Bovie Movie

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

Somewhere in L.A., Peter (Kenneth Branagh), a washed-up British playwright, struggles to duplicate his past glory as he surfs a foul-smelling tide of disenchantment. His wife, Melanie (Robin Wright Penn), manages to maintain an optimistic outlook even as she longs for the baby that her husband is hesitant to help her conceive. When Peter befriends Amy (Suzi Hofrichter), a neighborhood girl who has mild cerebral palsy, their friendship softens him to the idea of fatherhood and propels Melanie’s maternal yearnings into hyperdrive. As if baby fever weren’t enough, Peter is plagued by a seemingly benevolent stalker (Jared Harris), his neighbors’ incessantly noisy dog, and the flighty cast and crew of his latest play.

When Catherine Spaak’s husband dies, she discovers a hitherto hidden room on their estate. The room is surrounded by mirrors and curious sexual devices; when Spaak takes a peek at hubby’s diary, she learns he was carrying on a secret life that made Sacher-Masoch and Krafft-Ebbing look like pikers. Deciding that if you can’t beat ‘em, join ‘em, Spaak begins to conduct her own kinky sex life. Doctor Jean-Louis Trintigant, who sincerely loves Spaak, tries to deflect her from whips, boots and handcuffs, but before long he too succumbs to the seductions of aberrant behavior. Libertine was originally released in Italy as La Matriarca.

Nancy Meyers' critically acclaimed and Oscar-nominated comedy Something's Gotta Give stars Jack Nicholson and Diane Keaton as a middle-aged man and woman who, despite their best efforts, fall in love with each other. Co-starring Keanu Reeves, Amanda Peet, and Frances McDormand, the film is presented on this DVD in widescreen with the audio mastered in Dolby Digital 5.1 Surround Sound. Additionally, there is an optional French-dubbed soundtrack and subtitles are available in English, Spanish, and French. Complimenting the film, the disc includes a host of bonus features. "Hamptons House Set Tour" is a featurette hosted by Peet that offers audiences a closer look at the house in which the bulk of the film is set. There's a feature-length commentary track by the director and members of the cast as well as a collection of deleted scenes. Rounding out the supplemental material is another featurette, theatrical trailers, and filmographies for the cast and crew.

Although a deluxe two-disc set is available, this one-disc edition of Moulin Rouge will do for those who want just the film. This DVD boasts a widescreen anamorphic transfer that preserves the original broadcast aspect ratio of 2.35:1. English soundtracks are rendered in both Dolby Digital 5.1 and Dolby Digital Surround, and a French soundtrack has also been recorded in Dolby Digital Surround. Supplemental materials include a commentary track recorded by director Baz Luhrmann and co-screenwriter Craig Pearce, and a second commentary track recorded by Luhrmann, costume director Catherine Martin, and cinematographer Donald McAlpine. A behind-the-scenes featurette rounds out this strong release.

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.

Laramie, WY, is a small town which became infamous overnight in the fall of 1998, when Matthew Shepard, a gay college student, was found tied to a fence after being brutally beaten and left to die, setting off a nationwide debate about hate crimes and homophobia. A month after the crime, Moises Kaufman, a writer and director with the New York City theater troupe the Tectonic Theater Project, traveled to Laramie with a handful of actors to interview people who lived in and around Laramie in preparation for an upcoming production; Kaufman’s goal was to create a play that focused not on the assault on Matthew Shepard, but on the community where such an attack could happen, and how many of the citizens reacted to the crime. The result was The Laramie Project, which was first performed in early 2000, and was performed in Laramie in the fall of that year, two years after Kaufman and his associates first arrived in the city. The Laramie Project is a film adaptation of Kaufman’s play, in which the thoughts and opinions of Laramie residents from all points of the political spectrum are presented alongside re-enacted excerpts from the trials of the two men who attacked Matthew Shepard. Produced for the premium cable network HBO, The Laramie Project was adapted for the screen by Moises Kaufman, who served as both writer and director. The distinguished cast includes Dylan Baker, Steve Buscemi, Peter Fonda, Janeane Garofolo, Laura Linney, Amy Madigan, Camryn Manheim, Christina Ricci, and Frances Sternhagen.