Bovie Movie

In this Western based loosely on actual events and people, Emilio Estevez stars as William H. Bonney (aka Billy the Kid). Sought for a petty crime in Lincoln County, Billy is taken in by John Tunstall (Terrence Stamp), a British ranch owner seeking to make it in the cattle business. Tunstall employs a group of “regulators,” comprised of wayward youths he’s gathered over the years, to watch over his ranch; in turn, he teaches them how to read and reforms them into better men. Tunstall’s business interests come into conflict with those of corrupt and murderous businessman Lawrence Murphy (Jack Palance), whose widespread connections make him a power to be reckoned with. When Tunstall won’t budge from his right to pursue a living, Murphy’s henchmen stage an ambush and kill him. This triggers a vow of vengeance from the quick-tempered Billy and his five fellow regulators, who are deputized to serve arrest warrants in the murder. However, when Billy decides to gun down the suspects instead of detaining them, his loyal pals become accessories in a vigilante spree to wipe the territory clean of Murphy and his web of conspirators. Soon, the supposed lawmen are on the run from bounty hunters, henchmen, and government soldiers, from all directions of the compass. This box-office hit also stars Charlie Sheen, Kiefer Sutherland, Lou Diamond Phillips, Dermot Mulroney, and Casey Siemaszko.

Forget everything you know about Little Red Riding Hood; the classic fairy tale gets a new look and a new style in this computer-animated comedy for the whole family. Grizzly (voice of Xzibit) and Stork (voice of Anthony Anderson) are a pair of critter cops who have been called the homey bungalow of Granny (voice of Glenn Close) to investigate a disturbance of the peace. It seems there was an altercation involving Granny, her granddaughter Little Red Riding Hood (voice of Anne Hathaway), a Big Bad Wolf (voice of Patrick Warburton), and a Woodsman (voice of Jim Belushi). However, as the detectives interview the participants and get each individual’s perspective, they learn that Granny isn’t so helpless, Red may have been doing more than just visiting relatives, the Wolf isn’t the predator he’s been cracked up to be, and the Woodman doesn’t have much of an intellectual advantage over the trees he chops down. Hoodwinked also features the voice talents of Andy Dick, David Ogden Stiers, and Chazz Palminteri.

Decked out in powdered wig and pasty “dandy” makeup, Richard Chamberlain stars as legendary Venetian lover Giovanni Casanova (1725-1798) in this made-for-television biopic. The teleplay by George Macdonald Fraser (of “Flashman” fame) follows Casanova as his reputation for being catnip to women builds throughout the 18th century. His sexual exploits cost him several important social and professional posts, and eventually land him in a Venice prison on a morals charge. Casanova’s escape attempt provides a strong second act for this 3-hour effort, which also offers an amusing “con job” practiced by Casanova on a willing countess (Faye Dunaway). Frank Finlay co-stars as a nobleman who conducts a decades-long feud with our rakish hero. Filmed in Spain and Italy, Casanova debuted on March 1, 1987.

A nanny reveals ways of making children behave that are much more effective than a time-out in this fantasy comedy based on the “Nurse Matilda” books for children by Christianna Brand. Near the dawn of the twentieth century, Mr. Brown (Colin Firth) is a widower who must tend to his business as an undertaker while looking after his brood of seven children. Brown’s offspring are a singularly ill-mannered lot who have managed to drive away 17 different nannies when their father arranges for one Nanny McPhee (Emma Thompson) to help out with the children. McPhee is an strange looking woman with a large nose, protruding teeth, and pock-marked skin, but it isn’t long before the kids realize she has magical powers and isn’t afraid to use them to help keep them in line. While the children aren’t taken with McPhee’s insistence on such things as saying “please” and listening to their elders, it becomes clear everyone has bigger things to worry about. Aunt Adelaide (Angela Lansbury) has insisted that if Mr. Brown cannot find a new wife within a month, she’ll take custody of one of the children and cut off Brown’s inheritance, and while Brown and the widow Mrs. Quickly (Celia Imrie) seem fond of one another, his ineptitude in courtship seems to insure he’ll never get her to the altar. But while the Brown Children realize Nanny McPhee is a formidable opponent, she can also be a valuable ally as they learn to make use of her talents by being better children; they also discover that as they behave better, she begins to look less frightening. Emma Thompson, who played the title role in Nanny McPhee, also wrote the film’s screenplay.

They’ve kept television viewers laughing for nearly 20 years, and now the most popular animated family on the small screen makes the leap into theaters as Homer, Marge, Lisa, Bart, ad Maggie embark on their first-ever feature-length adventure. Directed by David Silverman and written by a whole host of Simpsons veterans including Matt Groening and James L. Brooks, The Simpsons Movie also features special guest appearances by Albert Brooks among others.

In this family-friendly comedy drama, Walter (Haley Joel Osment) is a shy and bookish boy just short of his teens whose mother impulsively decides to leave him for the summer with his eccentric grand-uncles, Hub (Robert Duvall) and Garth (Michael Caine). Walter isn’t especially happy about being left in the middle of Texas with two old men, while Hub and Garth aren’t too pleased to be stuck minding a boy, especially one who isn’t accustomed to hunting, fishing, or firearms. When Walter starts hearing local gossip about his uncles’ wild and wooly pasts, he begins asking a few questions, and while Hub and Garth don’t enjoy having the boy poking into their pasts, as they start telling tales of their youthful adventures, they find themselves itching for some new adventures in their lives. Soon Walter is a semi-willing accomplice as his elderly guardians rediscover the wild, impulsive spirit of youth. Secondhand Lions was produced in part by the well-respected visual effects house Digital Domain, who also helped create the imagery for the film’s flashback sequences.

Guy Ritchie’s sophomore follow-up to his 1998 sleeper hit Lock, Stock, and Two Smoking Barrels, Snatch revisits the previous film’s territory of London’s crime-ridden underbelly, and does so with the same brand of humor and stylish direction that made Ritchie’s first effort a surprise success. With a labyrinthine plot that is ostensibly oriented around a missing diamond, Snatch introduces viewers to three groups of characters intent on retrieving the elusive stone, which has been stolen from an Antwerp jeweler. In the first group are friends and business partners Turkish (Jason Statham, who also supplies the film’s voice-over narration) and Tommy (Stephen Graham), who join up with Mickey (Brad Pitt), an Irish gypsy and boxer. Turkish and Tommy make arrangements with Mickey to take a fall in a match engineered by lunatic gang leader Brick Top (Alan Ford). In another corner resides equally loony Russian gangster Boris the Blade (Rade Sherbedgia), who has asked Jewish gangster Franky Four Fingers (Benicio Del Toro) to place a bet on the match for him. Boris is also scheming to have Sol (Lennie James), the owner of a pawn shop, rob the place with a couple of dim associates. Meanwhile, Avi (Dennis Farina), freshly arrived in London from New York, hires Bullet Tooth Tony (Vinnie Jones) to find Franky when he goes missing; it seems that it was none other than Franky who was supposed to be transporting the purloined diamond to New York.

Shrek and Fiona’s (Mike Myers and Cameron Diaz, respectively) fairy-tale wedding has gone off without a hitch, yet just as the beaming newlyweds prepare to enjoy their blissful “happily ever after,” the sudden death of King Harold (John Cleese) finds everyone’s favorite ornery ogre being reluctantly fitted for the royal crown. Troubled to learn that not only will he be compelled to rule Far Far Away, but that he and Fiona are also expecting a little ogre, Shrek determines to track down his new bride’s rebellious cousin Artie (Justin Timberlake) — the one true heir to the throne — in order to focus on fatherhood without the added distraction of having to preside over the kingdom. As Shrek sets out with faithful companions Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to locate the medieval high-school slacker and bring him back to become the reigning sovereign of Far Far Away, handsome snake Prince Charming (Rupert Everett) slithers back to the castle in the company of the dreaded Captain Hook (Ian McShane) to stage a diabolically timed coup and assume control of the throne. Now, as Shrek, Donkey, and Puss in Boots do their best to wrangle up the feisty Artie, Fiona must enlist the aid of fighting princesses Snow White (Amy Poehler), Sleeping Beauty (Cheri Oteri), Rapunzel (Maya Rudolph), and Cinderella (Amy Sedaris) to barricade the castle and fend off Prince Charming’s invading army of fairy-tale villains until her beloved husband can return with the cavalry to save the day.

Were it not for its profanity-laden opening scenes, John Hughes’ Planes, Trains and Automobiles might have been suitable family entertainment: certainly it’s heaps less violent and mean-spirited than Hughes’ Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del’s invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del’s annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That’s when Del delivers the anticipated (but always welcome) “I don’t judge, why should you?”-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there’s a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it’s still a fun ride. The best bit: a half-asleep Del thinking that he’s got his hand tucked between two pillows — until his bedmate, Neal, bellows “Those aren’t pillows!”

Tobe Hooper’s influential cult classic continues the subgenre of horror films based on the life and “career” of Wisconsin serial killer Ed Gein, which began with Alfred Hitchcock’s own influential cult classic Psycho. When Sally Hardesty (Marilyn Burns) hears that the Texas cemetery where her grandfather is buried has been vandalized, she gathers her wheelchair-bound brother Franklin (Paul A. Partain) and several other friends together to see if grandpa’s remains are still in one piece. While in the area, Sally and her friends decide to visit grandfather’s old farmhouse. Unfortunately, a family of homicidal slaughterhouse workers who take their job home with them have taken over the house next door. Included amongst the brood is Leatherface (Gunnar Hansen), a chainsaw-wielding human horror show who wears a face mask made out of human skin. Sally’s friends are rapidly exterminated one-by-one by the next-door neighbors, leaving only Sally left to fight off Leatherface and his clan.