Bovie Movie

Oscar-nominated filmmaker Todd Field teams with novelist Tom Perrotta to adapt Perrotta’s acclaimed novel concerning the suburban malaise experienced by a handful of small-town individuals whose intersecting lives converge in a variety of surprising, and sometimes ominous, ways. Kate Winslet, Jennifer Connelly, and Patrick Wilson star in a cinematic adaptation that doesn’t aim so much to simply reproduce the book for the screen as it does to re-imagine the written word by exploring new possibilities for the characters and situations originally presented in Perrotta’s 2004 best-seller. Sarah (Winslet) is a suburban outsider who, unlike the other playground moms, isn’t afraid to approach the dreamy but long-absent father whom smitten housewives have taken to calling the “Prom King.” Long days at the local community pool with their respective children soon find Sarah becoming acquainted with local husband and father Brad (Patrick Wilson) — who seems to share in her seething discontentment with life in their quaint commuter town. An English literature major who never envisioned a fate as a soccer mom, Sarah has a growing dissatisfaction with her successful husband (Gregg Edelman) that parallels Brad’s increasing frustration with his inability to pass the bar and connect with his wife, Kathy (Jennifer Connelly), a successful documentary filmmaker. It’s not long before the dejected pair is meeting for a series of illicit afternoon trysts as their unsuspecting spouses work and their children lie quietly napping. Meanwhile, after the community is riled by the return of a convicted sex offender (Jackie Earle Haley) who leaves the concerned parents scrambling to protect their young ones, an attempt made by Sarah and Brad to legitimize their clandestine relationship by dining together with their respective spouses begins to awaken Kathy’s suspicions about the fidelity of her husband.

Having created an empire on girly shows and skin flicks, Jim Mitchell and Artie Mitchell achieved mainstream success with Behind the Green Door (1972), one of only a handful of hardcore porn movies to do so. Brothers Emilio Estevez and Charlie Sheen star in the film about the life and troubled times of porn’s dynamic duo. Opening with the 1991 fratricidal murder of Artie (Sheen) at the hands of Jim (Estevez, who also directs), the film flashes back to their father lecturing them on the importance of family. In 1967, while studying film at San Francisco State, Jim’s professor (Peter Bogdanovich) upbraids him for including numerous leering shots of half-naked women in his student works. Soon Jim along with his brother, fresh out of the Army, starts a smut studio in an old warehouse. Their business takes off, and in no time they are being harassed by the police for obscenity. Along the way, the two hire former Ivory Snow model Marilyn Chambers, get married, and snort half of the cocaine in Bolivia. After the fleeting success of Green Door, their lives spiral into a drug-addled hell. Jim eventually bottoms out, but Artie, wracked by a profound inferiority complex, slides into cocaine dementia and begins to threaten Jim’s family. Things eventually boil over, culminating in that bloody night in 1991. This film was screened at the 2000 Sundance Film Festival.

Final Destination 2 screenwriters Eric Bress and J. Mackye Gruber make their directorial debut with the sci-fi thriller The Butterfly Effect. Evan Treborn (Ashton Kutcher with facial hair) wants to free himself from his disturbing childhood memories. As a kid, he often blacked out for long periods of time and tried to detail his life in a journal. As a young adult, he revisits the journal entries to figure out the truth about his troubled childhood friends Kayleigh (Amy Smart), Lenny (Elden Henson), and Tommy (William Lee Scott). When he discovers he can travel back in time in order to set things right, he tries to save his beloved friends. However, he finds out that relatively minor changes can make major problems for the future. The Butterfly Effect also stars Eric Stoltz, Ethan Suplee, and Melora Walters. The title was inspired by the story A Sound of Thunder by Ray Bradbury.