Bovie Movie

This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files — arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series’ 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder’s father, tells Mulder about the group behind the explosion, the cover-up of the boy’s death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic.

Satan’s son has arrived on Earth and He’s not about to let human parents get in the way. When his wife Katherine’s (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer’s son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn’s fears escalate when photographer Jennings (David Warner) shows him pictures from Damien’s party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien’s identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon.

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based “paranormal investigators”. When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and “channelled” through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year’s worth of Japanese monster flicks combined. Who’d ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi’s death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters.

Divorced architect Jonathan Rivers (Michael Keaton) seems to lead a pretty good life with partial custody of his young son and a happy second marriage to Anna (Chandra West), a best-selling author. Things take an ugly turn when Anna disappears during a thunderstorm, apparently the victim of a freak accident. Eventually, her body is found, and Jonathan sinks into despair. Then he meets Raymond (Ian McNeice), who claims that Anna has contacted him through EVP, or electronic voice phenomena. Raymond explains that the dead can communicate from beyond via static on common electronic equipment like radios and televisions. Jonathan is skeptical until he starts getting phone calls from Anna’s inactive cell phone. He visits Raymond, whose home is filled with audio and video monitors and high-tech recording equipment. There he meets Sarah (Deborah Kara Unger), who has recently received a farewell message from her late fiancé. Jonathan eventually receives what appears to be a communication from Anna, but soon afterward, Raymond turns up dead. Obsessed with maintaining contact with his late wife, Jonathan visits a psychic (Connor Tracy) who warns him that he’s going down a dangerous path, “meddling” in the affairs of the dead. Undaunted, Jonathan continues to study EVP and eventually finds that he’s getting messages from people who haven’t died…yet. White Noise was directed by Geoffrey Sax from an original script by Niall Johnson.

Nick Briscoe’s psychological thriller concerns an artist fixated on images of his wife meeting a most bloody demise. He begins to suspect his neighbor might be behind his fears, but he acts on impulses he has to keep these terrible nightmares from becoming a reality.

In this tense tale of psychological terror, Dr. Malcolm Crowe (Bruce Willis) is a child psychologist whose new patient has a problem far outside his usual area of expertise. Cole Sear (Haley Joel Osment) is six-years-old and claims to see the spirits of dead people all around him. It seems that Cole has psychic powers and can channel the ghosts of those who were troubled. Cole doesn’t understand his powers, and he has little control over them; he’s constantly terrified by what he sees, and Dr. Crowe is the only one with whom he feels he can share this secret. However, as the doctor digs deeper into Cole’s strange powers, it leads to strange and unexpected consequences for both of them. M. Night Shyamalan, who wrote and directed the film, has a small role as Dr. Hill.

Mike Mignola’s acclaimed comic book series about a creature from Hades who joins the battle against evil arrives on the screen in vivid form in this adaptation directed by distinctive horror filmmaker Guillermo del Toro. During World War II, the Third Reich has joined forces with the evil Grigori Rasputin (Karel Roden), who has used his occult powers to summon up a young demon from the depth of Hell to be used as the ultimate Axis weapon. However, the demonic creature is captured by American forces, and put in the care of Professor Broom (John Hurt), the founder of a top-secret organization called the Bureau for Paranormal Research and Defense. Under Broom’s tutelage, the creature develops empathy and a desire to do good while his physical powers and paranormal talents are honed to a fine point. Sixty years later, the demon, now known as Hellboy (Ron Perlman), is part of an elite secret defense team alongside Liz Sherman (Selma Blair), a beautiful young woman who can create fire with her mind, and Abe Sapian (Doug Jones), an aquatic humanoid with the power of telepathy. Despite his many years of fighting for right, Hellboy finds himself facing his greatest challenge when the powerful Rasputin returns, determined to bring the demon back to the forces of darkness so that evil may finally rule the world. Hellboy’s supporting cast also includes Jeffrey Tambor, Rupert Evans, and Brian Steele.

A righteous police officer investigating the disappearance of a young girl comes into conflict with the unusual residents of a secluded Scottish isle in this unsettling, intelligent chiller. Brought to the island of Summerisle by an anonymous letter, Edward Woodward’s constable is surprised to discover that the island’s population suspiciously denies the missing girl’s very existence. Even more shocking, at least to the traditionally pious law office, the island is ruled by a libertarian society organized around pagan rituals. Repelled by the open acceptance of sexuality, nature worship, and even witchcraft, the officer takes an antagonistic attitude towards the people and their leader, an eccentric but charming English lord (Christopher Lee). The officer’s unease intensifies as he continues his investigation, slowly coming to fear that the girl’s disappearance may be linked in a particularly horrifying manner to an upcoming public festival. Anthony Shaffer’s meticulously crafted screenplay creates a thoroughly convincing alternative society, building tension through slow discovery and indirect suggestion and making the terrifying climax all the more effective. Performances are also perfectly tuned, with Woodward suitably priggish as the investigator and horror icon Lee delivering one of his most accomplished performances as Lord Summerisle. Little noticed during its original theatrical run due to studio edits and a limited release, the film’s intelligence and uncanny tone has since attracted a devoted cult following.

Her faith shaken by a family tragedy from which she was never quite able to fully recover, a professor of theology from Louisiana State University moonlighting as a debunker of unexplained religious phenomena finds herself faced with an apocalyptic series of events that seem to reflect the ten plagues of Exodus in director Stephen Hopkins’ Southern gothic chiller. The terrified citizens of Haven, Louisiana have been beset by swarms of locusts and watched as rivers turned to blood. As if that wasn’t enough to put the fear of God into any Bible-reading Christian, ominous rumors of a local swamp cult have left many of the small town citizens turning to prayer for fear that the end is finally nigh. Enter Katherine Winter (Hilary Swank), a skeptical myth-buster and renowned theology scholar with a special knack for spotting religious trickery. Though at first exceedingly confident that she will uncover a human component behind the otherworldly occurrences, Katherine quickly learns that just because one doesn’t believe in the supernatural doesn’t necessarily mean that it doesn’t exist.

An ordinary man with an extraordinary gift must save the planet from evil in this action-packed fantasy. Unknown to most people, the world is crowded with spirits both good and evil who walk among us in human guise. One of the few who can see these spirits is John Constantine (Keanu Reeves), but the responsibility of his vision is more than he can stand, and he tries to kill himself. Saved from death, Constantine must now atone for his actions by acting as a guardian in the middle ground between Paradise and Hell. Constantine also makes the acquaintance of Angela Dodson (Rachel Weisz), a police detective who becomes aware of his unusual gift while looking into the death of her sister; he leads her into the unknown world of the spirits and soon circumstances demand that they join forces in a desperate bid to save humanity from evil. Constantine also features Tilda Swinton, Peter Stormare, and Gavin Rossdale, the latter best known as the lead singer of the rock group Bush.