Bovie Movie

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he’d prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, “protected” from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O’Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who’ve been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to “westernize” himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war’s end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City…as a tourist. Bernardo Bertolucci’s first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director.

In 1977, George Lucas released Star Wars, the ultimate sci-fi popcorn flick-turned-pop-culture myth machine. It quickly became the biggest money-making film of all time and changed the shape of the film industry. After two successful sequels (1980’s The Empire Strikes Back and 1983’s Return of the Jedi) that extended the story of the first film, Lucas took some time off to produce movies for others, with mixed success. In 1999, Lucas returned to the Star Wars saga with a new approach — instead of picking up where Return of the Jedi left off, Star Wars: Episode I — The Phantom Menace would be the first of a trilogy of stories to trace what happened in the intergalactic saga before the first film began. Here, Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson); Anakin Skywalker (Jake Lloyd), who will later father Luke Skywalker and become known as Darth Vader, is just a nine-year-old boy. When the Trade Federation cuts off all routes to the planet Naboo, Qui-Gon and Obi-Wan are assigned to settle the matter, but when they arrive on Naboo they are brought to Amidala (Natalie Portman), the Naboo queen, by a friendly but opportunistic Gungan named Jar Jar. Qui-Gon and Obi-Wan plan to escort Amidala to a meeting of Republic leaders in Coruscant, but trouble with their spacecraft strands them on the planet Tatooine, where Qui-Gon meets Anakin, the slave of a scrap dealer. Qui-Gon is soon convinced that the boy could be the leader the Jedis have been searching for, and he begins bargaining for his freedom and teaching the boy the lessons of the Force. The supporting cast includes Pernilla August as Anakin’s mother, Terence Stamp as Chancellor Valorum, and Samuel L. Jackson as Jedi master Mace Windu. Jackson told a reporter before The Phantom Menace’s release that the best part about doing the film was that he got to say “May the Force be with you” onscreen.

Robin Williams’s dizzying and hilarious voicing of the Genie is the main attraction of Aladdin, the third in the series of modern Disney animated movies that began with 1989’s The Little Mermaid and heralded a new age for the genre. After a sultan (Douglas Seale) gives his daughter, Jasmine (Linda Larkin), three days to find a husband, she escapes the palace and encounters the street-savvy urchin Aladdin (Scott Weinger), who charms his way into her heart. While the sultan’s Vizier, Jafar (Jonathan Freeman), weaves a spell so that he may marry Jasmine and become sultan himself, Aladdin discovers the Genie’s lamp in a cave, rubs it, and sets the mystical entity free, leading the Genie to pledge his undying loyalty to the dazzled youth. Aladdin begins his quest to defeat Jafar and win the hand of the princess, with the Genie’s help. Monsters, Disney’s trademark talking animals, and a flying carpet all figure into the ensuing adventures, but Williams’ Genie, who can change into anything or anybody, steals the show as he launches into one crazed monologue after another, impersonating figures from Ed Sullivan to Elvis Presley.

Director Tim Burton brings his unique vision and sensibility to Roald Dahl’s classic children’s story in this lavish screen interpretation. Willy Wonka (Johnny Depp) is the secretive and wildly imaginative man behind the world’s most celebrated candy company, and while the Wonka factory is famously closed to visitors, the reclusive candy man decides to give five lucky children a chance to see the inside of his operation by placing “golden tickets” in five randomly selected chocolate bars. Charlie Bucket (Freddie Highmore), whose poor but loving family lives literally in the shadow of the Wonka factory, is lucky enough to obtain one of the tickets, and Charlie, escorted by his Grandpa Joe (David Kelly), is in for the ride of a lifetime as he tours the strange and remarkable world of Wonka with fellow winners, media-obsessed Mike Teavee (Jordan Fry), harsh and greedy Veruca Salt (Julia Winter), gluttonous Augustus Gloop (Philip Wiegratz), and ultra-competitive Violet Beauregarde (AnnaSophia Robb). Over the course of the day, some of the children will learn difficult lessons about themselves, and one will go on to become Wonka’s new right hand. Charlie and the Chocolate Factory also stars Christopher Lee, James Fox, and Noah Taylor; the book was famously adapted to the screen before in 1971 under the title Willy Wonka and the Chocolate Factory, with Gene Wilder as the eccentric candy tycoon.

The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy’s rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy’s shooting of the Sherpa warrior.