Bovie Movie

Despite his status as a major action star, Sylvester Stallone has made a number of attempts to remodel himself as a comic actor; one of his more infamous efforts in this direction was Stop! or My Mom Will Shoot!. Police detective Joe Bromowski (Sylvester Stallone) has just broken off his relationship with his girlfriend (and fellow police officer) Gwen Harper (JoBeth Williams), so Joe’s mother Tutti (Estelle Getty) decides it’s time to pay him a visit. Tutti proceeds to make Joe’s life miserable by nagging him about his clothes, cleaning his apartment, washing his gun, tagging along on investigations, and somehow getting involved with a gun-running organization that the police have been trying to infiltrate. After this film, Stallone would stay away from comedy until 1997, when he played a cameo in another unenthusiastically received film, An Alan Smithee Film — Burn, Hollywood, Burn.

Director Alex Proyas (Dark City, The Crow) helmed this sci-fi thriller inspired by the stories in Isaac Asimov’s nine-story anthology of the same name. In the future presented in the film, humans have become exceedingly dependent on robots in their everyday lives. Robots have become more and more advanced, but each one is preprogrammed to always obey humans and to, under no circumstances, ever harm a human. So, when a scientist turns up dead and a humanoid robot is the main suspect, the world is left to wonder if they are as safe around their electronic servants as previously thought. Will Smith stars as Del Spooner, the robot-hating Chicago cop assigned to the murder investigation. Bridget Moynahan, Bruce Greenwood, James Cromwell, and Chi McBride also star.

When Woody Allen’s fans refer to his “earlier, funnier” pictures, they often cite his directorial debut as a shining example. Co-written by Allen and Mickey Rose, this side-splitting takeoff of crime documentaries stars Allen as Virgil Starkwell, a sweetly inept career criminal. The film’s most celebrated sequence involves Virgil’s inability to write coherent holdup notes (”I have a gub”), but others include Virgil’s losing battle with a recalcitrant coke machine and his misguided effort to emulate John Dillinger by carving a gun out of a bar of soap (his weapon disintegrates in a heavy rain). As was often the case in Allen’s early films, not all the gags work, but for the most part, Take the Money and Run is a delight, enhanced by the on-target supporting performances of Janet Margolin, Marcel Hillaire, and (uncredited) Louise Lasser, as well as the energetic musical score of Marvin Hamlisch.

In the third sequel to the hit comedy Police Academy, Commandant Lassard (George Gaynes) decides that the police force is overworked and understaffed, and he comes up with the idea of recruiting civilian volunteers to work side-by-side with his officers. Of course, with the hapless Carey Mahoney (Steve Guttenberg) in charge of training the new Neighborhood Watch groups, one might reasonably expect things will not go smoothly; meanwhile, the duplicitous Capt. Harris (G.W. Bailey) sets his sights on Lassard’s job, and he schemes to get his aging boss out of the way. Series regulars Bubba Smith, Michael Winslow, Bob Goldthwait, and Tim Kazurinsky are on board, as is Sharon Stone, who moved on to bigger and better things a few years later.

Director Oliver Stone once again offers a powerful and provocative story based on real-life events in this drama. Sergeant John McLoughlin (Nicolas Cage) and William J. Jimeno (Michael Pena) were two officers assigned to New York City’s Port Authority who were working their beats on a quiet day in early fall when they received an emergency call. The day was September 11, 2001, and McLoughlin and Jimeno were among the policemen who attempted to evacuate the World Trade Center towers after they were struck by airliners piloted by terrorists. Both McLoughlin and Jimeno were inside the fifth building of the World Trade Center when the towers fell, and were two of the last people found alive amidst the wreckage. As McLoughlin and Jimeno struggled to hold on to their lives as rescuers sifted through the rubble, their spouses — Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) — clung to the desperate hope that their husbands would survive and be found. As the McLoughlin and Jimeno families waited for word on the fate of the two men, they watched as a city and a nation came together with strength and compassion in the face of a tragedy. World Trade Center was based on the true story of John McLoughlin and William J. Jimeno, both of whom cooperated with producers in the making of this film. Producer Debra Hill died during production - hence the posthumous credit.

Peter Farrelly and Bobby Farrelly, the impish impresarios of gross-out comedy, take their body function-inspired humor to new extremes in this mixture of live action and animation. Bill Murray stars as Frank, a zoo worker suffering from the effects of an unknown malady he contracted after eating an egg contaminated with simian saliva. Unknown to Frank, the inside of his body is actually a city (the City of Frank) teeming with cellular life, where the mysterious illness he’s fighting is an invading enemy that must be defeated at all costs. It’s up to Osmosis Jones (voice of Chris Rock), a white blood cell cop, and Drix (voice of David Hyde Pierce), a rookie over-the-counter medication, to hunt down and stop a lethal virus (Laurence Fishburne) who’s got an inferiority complex. Along the way, the partners visit Frank’s runny nostrils (Booger Dam) and a bar called, appropriately enough, the Zit. Osmosis Jones costars Molly Shannon and Chris Elliott, and features the vocal talents of William Shatner, producer Joel Silver, and singer Brandy Norwood.

Writer and director John Carpenter returns to the mixture of science fiction and horror that made The Thing (1982) a success. Natasha Henstridge stars as Lt. Melanie Ballard of the Martian Police Force, a member of a law enforcement team two centuries in the future, dispatched to the remote colony of Shining Canyon. There, the most notorious criminal on Mars, James “Desolation” Williams (Ice Cube), awaits transport to a more secure jail. Besides Ballard, the other cops include the rookie Bashira (Clea Duvall), hotshot and fast talker Jericho (Jason Statham), tough veteran and squad leader Helena (Pam Grier), and reliable soldier Descanso (Liam Waite). Once Ballard and her companions arrive in Shining Canyon, however, they discover that it’s a literal ghost town. It seems that an archaeologist team led by Professor Whitlock (Joanna Cassidy) has uncovered an ancient relic at a nearby dig site, unleashing the vengeful spirits of the planet’s long-ago warrior inhabitants, which have now possessed the bodies of the human invaders and set about trying to destroy them. After her team is decimated by the Martian specters, Ballard is forced to turn for help to the one person she can’t really trust: Williams. Ghosts of Mars screenwriter Larry Sulkis broke into the film business as producer of the satirical commercials in Carpenter’s They Live (1988).

Forget everything you know about Little Red Riding Hood; the classic fairy tale gets a new look and a new style in this computer-animated comedy for the whole family. Grizzly (voice of Xzibit) and Stork (voice of Anthony Anderson) are a pair of critter cops who have been called the homey bungalow of Granny (voice of Glenn Close) to investigate a disturbance of the peace. It seems there was an altercation involving Granny, her granddaughter Little Red Riding Hood (voice of Anne Hathaway), a Big Bad Wolf (voice of Patrick Warburton), and a Woodsman (voice of Jim Belushi). However, as the detectives interview the participants and get each individual’s perspective, they learn that Granny isn’t so helpless, Red may have been doing more than just visiting relatives, the Wolf isn’t the predator he’s been cracked up to be, and the Woodman doesn’t have much of an intellectual advantage over the trees he chops down. Hoodwinked also features the voice talents of Andy Dick, David Ogden Stiers, and Chazz Palminteri.

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould’s square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis’s goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city’s criminal activities in the process. Caprice also gains proprietary rights to Manlis’s girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy’s next move to is unite the rest of the city’s crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice’s criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy’s long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they’ve been keeping an eye on. The various bad guys, heavily made up to resemble Gould’s cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe.

Alain Moreau (Jean-Claude Van Damme) is a French cop whose colleagues make a startling discovery — a man named Mikhail, who was killed in a high-speed chase with police, looks exactly like him. Curious about the stranger with his face, Alain is told by his mother Chantal (Stephane Audran) that Mikhail was in fact his twin brother, whom her poor family was forced to give up at birth. Alain wants to know more about the brother he never knew, but the more he learns the more troubling the news becomes; it seems that Mikhail was involved with gangsters, corrupt FBI agents, and a gang of drug dealers. In order to avenge his brother’s death and get to the bottom of his sad story, Alain assumes Mikhail’s identity and travels to New York City, where to maintain his cover he takes up with Alex Minetti (Natasha Henstridge), Mikhail’s tough-as-nails girlfriend, before finding himself hip-deep in danger with Mikhail’s associates. Maximum Risk was the first American film from noted Hong Kong action director Ringo Lam, whose City on Fire has often been cited as a key inspiration for Reservoir Dogs.