Bovie Movie

When Woody Allen’s fans refer to his “earlier, funnier” pictures, they often cite his directorial debut as a shining example. Co-written by Allen and Mickey Rose, this side-splitting takeoff of crime documentaries stars Allen as Virgil Starkwell, a sweetly inept career criminal. The film’s most celebrated sequence involves Virgil’s inability to write coherent holdup notes (”I have a gub”), but others include Virgil’s losing battle with a recalcitrant coke machine and his misguided effort to emulate John Dillinger by carving a gun out of a bar of soap (his weapon disintegrates in a heavy rain). As was often the case in Allen’s early films, not all the gags work, but for the most part, Take the Money and Run is a delight, enhanced by the on-target supporting performances of Janet Margolin, Marcel Hillaire, and (uncredited) Louise Lasser, as well as the energetic musical score of Marvin Hamlisch.

An outlaw finds his life becoming all the more dangerous when he turns against a gang of criminals in this action drama. Frank Martin (Jason Statham) is a former Special Forces officer who lives on the French Mediterranean and has a lucrative second career as a underworld courier for hire. Martin will deliver anything anywhere, but he has three iron-clad rules - once the plan is in motion it cannot be changed, neither he nor his customers are to ever use their real names, and under no circumstances will he open the package. Martin is hired to make a delivery to a wealthy but unscrupulous American known as Wall Street (Matt Schulze), but after taking possession of the package he realizes that whatever is inside happens to be alive. Breaking his own rule, Martin opens the bag to discover a beautiful Asian woman, Lai (Shu Qi), who is bound and gagged. Lai briefly escapes, but Martin captures her, and delivers her to Wall Street as promised. However, after being given a parcel to deliver by Wall Street, Martin finds out what Wall Street is up to - in partnership with Lai’s father Mr. Kwai (Ric Young), Wall Street is part of a scheme to smuggle Asian illegal aliens into France. Martin’s conscience gets the better of him, and he sets out to rescue Lai and put Wall Street and Mr. Kwai out of business; however, as if this wasn’t enough of a challenge, Martin discovers a French detective, Tarconi (Francois Berleand) has gotten wind of his illegal business. The Transporter was the first English-language feature for Hong Kong-based director Corey Yuen, who along with directing a number of HK action flicks designed fight choreography for several American films.

The second sequel to the 1984 sci-fi action classic, Terminator 3: Rise of the Machines is the first film without the involvement of director James Cameron. Instead, Jonathan Mostow, the man behind Breakdown and U-571, has stepped in to fill the shoes left vacant by Cameron. In addition, the role of John Connor from the second film has been recast, with In the Bedroom’s Nick Stahl taking over for Edward Furlong. Set ten years after the events of 1991’s Terminator 2: Judgement Day, the film finds Connor living on the streets as a common laborer. Sarah Connor, his mother, has since died, and their efforts in the second film have not stopped the creation of SkyNet artificial intelligence network. As he will still become the leader of the human resistance, Connor is once again targeted by a Terminator sent from the future by SkyNet. This new Terminator, T-X (Kristanna Loken), is a female and is more powerful than any of her predecessors. To protect Connor, the human resistance sends a new T-101 (Arnold Schwarzenegger) back from the future. Also starring Claire Danes, Terminator 3: Rise of the Machines had its world premiere when it showed out of competition at the 2003 Cannes Film Festival.

Further cementing 2003 as the year of Ron Shelton cop movies, the director continued his vacation from the sports genre with Hollywood Homicide, a police comedy that comes right on the heels of Shelton’s Dark Blue, a decidedly grittier cop thriller. The film stars Harrison Ford and Josh Hartnett as LAPD homicide detectives Joe Gavilan and K.C. Calden, two cops with bigger dreams. Gavilan moonlights as a real estate agent, while Calden teaches yoga and yearns for a career on the big screen. When an entire hip-hop group is murdered on-stage, Gavilan and Calden are called in to handle the case. As their investigation progresses, they begin to suspect that the rappers were offed for attempting to get out of their recording contract with label head Sartain (Isaiah Washington). Along with Bruce Greenwood and Keith David, the supporting cast boasts a plethora of real-life musicians, including Dr. Dre, Gladys Knight, Dwight Yoakam, Master P, and Ronald DeVoe of New Edition and Bell Biv DeVoe.

Bret Easton Ellis’ dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with black comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father’s firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald Kimble (Willem Dafoe), a police detective, questions Bateman about the disappearance of Paul Allen (Jared Leto), whom Patrick murdered several days earlier. As Kimble stays on Bateman’s trail, Bateman’s mask of studied, distant cool begins to fall apart. American Psycho also features Reese Witherspoon as Bateman’s girlfriend, as well as Samantha Mathis, Chloe Sevigny, and Guinevere Turner; the latter also co-authored the screenplay. Controversy followed the production from the start, when speculation that Leonardo Di Caprio would play Bateman sparked concerns that he would lure preteens to an R-rated movie. Di Caprio soon bowed out of the project, and original leading man Bale was reinstated. Later, a group of Toronto residents attempted to block filming in that city after Canadian serial killer Paul Bernardo claimed that Ellis’ novel inspired his murder spree.

Director Dominic Sena follows up his stylish action film Gone in 60 Seconds (2000) with this high-tech thriller. John Travolta stars as Gabriel Shear, a charismatic spy who plots to steal a multi-billion-dollar fortune in illegal government funds. In order to make his scheme work, however, Gabriel needs some help from a computer hacker, which is where Stanley Jobson (Hugh Jackman) comes in. Stanley has been paroled from prison after serving a lengthy sentence for penetrating the FBI’s cyber-surveillance operations. Issued a restraining order that keeps him away from computers and living penniless in a trailer park, Stanley wants only to be reunited with his daughter Holly, who’s in the custody of his ex-wife, now remarried to a pornographer. Gabriel and his partner Ginger (Halle Berry) offer Stanley the chance to get his child back in exchange for his help, but the hacker soon realizes he’s a pawn in a larger operation than the high-tech bank heist he thought he was perpetrating. In the meantime, a dedicated federal agent (Don Cheadle), the same man who once arrested Stanley, is trying to expose Gabriel’s operation. Swordfish also stars Sam Shepard and Zach Grenier.

Clive Donner directs Oliver Twist, the 1982 made-for-TV version of the classic Dickens novel. Richard Charles plays Oliver Twist, an orphan boy who gets kicked out of his juvenile workhouse when he asks for some more food. He is sent to work as an apprentice, but he quickly escapes and joins a group of other orphaned boys. They spend the day pickpocketing and commiting petty street crime in order to survive and bring home earnings to their leader, Fagin (George C. Scott). Eventually, Oliver picks the pocket of the wealthy Mr. Brownlow (Michael Hordern), who takes him in as his ward. However, the evil Bill Sikes (Tim Curry) kidnaps him back to continue working with the other pickpockets. The barmaid Nancy (herie Lunghi) helps Oliver escape, but she ultimately suffers the concequences of her actions.

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a “sunburn” from its bright lights to prove it. Neary’s wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a “logical” explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the “truth” about UFOs. Neary’s obsession eventually puts him in contact with others who’ve had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker Fran?ois Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe’s theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil’s Tower, Wyoming. In 1980, a “Special Edition” was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act.

Bill Murray plays Phil, a TV weatherman working for a local station in Pennsylvania but convinced that national news stardom is in his grasp. Phil displays a charm and wit on camera that evaporates the moment the red light goes off; he is bitter, appallingly self-centered, and treats his co-workers with contempt, especially his producer Rita (Andie MacDowell) and cameraman Larry (Chris Elliot). On February 2, 1992, Phil, Rita, and Larry are sent on an assignment that Phil especially loathes: the annual Groundhog Day festivities in Punxsutawney, PA, where the citizens await the appearance of Punxsutawney Phil, the groundhog who will supposedly determine the length of winter by his ability to see his own shadow. Phil is eager to beat a hasty retreat, but when a freak snowstorm strands him in Punxsutawney, he wakes up the next morning with the strangest sense of d?j? vu: he seems to be living the same day over again. The next morning it happens again, and then again. Soon, no matter what he does, he’s stuck in February 2, 1992; not imprisonment nor attempted suicide nor kidnapping the groundhog gets him out of the loop. But the more Phil relives the same day, the more he’s forced to look at other people’s lives, and something unusual happens: he begins to care about others. He starts to respect people, he tries to save the life of a homeless man, and he discovers that he’s falling in love with Rita and therefore wants to be someone that she could love in return.

Vin Diesel opted to not appear in the sequel to the film the shot him to stardom in the first place, The Fast and the Furious. With the character of Dominic Toretto out of the picture, 2 Fast 2 Furious concentrates exclusively on the latest exploits of undercover agent Brian O’Connor, played by Paul Walker. In addition, with director Rob Cohen passing, producers have added a dash of credibility to the sequel by hiring John Singleton to helm. What does completely remain from the first film is the presence of fast-living underground street-racing gangs. Moving from Los Angeles to Miami, O’Connor is looking to redeem himself after the events of the first movie, so he again goes undercover to infiltrate another group of thuggish car enthusiasts. This time around he’s enlisted the help of ex-con Roman Pierce (Tyrese) and fellow agent Monica Celemente (Eva Mendes) to bring down Carter Verone (Cole Hauser), an importer/exporter who heads up a massive drug trafficking operation. Heading up the supporting cast are hip-hop stars Ludacris and Fabolous.