Bovie Movie

When Woody Allen’s fans refer to his “earlier, funnier” pictures, they often cite his directorial debut as a shining example. Co-written by Allen and Mickey Rose, this side-splitting takeoff of crime documentaries stars Allen as Virgil Starkwell, a sweetly inept career criminal. The film’s most celebrated sequence involves Virgil’s inability to write coherent holdup notes (”I have a gub”), but others include Virgil’s losing battle with a recalcitrant coke machine and his misguided effort to emulate John Dillinger by carving a gun out of a bar of soap (his weapon disintegrates in a heavy rain). As was often the case in Allen’s early films, not all the gags work, but for the most part, Take the Money and Run is a delight, enhanced by the on-target supporting performances of Janet Margolin, Marcel Hillaire, and (uncredited) Louise Lasser, as well as the energetic musical score of Marvin Hamlisch.

George Lucas draws the Star Wars film series to a close with this dark sci-fi adventure which sets the stage for the events of the first film and brings the saga full circle. After a fierce battle in which Obi-Wan (Ewan McGregor) and Anakin (Hayden Christensen) join Republic forces to help free Chancellor Palpatine (Ian McDiarmid) from the evil Count Dooku (Christopher Lee) and his minions, Anakin is drawn into Palpatine’s confidence. Palpatine has designs on expanding his rule, and with this in mind he plants seeds of doubt in Anakin’s mind about the strength and wisdom of the Jedis. Anakin is already in a quandary about how to reveal to others the news of his secret marriage to Padmé Amidala (Natalie Portman) now that she is pregnant, and visions which foretell her death in childbirth weigh heavy on his mind. As Anakin finds himself used by both the Jedis and the Republic for their own purposes — particularly after Mace Windu (Samuel L. Jackson) expresses his distrust of the young Jedi — he turns more and more to the Force for help, but begins to succumb to the temptations of its dark side. Many of the Star Wars series regulars returned for Star Wars: Episode III — Revenge of the Sith, including Frank Oz as the voice of Yoda, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, and Peter Mayhew as Chewbacca.

Director Oliver Stone once again offers a powerful and provocative story based on real-life events in this drama. Sergeant John McLoughlin (Nicolas Cage) and William J. Jimeno (Michael Pena) were two officers assigned to New York City’s Port Authority who were working their beats on a quiet day in early fall when they received an emergency call. The day was September 11, 2001, and McLoughlin and Jimeno were among the policemen who attempted to evacuate the World Trade Center towers after they were struck by airliners piloted by terrorists. Both McLoughlin and Jimeno were inside the fifth building of the World Trade Center when the towers fell, and were two of the last people found alive amidst the wreckage. As McLoughlin and Jimeno struggled to hold on to their lives as rescuers sifted through the rubble, their spouses — Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) — clung to the desperate hope that their husbands would survive and be found. As the McLoughlin and Jimeno families waited for word on the fate of the two men, they watched as a city and a nation came together with strength and compassion in the face of a tragedy. World Trade Center was based on the true story of John McLoughlin and William J. Jimeno, both of whom cooperated with producers in the making of this film. Producer Debra Hill died during production - hence the posthumous credit.

Directed by Rawson Marshall Thurber, Dodgeball: A True Underdog Story revolves around amiable underachiever Peter LaFleur (Vince Vaughn), whose rundown gym, Average Joe’s, is populated by a less-than-average clientele including a self-styled pirate, an ultra-obscure sports aficionado, and a pining high school nerd. It soon becomes apparent that Joe’s is in financial trouble and will soon be foreclosed by attractive attorney Kate Veach (Christine Taylor) - unless Peter can cough up $50,000. Despite Average Joe’s posing little threat to Globo Gym, a fitness Goliath across the street that is owned by egomaniacal White Goodman (Ben Stiller) - Goodman senses an easy acquisition and decides to take over the facility. Peter’s ragtag group of regulars, however, are less than thrilled with the prospects, and mobilize a showdown, winner-takes-all Dodgeball tournament against Globo Gym. The film also features Missi Pyle, Rip Torn, Stephen Root, and Alan Tudyk.

Directed by Michael Mayer and based on The Hours author Michael Cunningham’s novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals — and teenage lovers — in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare’s (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan’s position in the baby’s life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she’s expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion.

A clandestine love affair sends one man’s charmed life into a tailspin in this dark, disturbing drama written and directed by Woody Allen, his first film set and shot in Great Britain and one his few films sans any humor. Chris Wilton (Jonathan Rhys-Meyers) is an Irish tennis player with an impoverished background. Just accomplished enough to make his way onto the professional circuit, but not skilled enough to be a consistent winner, he now works as an instructor at a London tennis club. The wealthy Tom Hewett (Matthew Goode), who is as impressed by Chris’s charm and good looks as he is by his game, takes a tennis lesson from the young man. Chris’s intelligence and wit also make a strong impression on Tom’s pretty sister, Chloe (Emily Mortimer), who soon falls for him. It isn’t long before Chris and Chloe are engaged to be married, a match that pleases both Tom and his father, Alec (Brian Cox), a successful businessman who believes Chris has a bright future in his firm. However, Chris also feels an overwhelming attraction to Nola Rice (Scarlett Johansson), a sexy blonde from the United States who is dating Tom. Though Nola initially puts up some resistance, Chris gently nudges her in the direction of an affair. Passion soon ignites between the two, and they have a one-time sexual encounter, even as Chris and Chloe plan their wedding. Nola resists, however, when Chris makes additional attempts to wheedle her into bed. Nola drops out of Chris’s life shortly before his wedding, but a chance meeting a few months later resurrects the relationship as Chris and Chloe try to start a family. Match Point received its world premiere in an enthusiastically received presentation at the 2005 Cannes Film Festival.

Israeli-born director Isaac H. Eaton spins this thriller about a Mephistophelean writer luring an impressionable young man into L.A.’s seamy underside. Stuart Chappell (Peter Weller) persuades gas station attendant Michael Holloway (Balthazar Getty) to abandon the straight and narrow and accompany him on a prowl of increasingly kinky haunts — including stripclubs, S&M dungeons, fight clubs, and Russian roulette joints. This film was screened at the 2000 Sundance Film Festival.

This latter-day romantic screwball comedy stars Sandra Bullock as a love-starved subway toll booth operator, Lucy. Lucy pines for regular customer Peter Callaghan (Peter Gallagher), but the self-absorbed attorney pays her no heed. One day, Peter is beaten by a gang of thugs and tossed onto the tracks. Lucy rescues him from death. While he is comatose in the hospital, a comment she makes at his bedside is misinterpreted, and she then allows his family members, who haven’t seen Peter in awhile, to believe that she is his fianc?e. Peter’s parents, Ox (Peter Boyle) and Midge (Micole Mercurio), take a liking to Lucy. But Lucy takes a liking to Peter’s brother Jack (Bill Pullman), though Jack is suspicious about her claim to be Peter’s intended.

The sophomore film from former music video and commercial director Michael Bay, this fast-paced action yarn featured rapid-fire editing, a cutting-edge rock soundtrack and liberal use of shots awash in a haze of burnished hues, all trademarks of producers Don Simpson and Jerry Bruckheimer. Nicolas Cage stars as Stanley Goodspeed, an FBI chemical weapons expert handed a unique assignment. Francis X. Hummel (Ed Harris), an insane Marine Corps general, has taken 81 tourists hostage on the abandoned island prison of Alcatraz. He and his men are threatening to bomb San Francisco with deadly gas unless $100 million is paid in war reparations to the families of servicemen killed in covert operations. Goodspeed is teamed with former British spy John Patrick Mason (Sean Connery), the only man ever to escape “The Rock,” as well as a Navy SEAL team. When their military escorts are ambushed, it’s up to odd couple Goodspeed and Mason to break into Alcatraz and stop Hummel. The Rock was the last film produced by Simpson, who died of a drug overdose before the film’s release. Solo, his partner Bruckheimer continued making the sort of glossy, frenetic films for which the duo was famed.

Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.