Bovie Movie

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though “immensely popular” is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) — who is widely regarded as the most powerful wizard of the age — Hogwarts is renowned for its safety. Harry’s nonchalance eventually turns to blind rage after accidentally learning the first of Black’s many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard’s third year back at school — the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned.

Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.

In this terrifying thriller Sarah Mia Farrow, a woman recently blinded in a horseback-riding accident, returns to her Uncle’s home after a visit with her ex-lover. She has been living with him and his family while she slowly recovers from the accident and learns to deal with her blindness. Unknown to her, the entire family has been killed by an intruder. The suspense builds as Sarah unknowingly wanders through the house where the bodies of the family lay visible to all but Sarah. In a particularly frightening scene, Sarah takes a nap beside the body of her murdered niece. Awaking, and finding herself alone, Sarah slowly discovers the bodies, one by one, and realizes that her life may be in danger. Before she can leave, she is trapped in the remote farmhouse and must fight for her life when the killer returns. Mia Farrow is excellent as the increasingly desperate woman stalked by the killer who is identified to the audience only by his boots. The film is suspenseful and crisply directed by Richard Fleischer, moving to a frightening conclusion as Sarah tries to make her final escape, not knowing who she can trust.

Quentin Tarantino’s sprawling homage to action films of both the East and the West reaches its conclusion in this continuation of 2003’s ultra-violent Kill Bill Vol. 1. Having dispatched several of her arch-enemies in the first film, The Bride (Uma Thurman) continues in Kill Bill Vol. 2 on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assault, attempted to murder her and her unborn child on her wedding day. As The Bride faces off against allies-turned-nemeses Budd (Michael Madsen) and Elle Driver (Daryl Hannah), she flashes back to the day of her deadly wedding, and we learn of how she was recruited to join the DiVAS, her training under unforgiving martial arts master Pai Mei (Liu Chia-hui), and her relationship with Squad leader Bill (David Carradine), which changed from love to violent hatred. Originally planned as a single film, Kill Bill grew into an epic-scale two-part project totaling more than four hours in length; as with the first film, Kill Bill Vol. 2 includes appearances by genre-film icons Sonny Chiba, Michael Parks, Larry Bishop, and Sid Haig; Wu-Tang Clan producer and turntablist RZA and filmmaker and composer Robert Rodriguez both contributed to the musical score.

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura’s kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura’s death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004.

A U.S. Army war correspondent is drawn into a deadly mystery in post-war Berlin as he seeks out his wartime mistress in this adaptation of author Joseph Kanon’s best-selling novel. The war is over, and Jake Geismar (George Clooney) is an American journalist assigned the task of covering the peace in Berlin — but he was once lovers with a mysterious woman named Lena Brandt (Cate Blanchett). Lena is a lady with many secrets to hide, however, and now that the fighting has ceased, she has every intention of burying her sins and escaping her dark past. As Jake searches for Lena in war-torn Berlin with the assistance of American Army motor pool driver Tully (Tobey Maguire), the complex web of deceit woven by the desperate woman soon leads all three into the black market, which could prove either the ticket to Lena’s ultimate escape or the downfall of both her and her pursuers. Filmed entirely in the style of such Hollywood classics as Casablanca, The Good German was shot by director Steven Soderbergh (under the pseudonym Peter Andrews) using 1940s era lenses, sound-recording techniques, and a decidedly less-mobile camera.

New Zealand screenwriter Andrew Niccol (The Truman Show) made his feature directorial debut with this science fiction drama, set in a future when one’s life is determined by genetic engineering rather than education or experience. The wealthy can choose the genetic makeup of their descendants. People are designed to fit into whatever role is decided before birth. But what happens when someone desires another way of life? Citizens in this impersonal future-world are fashioned as perfect specimens, so those in the natural-born minority are viewed as inferior to the pre-planned perfect specimens (aka “Valids”) who dominate. One of the natural-borns (aka “In-Valids”), Vincent Freeman (Ethan Hawke), has several defects (poor vision, emotional problems, and short 30-year life expectancy), but he also develops a different outlook on his pre-ordained fate. He yearns to break free from society’s constraints, and he dreams of a journey into space as a Gattaca Corp. navigator. To accomplish his goal, he enlists the aid of DNA broker German (Tony Shalhoub) and makes contact with Jerome Morrow (Jude Law), who was paralyzed in an accident and is willing to sell his superior genetic materials. Vincent assumes Jerome’s identity and is scheduled for a flying mission. However, a week before his flight, a Gattaca mission director is murdered, and all members of the program are the suspects. Meanwhile, he develops a romantic interest in a beautiful Valid, Irene (Uma Thurman), prevented from going into space because of her heart defect. Tracked by a relentless investigator who is methodically jigsawing all the pieces together, Jerome finds his aspirations dissolving into stardust.

When a shifty magician turns state’s evidence against a Las Vegas underworld heavy, the high price placed on his head sparks a fevered race to rub the snitch out and collect a tidy paycheck in Narc director Joe Carnahan’s dark action comedy. Buddy “Aces” Israel (Jeremy Piven) is a small time scammer who has somehow managed to get the goods on big time mobster Primo Sparazza. Upon discovering that Buddy is about to deliver the evidence needed to get him thrown in jail for life, Primo takes out a sizable contract on Buddy that entices every two-bit thug, grizzled bounty hunter, deadly vixen, skilled assassin, and ladder-climbing Mafioso within a hundred mile radius into taking a shot at the prize. Now holed up in his luxurious Lake Tahoe hideout with only two FBI Agents (Ryan Reynolds and Ray Liotta) standing between him from a virtual army of money-hungry rogues, Buddy is about to found out just how far this motley crew of killers is willing to go in order to take him out and hit the jackpot. Ben Affleck, Jason Bateman, Andy Garcia, Alicia Keys, and Martin Henderson co-star in a bullet-strewn, ensemble crime comedy that never stops to reload.

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won’t allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention — a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world’s greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires — Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) — won’t let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci’s gold-making machine, and destroy the world’s monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks’s pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk.

Top-notch action sequences and exciting stunt work highlight this fast-moving thriller. John Kruger (Arnold Schwarzenegger) is a top agent in the U.S. Marshalls’ Witness Protection Program; it’s his job to “erase” the pasts of Federal witnesses under his watch and deal with anyone who tries to hurt them. Kruger’s latest assignment is to protect Lee Cullen (Vanessa Williams), who while working for a major weapons manufacturing firm discovered evidence that the company was selling new, high-tech weapons to intentional terrorists groups with the cooperation of a faction of enemy agents within the United States government. However, when Kruger discovers that the Witness Protection Program has a rat in the house — and that rat is his boss, U.S. Marshall Robert Deguerin (James Caan) — Kruger has to guard his own life while trying to protect Lee’s. The supporting cast is highlighted by James Coburn, Robert Pastorelli, and James Cromwell.