Bovie Movie

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

It’s said that most American men think about sex once every two or three minutes, but this statistic would seriously underestimate the horniness of Jim (Jason Biggs), a high school senior in suburban Michigan. Jim is thoroughly obsessed with sex, a fact of which his parents become aware when they discover him performing the sin of Onan with a gym sock while watching scrambled pay-per-view porn. Jim’s buddies Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Oz (Chris Klein) are no less anxious to relieve themselves of their virginity, so they all make a pledge: they will go to bed with a woman in the three weeks before senior prom or die trying. Kevin appears to have the advantage, since he already has a girlfriend, Vicky (Tara Reid), but before he ventures into the Final Frontier, Kevin is urged to consult “The Bible,” a hand-written how-to manual possessing erotic wisdom passed down through the ages. Oz is a good-looking jock who is actually a nice guy — which is part of the problem, since he has his heart set on a nice girl, Heather (Mena Suvari), who does not seem the type to leap into bed within 21 days. Finch has no immediate prospects, though Jessica (Natasha Lyonne) is in a position to know if those rumors about him are true. And Jim is a truly hopeless case — after his attempted seduction of beautiful Czech exchange student Nadia (Shannon Elizabeth) turns out to be a disaster, he ends up going to the prom with Michelle (Alyson Hannigan), an annoyingly chatty band geek who does, however, have a fascinating story about a flute. American Pie was the directorial debut of Paul Weitz, who, along with his brother Chris Weitz (who served as producer), previously wrote several screenplays, including Antz and Madeline (where they presumably worked all their wholesome ideas out of their system).

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

Miramax Films darlings Robert Rodriguez and screenwriter Kevin Williamson teamed up for a high-school alien-horror film that they described as The Breakfast Club meets Invasion of the Body Snatchers. Dilapidated Herrington High is the location for a story about a school faculty taken over by outer-space creatures, forcing the students to take charge and kick some alien butt. School faculty members (Robert Patrick, Bebe Neuwirth, Salma Hayek, and Jon Stewart) are infested with rapidly reproducing space worms that take over their minds and bodies. But never fear, because at this school, between hazing the student body and having sex in the locker room, a Scooby-Doo-ish group of high school students is ready to fight back. The up-and-coming acting talent includes R&B singer Usher Raymond, Elijah Wood, Clea DuVall, Josh Hartnett, Shawn Hatosy, Laura Harris, and Jordanna Brewster. The story is nearly irrelevant, as the real stars are the action and lots of special effects.

A handful of heroes become superheroes under unlikely circumstances in this action drama adapted from the long-running Marvel comic book series. Four astronauts are on a mission aboard a new experimental spacecraft when they are unexpectedly exposed to a massive dose of gamma rays. The accident causes strange and unexpected transformations in all four. Reed Richards (Ioan Gruffudd), top scientist and leader of the mission, can now stretch his body like elastic and is dubbed Mr. Fantastic. His partner and sweetheart, Sue Storm (Jessica Alba), develops the ability to become invisible at will, and becomes known as The Invisible Girl. Her younger brother, Johnny Storm (Chris Evans), is renamed The Human Torch for his new talent of being able to summon up fire from his body when he chooses. And Ben Grimm (Michael Chiklis), pilot for the journey, mutates into a monstrous creature with super-human strength and muscles like stone, known as The Thing. Together, the travelers become known as the Fantastic Four, and they set out to use their unusual skills to fight crime, quickly gaining a nemesis in another altered hero who uses his talents for evil, Doctor Doom (Julian McMahon). A long-gestating project that had been talked about by a number of filmmakers since the early ’90s, Fantastic Four was previously the basis for a pair of animated television serials, and was made into a feature film in 1994 by producer Roger Corman, though that film was never officially released. (Fantastic Four creator Stan Lee has said the 1994 film was made only so that the producers could hold on to the rights to the characters, and that it was never intended to be distributed to the public.)

After incorporating elements of comic book style and design into many of his films, director Sam Raimi helms this straight-ahead, big-budget comic book adaptation, which also marks acclaimed young actor Tobey Maguire’s first dip into live-action blockbuster filmmaking. Spider-Man follows the template of the original Stan Lee/Steve Ditko source material, with hero Peter Parker an orphaned, intellectual teen loner living in Queens with his aunt (Rosemary Harris) and uncle (Cliff Robertson), and dreaming of the girl next door, Mary Jane (Kirsten Dunst). On a field trip to a Columbia University lab, Peter is bitten by a genetically altered spider and overnight he gains superhuman strength, agility, and perception. At first, Peter uses his powers for material gain, winning a wrestling match with a purportedly lucrative prize. But when Peter apathetically fails to stop a burglar from robbing the wrestling arena, a tragedy follows that compels him to devote his powers to fighting crime — as the superhero Spider-Man. When he’s not busy fighting crime in a spider suit, Peter moves into an apartment with his best friend, Harry (James Franco), and begins work as a photographer at the Daily Bugle. Meanwhile, his do-gooder alter ego finds a nemesis in the form of the Green Goblin (Willem Dafoe), a super-powered, megalomaniacal villain who happens to be the alter ego of Harry’s father, weapons-manufacturing mogul Norman Osborn. Spider-Man was written by the prolific blockbuster scribe David Koepp (Jurassic Park, Panic Room).

Mike Mignola’s acclaimed comic book series about a creature from Hades who joins the battle against evil arrives on the screen in vivid form in this adaptation directed by distinctive horror filmmaker Guillermo del Toro. During World War II, the Third Reich has joined forces with the evil Grigori Rasputin (Karel Roden), who has used his occult powers to summon up a young demon from the depth of Hell to be used as the ultimate Axis weapon. However, the demonic creature is captured by American forces, and put in the care of Professor Broom (John Hurt), the founder of a top-secret organization called the Bureau for Paranormal Research and Defense. Under Broom’s tutelage, the creature develops empathy and a desire to do good while his physical powers and paranormal talents are honed to a fine point. Sixty years later, the demon, now known as Hellboy (Ron Perlman), is part of an elite secret defense team alongside Liz Sherman (Selma Blair), a beautiful young woman who can create fire with her mind, and Abe Sapian (Doug Jones), an aquatic humanoid with the power of telepathy. Despite his many years of fighting for right, Hellboy finds himself facing his greatest challenge when the powerful Rasputin returns, determined to bring the demon back to the forces of darkness so that evil may finally rule the world. Hellboy’s supporting cast also includes Jeffrey Tambor, Rupert Evans, and Brian Steele.