Bovie Movie

Terence Young directed this first of a long line of screen adventures with Ian Fleming’s unflappable British Secret Service Agent 007 in a fast-paced, tongue-in-cheek style that set the tone for the rest of the popular series. Sean Connery sets the standard by which all future takers must measure themselves as the insouciant and devil-may-care James Bond. The story concerns Bond being sent to Jamaica to investigate the murders of a British agent and his secretary. During his investigation, he comes into contact with the evil and unscrupulous Chinese scientist Dr. No (Joseph Wiseman) who, living on an island called Crab Key, is hard at work in a nuclear laboratory. Dr. No’s scheme is to divert rockets being fired from Cape Canaveral off their charted course and to blackmail the United States to get their rocket launches restored to normal. Helping Bond is Ursula Andress (mostly undressed in a bikini throughout most of the film), as well as bad gals like Zena Marshall, who almost leads Bond to his death in her bedroom, and Eunice Gayson, a Bond pickup in a London gambling house who proves herself a greater adversary than even James Bond can handle.

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

Decked out in powdered wig and pasty “dandy” makeup, Richard Chamberlain stars as legendary Venetian lover Giovanni Casanova (1725-1798) in this made-for-television biopic. The teleplay by George Macdonald Fraser (of “Flashman” fame) follows Casanova as his reputation for being catnip to women builds throughout the 18th century. His sexual exploits cost him several important social and professional posts, and eventually land him in a Venice prison on a morals charge. Casanova’s escape attempt provides a strong second act for this 3-hour effort, which also offers an amusing “con job” practiced by Casanova on a willing countess (Faye Dunaway). Frank Finlay co-stars as a nobleman who conducts a decades-long feud with our rakish hero. Filmed in Spain and Italy, Casanova debuted on March 1, 1987.

Further cementing 2003 as the year of Ron Shelton cop movies, the director continued his vacation from the sports genre with Hollywood Homicide, a police comedy that comes right on the heels of Shelton’s Dark Blue, a decidedly grittier cop thriller. The film stars Harrison Ford and Josh Hartnett as LAPD homicide detectives Joe Gavilan and K.C. Calden, two cops with bigger dreams. Gavilan moonlights as a real estate agent, while Calden teaches yoga and yearns for a career on the big screen. When an entire hip-hop group is murdered on-stage, Gavilan and Calden are called in to handle the case. As their investigation progresses, they begin to suspect that the rappers were offed for attempting to get out of their recording contract with label head Sartain (Isaiah Washington). Along with Bruce Greenwood and Keith David, the supporting cast boasts a plethora of real-life musicians, including Dr. Dre, Gladys Knight, Dwight Yoakam, Master P, and Ronald DeVoe of New Edition and Bell Biv DeVoe.

Nancy Meyers' critically acclaimed and Oscar-nominated comedy Something's Gotta Give stars Jack Nicholson and Diane Keaton as a middle-aged man and woman who, despite their best efforts, fall in love with each other. Co-starring Keanu Reeves, Amanda Peet, and Frances McDormand, the film is presented on this DVD in widescreen with the audio mastered in Dolby Digital 5.1 Surround Sound. Additionally, there is an optional French-dubbed soundtrack and subtitles are available in English, Spanish, and French. Complimenting the film, the disc includes a host of bonus features. "Hamptons House Set Tour" is a featurette hosted by Peet that offers audiences a closer look at the house in which the bulk of the film is set. There's a feature-length commentary track by the director and members of the cast as well as a collection of deleted scenes. Rounding out the supplemental material is another featurette, theatrical trailers, and filmographies for the cast and crew.

Stan Lee’s all-too-human superhero returns to the screen in this highly anticipated sequel to 2002’s blockbuster hit Spider-Man. Peter Parker (Tobey Maguire) is attempting to juggle college classes and his job as a photographer with the Daily Bugle while maintaining his secret life as costumed crime-fighter Spider-Man. Parker is also struggling to hold on to his relationship with Mary Jane Watson (Kirsten Dunst), who is beginning to enjoy success as a model and actress, and both Mary Jane and Peter have noticed he’s beginning to buckle under the strain. Parker’s friendship with Harry Osborn (James Franco) is also beginning to fray due to Peter’s seeming alliance with Spider-Man, whom Harry blames for the death of his father, the nefarious Norman Osborn. As Parker weighs his responsibilities to himself and those around him against the obligations that come with his special powers, Spider-Man is faced with a new nemesis — Dr. Otto Octavius (Alfred Molina), a deranged scientist whose latest project has turned him into the near-invincible cyborg Doctor Octopus. Spider-Man 2 was directed by Sam Raimi, who helmed the first film, and much of the original cast has also reunited for this sequel, including Rosemary Harris, J.K. Simmons, and Bruce Campbell.

The best-selling series of subversive children’s books from author Lemony Snicket (aka Daniel Handler) come to the screen in this black comedy for the whole family (and how often do you get to see one of those?). The Baudelaire siblings — gadget freak Violet (Emily Browning), bookworm Klaus (Liam Aiken), and baby Sunny (Kara Hoffman and Shelby Hoffman) — were living a fairy-tale existence with their parents until they died in a fire that destroyed the family home. With few close relatives and a large fortune the children won’t inherit until they reach adulthood, the Baudelaire children are left in the care of the peculiar Count Olaf (Jim Carrey), an out-of-work actor who would love nothing more than to get his hands on the kids’ money. It doesn’t take long for the children to figure out that Count Olaf is up to no good, and they try to steer clear of his various murderous schemes with the help of wildly paranoid Aunt Josephine (Meryl Streep) and snake-fancying Uncle Monty (Billy Connolly). Lemony Snicket’s A Series of Unfortunate Events also features Catherine O’Hara, Timothy Spall, Cedric the Entertainer, and Luis Guzman; Jude Law narrates in the guise of author Snicket.

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.

The violent rise of gangland power in New York City at a time of massive political corruption and the city’s evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as “Bill the Butcher” for his deadly skill with a knife, bands his fellow “Native Americans” into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, “The Dead Rabbits,” organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician “Boss” Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher’s inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam’s true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped.

Directed by Paul McGuigan, Wicker Park follows Chicago businessman Matthew’s (Josh Hartnett) return to Windy City life after having dedicated two years of his life to mourning his long lost love Lisa (Diane Kruger), who’d mysteriously vanished from his life. Things are finally looking up again for Matthew; his career is in full swing, and he’s thinking of becoming engaged — that is, until he thinks he’s spotted his former lover in a restaurant. Almost immediately, Matthew puts the brakes on his marriage plans and his career in order to conduct an exhaustive search for his old flame. Obsessed, he barely notices the psychologically devastating trap his quest is leading him into — a danger that only grows when he meets an enigmatic stranger (Rose Byrne). Wicker Park features Matthew Lillard and Jessica Par? in supporting roles.