Bovie Movie

Jack Nicholson becomes a werewolf in this bizarre comedy-horror film directed by Mike Nichols. Nicholson plays Will Randall, a book editor with a testosterone deficit who has just been sacked at his publishing firm by a new boss, Raymond Alden (Christopher Plummer). A colleague, Stewart Swinton (James Spader), whom Randall thought was his friend, betrays him. Randall’s personality changes after he hits a wolf with his car and gets bitten by the creature. He immediately feels more powerful, has heightened hearing and vision, and sets about to right the wrongs in his life. He visits Alden at the publisher’s mansion to protest his dismissal, and he is asked to leave — but Alden’s daughter Laura (Michelle Pfeiffer) asks him to stay for lunch. Laura loves to defy her father. Will tells her about the wolf bite, and she becomes attracted to him. But because werewolves usually kill the ones they love, Laura is in danger. Will reasserts his place in the publishing world, supported by his loyal secretary Mary (Eileen Atkins), and his relationship with Laura deepens.

Disney’s animation team dipped into the rich well of ancient mythology for this musical comedy. The son of Greek gods Zeus (voice of Rip Torn) and Hera (Samantha Eggar), Hercules (voice of Josh Keaton) is stolen as a boy by the minions of Hades (voice of James Woods), lord of the underworld. Forced to live among humans, Hercules is turned into a half-god and half-mortal after drinking a forbidden potion brewed by Hades’ right hand men, Pain (voice of Bob Goldthwait) and Panic (voice of Matt Frewer). Now Hercules has the remarkable strength of a god, but is trapped in the body of a human, and before he learns how to use his power properly he goes through a typically adolescent awkward period. In order to become a god and return to his home on Mount Olympus, Hercules must prove himself a true hero on Earth. With the assistance of Philotes (voice of Danny De Vito), a plucky satyr known as “Phil,” the grown-up Hercules (voice of Tate Donovan) learns to use his strength to his advantage and becomes a famous and benevolent protector of those around him, successfully battling a variety of gods and monsters. However, Hades, wanting to cut Hercules down to size, sends his secret weapon after him — Megara (voice of Susan Egan), a seductively beautiful woman under Hades’ control, who is to win Hercules’ heart and render him helpless against the forces of the underworld. Acclaimed British cartoonist Gerald Scarfe served as production designer for this project, while Alan Menken wrote the musical score. Incidentally, for the Spanish language version of the film, Latin pop singer Ricky Martin provided the singing voice of Hercules, two years before he became a chart-topping sensation in America with his hit single “Livin’ la Vida Loca.”

The cranky beast with a heart of gold returns to the big screen in this sequel to the computer-animated smash hit Shrek. After massive green ogre Shrek (voice of Mike Myers) and his new bride, Princess Fiona (voice of Cameron Diaz), return from their honeymoon, they receive an invitation to visit Fiona’s parents, King Harold (voice of John Cleese) and Queen Lillian (voice of Julie Andrews), who are the monarchs of The Land Far, Far Away. However, the king and queen are more than a bit alarmed to discover their new son-in-law is a monster the color of algae, and that their daughter’s little problem with a magical spell gone wrong has turned into a full-time skin condition. Certain this isn’t the sort of “happily ever after” they dreamed of for their daughter, King Harold decides to take Shrek out of the picture and return Fiona to her former beauty with the help of Prince Charming (voice of Rupert Everett), the Fairy Godmother (voice of Jennifer Saunders), and ogre-slaying feline Puss in Boots (voice of Antonio Banderas). Shrek 2 also features the voice of Eddie Murphy returning as Donkey, as well as Larry King as an Ugly Stepsister.

In this fully computer-animated fantasy from the creators of Antz, we follow the travails of Shrek (Mike Myers), a green ogre who enjoys a life of solitude. Living in a far away swamp, he is suddenly invaded by a hoard of fairy tale characters, such as the Big Bad Wolf, the Three Little Pigs, and Three Blind Mice, all refugees of their homes who have been shunned by the evil Lord Farquaad (John Lithgow). They want to save their homes from ruin, and enlist the help of Shrek, who is in the same situation. Shrek decides to offer Lord Farquaad a deal; he will rescue the beautiful Princess Fiona (Cameron Diaz), who is intended to be Farquaad’s bride. Accompanying Shrek on his adventure is the faithful but loquacious Donkey (Eddie Murphy), who has a penchant for crooning pop songs. The two must face various obstacles in order to locate the Princess, but they find their world challenged when she reveals a dark secret that will affect the group. Shrek is based on the children’s book by William Steig, and features additional voice-work by Vincent Cassel, Cody Cameron, and Kathleen Freeman.

The sweeping, melodramatic saga of three brothers, their powerful father, and a beautiful woman, the popular period drama Legends of the Fall presents a romanticized view of rugged masculinity against lush Montana scenery. Based on a novel by Jim Harrison, the film covers decades in the lives of Alfred (Aidan Quinn), Tristan (Brad Pitt), and Samuel (Henry Thomas) Ludlow, the sons of retired military man William Ludlow (Anthony Hopkins). Raised by the unorthodox Ludlow after the departure of their mother, the boys grow up close, sharing an appreciation of the land and a pioneering spirit. The family becomes divided, however, when young Sam enlists in World War I over his father’s objections, and his brothers follow suit to protect him. Despite these efforts, Sam dies in battle, leaving Alfred and Tristan to return home and deal with the lingering torment. Further complicating matters is the presence of Sam’s beautiful fianc?e, Susannah (Julia Ormond). After Sam’s death, she attracts the romantic attention of both the responsible Alfred and the brooding Tristan, a conflict that threatens to drive the brothers apart. Aspiring to epic status, the film utilizes period detail and attractive landscapes as a backdrop for tragic, doomed romance. While some critics complained that the film resembled a romance novel writ, veering at times into the overwrought, audiences embraced the combination of emotion and grand historical scale, making the film a box-office success.

How far will a man go to win the woman he loves? That’s the devilish question behind this satirical romantic comedy. Elliot Richards (Brendan Fraser), a low-level white-collar worker, has fallen in love with his co-worker Allison (Frances O’Connor), who barely knows he exists. Desperate to win her love, sad sack Elliot is approached by the Devil (Elizabeth Hurley), who offers him seven wishes in exchange for his soul. Elliot accepts, but none of his wishes works out quite the way that he had hoped; after transforming himself into a South American tycoon, a champion NBA basketball player, a famous author, the most sensitive man in the world, and even the president of the United States, Elliot discovers that the Devil has added a crucial loophole each time, and for all his troubles, Allison still isn’t interested in him. Directed by Harold Ramis, Bedazzled was adapted from the 1968 cult movie of the same name written by and starring Peter Cook and Dudley Moore.

For this feature-length foray into Arthurian animation, screenwriters Kirk DeMicco (A Day in November), William Schifrin (Townies), Jacqueline Feather (Dancing in the Dark), and David Seidler (Tucker, Dancing in the Dark) adapted The King’s Damosel (1976) by British novelist Vera Chapman. The 85-minute tale follows independent, strong-willed Kayley (Jessalyn Gilsig voice, with the singing of Andrea Corr), who hopes to follow the path of her late father, Sir Lionel (Gabriel Byrne), a brave Knight of the Round Table who died defending his king against the evil Ruber (Gary Oldman). Some years later, when Ruber is joined by sidekick Griffin (Bronson Pinchot), the two manage to acquire and then lose Excalibur, the legendary magic sword of King Arthur (Pierce Brosnan with Steve Perry singing). Preparatory to his invasion of Camelot, Ruber first kidnaps Kayley and her widowed mother, Lady Juliana (Jane Seymour, Celine Dion singing). Making an escape, Kayley travels through the haunted Forbidden Forest, where she meets Garrett (Cary Elwes, Bryan White singing), a bitter blind man assisted by his silver-winged, seeing-eye falcon, Ayden. Once King Arthur’s stable boy, Garrett dreamed of becoming a knight, but after he was blinded by a fire, he ran away to live in the Forbidden Forest. When Garrett learns Kayley is the daughter of the knight who trained him to fight, he agrees to help Kayley search for Excalibur. Falling in love with Kayley, Garrett soon finds the courage to start anew. With the blessing of Merlin (Sir John Gielgud), the couple sets out to save Camelot. Along the way, they meet the two-headed dragon, Devon (Eric Idle) and Cornwall (Don Rickles), a dragon duo delivering dotty dialogue replete with riotous riffs and cinematic references (to such films as Dirty Harry and Taxi Driver). Yet another supporting character is Bladebeak, a cutting-edge hybrid possibly fashioned to illustrate the axiom, “Don’t count your chickens before they’re a hatchet.” Following the live-action/animation combo of Space Jam, this is the first fully animated feature from the L.A.-based Warner Brothers Feature Animation unit, and the film began production May 26, 1995 in L.A., expanding operations February 11, 1996 with a sister studio in London: a 20,000-square-foot facility in London’s Covent Garden district. The new UK unit shared production duties on Quest for Camelot, receiving storyboards from L.A., animating with both computers and traditional techniques, and digitally transmitting completed art back to L.A. for ink and paint. At the London WBFA studio, John McKenna (previously head exec of the London City Ballet and Disney’s London studio manager) initially supervised a staff of 73 (including 50 artists from the British animation talent pool) that expanded to 350. The film eventually employed over 600 staffers as it ran through a variety of working titles (The Quest for the Grail, The Quest, The Quest for Camelot). Songs by Grammy-winners David Foster and Carole Bayer Sager include On My Father’s Wings, (Kayley), I Stand All Alone (Garrett), The Prayer (Juliana), and If I Didn’t Have You (Devon, Cornwall). The director of Quest for Camelot is Frederik Du Chau, who attended film school in his native Belgium, entered the industry via commercials and TV series, worked for Disney France, made his own animated short (The Mystery of the Land), drew Disney projects at Baer Animation, co-directed for Sony Wonder, directed The Land Before Time 3, joined Chuck Jones Productions, and was developing his own animated project for Warner Bros. when he was asked to direct Quest for Camelot.