Bovie Movie

One young man’s dream takes him on a remarkable journey in this sports-themed drama. Santiago Munez (Kuno Becker) was born in Mexico, and came to California with his family when he was just a boy. One of the few things Santiago brought with him was a love for soccer, and while he holds down two jobs — working landscaping during the days with his father, Hernan (Tony Plana), and as a busboy at night — he still dreams of playing the game professionally, and spends his precious spare time with an amateur team in Los Angeles. One day, Santiago is approached by Glen Foy (Stephen Dillane), a part-time scout for powerhouse British team Newcastle United; Glen has seen Santiago play and thinks he has talent, and can get him a tryout with Newcastle if he can make his way to England. While Hernan refuses to help Santiago pay for the trip, his grandmother (Miriam Colon) empties her savings to help him follow his dream. Santiago’s first reserve game with the team happens during a typically British rainstorm, with Santiago suffering a mild asthma attack to boot; he doesn’t play at his best and is turned away from the team, but he refuses to go home, determined to make good. After striking up a friendship with star kicker Gavin Harris (Alessandro Nivola) and demonstrating his mettle to coach Mal Braithwaite (Gary Lewis), Santiago earns a second chance to show Newcastle United what he can do and make his father proud of him. Goal! was a major international hit, and a sequel was already in production before the film opened in the United States in the spring of 2006.

Can a beautiful and internationally famous American actress find happiness with a frumpy British bookstore clerk? She can — at least for a while, it seems — in Notting Hill. William Thacker (played by Hugh Grant) is a bookseller at a shop in the Notting Hill district in West London, who shares a house with an eccentric Welsh friend, Spike (Rhys Ifans). One day, William is minding the store when in strolls Anna Scott (Julia Roberts), a lovely and well-known actress from the United States who is in London working on a film. She buys a book from William, and she is polite and charming in the way a famous actress would be with a star-struck sales clerk. Their relationship would logically end there, if William didn’t run out a few minutes later to buy some juice. While dashing back to the shop, he bumps into Anna on the street, spilling juice all over her blouse. Since he lives nearby, William politely offers to let her stop by his house to clean up; since William seems harmless enough, Anna agrees. When Anna has to stop back to pick up a bag she left at William’s house, they kiss — just in time for Spike to show up. A romance slowly blooms as his friends and family (not to mention the world at large) wonder out loud what he’s doing dating a movie star. Notting Hill reunites Hugh Grant with producer Duncan Kenworthy and screenwriter Richard Curtis, who previously worked together on the international hit Four Weddings And A Funeral.

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a “sunburn” from its bright lights to prove it. Neary’s wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a “logical” explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the “truth” about UFOs. Neary’s obsession eventually puts him in contact with others who’ve had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker Fran?ois Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe’s theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil’s Tower, Wyoming. In 1980, a “Special Edition” was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act.

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.

Directed by Richard Loncraine, Wimbledon follows the plight of aspiring tennis-star Peter Colt (Paul Bettany), whose bad luck seems to manifest itself just about everywhere. Professionally, Peter is near the very bottom of the world tennis ranks, and personally, he can’t find love despite his best efforts to do so. In a rare turn of events, however, Peter is chosen as a wildcard to play at Wimbledon, the tennis world’s most prestigious competition. While there, he meets American tennis ing?nue Lizzie Bradbury (Kirsten Dunst), and his confidence on the court and off improves tenfold as he falls further in love with her. Driven by his newfound luck, Peter climbs to the top of the tournament players at record speed, until he actually has a fighting chance of winning the men’s singles title — the question is whether or not his good fortune will hold out long enough for him to get the trophy.

Is the time approaching when a persona in its entirety could be a mere fabrication of modern culture and technology? Or did Hollywood enter that time long ago? Either way Viktor Taransky (Al Pacino) finds himself growing more and more aware of the media-obsessed culture in which he tries to earn his living. Taransky is a film director struggling to survive in an industry that doesn’t require or want his artistic vision. When first he meets a stranger whose vision is considered somewhat questionable, he doesn’t realize the potential of the idea to digitally incorporate a character into his otherwise unsalvageable film. However, in time, not only the director and the entire studio, but American pop culture at large will grow to embrace Simone. As Taransky earns popularity and acclaim via the success of the digitally constructed actress he “discovered,” he struggles to define his own identity as an artist and a person, and finds that lying to cover up Simone’s non-existence is altering his life entirely. His ex-wife and former employer Elaine (Catherine Keener) notices the difference in his personality, upsetting their daughter Lainey (Evan Rachel Wood) and her hopes of their reconciliation. Meanwhile, stray paparazzi turned private investigators threaten to make public incriminating evidence, which could destroy the limelight Taransky enjoys while “hiding” Simone. Amazingly, what Simone doesn’t say or do creates all the more buzz, and causes Taransky to face the reality of his industry. Written and directed by Andrew Niccol (Gattaca), Simone takes a satirical approach to an otherwise fantastical comedy.

The second and third novels in author Anne Rice’s popular book series The Vampire Chronicles provide the inspiration for this horror sequel starring ill-fated actress and recording artist Aaliyah, who was killed in an airplane crash before the film’s release. Stuart Townsend is the vampire Lestat, who has awakened from a century-long slumber and turned his considerable energy to rock music. His vampirism identity mistaken for a gothic hard rock publicity stunt along the lines of Kiss or Marilyn Manson, he quickly becomes a pop music sensation. Lestat’s powerful music reaches the ear of the slumbering Akasha (Aaliyah), the millennia-old “queen of the vampires” who was the first immortal bloodsucker. Akasha is soon free and embarking on a quest to seize control of the world with Lestat at her side. In the meantime, Lestat becomes an object of fascination for Jesse Reeves (Marguerite Moreau), member of a secret order studying the supernatural called the Talamasca, and a band of ancient vampires come together in an effort to stop Akasha, even though her destruction could potentially cause their own deaths. Queen of the Damned co-stars Lena Olin and Vincent Perez.

Directed by Charles Stone III, Mr. 3000 revolves around over-the-hill baseball star Stan Ross (Bernie Mac), who retired after making what he thought was his 3,000th base hit for the Milwaukee Brewers (i.e. the exact amount of hits it takes to qualify for the Hall of Fame). Though he shocked his teammates by quitting in the middle of the game, certain that his Hall of Fame position was in the bag, complications arise when he discovers that three of his hits during his ten-year career had been disqualified. Known as Mr. 3000, the 47-year-old, out-of-shape ball player returns to the game intending to stay only as long as it takes to get the hits he needs, but something unexpected happens along the way — he rediscovers his love for the game, and begins to serve as a mentor to one of the younger players. Mr. 3000 features Angela Bassett, Paul Sorvino, Michael Rispoli, and Evan Jones in supporting roles.

Can a high-attitude African-American politician who says what he thinks stand a chance in a presidential campaign? Mays Gilliam (Chris Rock) is a straight-talking alderman representing a inner-city neighborhood in Washington, D.C. In the midst of a hard-fought race for the White House, the Democratic presidential and vice-presidential candidates are killed in an airline crash, and with little time to prepare a new campaign, the Republican candidate, Vice President Brian Lewis (Nick Searcy), seems all but guaranteed to win. With practically nothing to loose, party head Martin Geller (Dylan Baker) approaches Gilliam and asks him to stand as the Democrat’s presidential candidate. While Gilliam is dubious at first, before long his streetwise style and willingness to face the issues head-on earns him surprising figures in the polls, especially after he persuades his short-fused older brother, Mitch Gilliam (Bernie Mac), to join the ticket as vice presidential candidate — a big jump for a bail bondsman. Gilliam’s love life also becomes more complicated as his ex-girlfriend Kim (Robin Givens) decides she wants him back now that he has a shot at the White House, even though Gilliam only has eyes for Lisa (Tamala Jones). Head of State marked the directorial debut for comic and actor Chris Rock, who also co-wrote and co-produced the film.

Laramie, WY, is a small town which became infamous overnight in the fall of 1998, when Matthew Shepard, a gay college student, was found tied to a fence after being brutally beaten and left to die, setting off a nationwide debate about hate crimes and homophobia. A month after the crime, Moises Kaufman, a writer and director with the New York City theater troupe the Tectonic Theater Project, traveled to Laramie with a handful of actors to interview people who lived in and around Laramie in preparation for an upcoming production; Kaufman’s goal was to create a play that focused not on the assault on Matthew Shepard, but on the community where such an attack could happen, and how many of the citizens reacted to the crime. The result was The Laramie Project, which was first performed in early 2000, and was performed in Laramie in the fall of that year, two years after Kaufman and his associates first arrived in the city. The Laramie Project is a film adaptation of Kaufman’s play, in which the thoughts and opinions of Laramie residents from all points of the political spectrum are presented alongside re-enacted excerpts from the trials of the two men who attacked Matthew Shepard. Produced for the premium cable network HBO, The Laramie Project was adapted for the screen by Moises Kaufman, who served as both writer and director. The distinguished cast includes Dylan Baker, Steve Buscemi, Peter Fonda, Janeane Garofolo, Laura Linney, Amy Madigan, Camryn Manheim, Christina Ricci, and Frances Sternhagen.