 16 years from the present day, America has been turned into a wasteland of separated communities minus a national government. A vagabond (Costner) who travels through these little villages performing Shakespeare is captured by marauders known as the Holnists, and thrown into a totalitarian labor camp run by a Hitler-like dictator, General Bethlehem (Will Patton).

Making an escape, the drifter, known to some as “Shakespeare,” stumbles across an abandoned U.S. Postal Service jeep and dons the dead postal-worker’s uniform. With a scheme simply to get food, he sets out to deliver 15-year-old mail, proclaiming himself The Postman, and discovers that residents accept his lies about a restored United States government because they desperately need something to believe in. This hope leads to the thought that perhaps the United States of America could indeed be restored, so an unusually inspired young man, Ford (Laren Tate) is deputized with the “Neither snow, nor rain…” oath to become the country’s second Postman. At the town of Pineview, the attractive Abby (Olivia Williams), who has an impotent husband, asks The Postman to impregnate her. After Abby’s husband is killed during a raid by Bethlehem, she is taken prisoner but injures Bethlehem and makes an escape. Pregnant, she spends the winter nursing the wounded Postman in a snowbound cabin. When spring comes, they emerge to discover that Ford has organized an entire squad of mail deliverers who regard The Postman as a mythical hero. The Postman reluctantly accepts his messianic role in the rebirth of the country, even as it becomes clear that the rebel force must ultimately battle and defeat the Holnist army in order to regain the American Dream.

In this international action thriller, Paul Racine (Christopher Lambert) is an American salesman with a computer firm who is in Japan on business. While spending an evening in a bar, he meets Kirina (Joan Chen), a beautiful but mysterious woman. Paul buys Kirina a drink, one thing leads to another, and he ends up spending the night with her. However, when Paul returns to her room to retrieve a set of keys he left behind, he discovers that Kirina is being murdered by Kinjo (John Lone), the master of a cult of bloodthirsty ninjas. Kinjo informs Karina that no one has ever seen his face and lived, so when Paul witnesses Kirina’s execution and the face Kinjo hides behind his mask, he’s a marked man. With the help of Takeda (Yoshio Harada), an experienced ninja fighter, Paul learns how to defend himself against his new adversaries as he plots a final showdown with the deadly Kinjo. The Hunted represented something of a reunion for John Lone and Joan Chen, who previously starred together in The Last Emperor.

Director Barry Levinson follows up the low-budget An Everlasting Piece (2000) with another comedy, this one of the homegrown variety from former Twin Peaks (1990) TV series writer Harley Peyton. Bruce Willis stars as suave bank robber Joe, who has escaped from prison with his hypochondriac buddy Terry (Billy Bob Thornton). Together, the two men have devised a clever scheme to take a bank officer hostage the night before a heist, then simply escort the executive to work early the next morning when they clean out the vault. Their ingenious methods have led to the men becoming media darlings dubbed “the Sleepover Bandits,” but all Joe and Terry want is to make a nice pile of money before crossing the Mexican border to a life of freedom and legitimacy. Their quest gets more complicated when Terry is struck by a car driven by Kate Wheeler (Cate Blanchett), a bored housewife who’s then forced to join their crime spree. Soon both Joe and Terry are in love with Kate and she with them, realizing that the two friends put together pretty much equal the perfect man. Bandits co-stars Troy Garity, son of actress Jane Fonda.