Bovie Movie

When Woody Allen’s fans refer to his “earlier, funnier” pictures, they often cite his directorial debut as a shining example. Co-written by Allen and Mickey Rose, this side-splitting takeoff of crime documentaries stars Allen as Virgil Starkwell, a sweetly inept career criminal. The film’s most celebrated sequence involves Virgil’s inability to write coherent holdup notes (”I have a gub”), but others include Virgil’s losing battle with a recalcitrant coke machine and his misguided effort to emulate John Dillinger by carving a gun out of a bar of soap (his weapon disintegrates in a heavy rain). As was often the case in Allen’s early films, not all the gags work, but for the most part, Take the Money and Run is a delight, enhanced by the on-target supporting performances of Janet Margolin, Marcel Hillaire, and (uncredited) Louise Lasser, as well as the energetic musical score of Marvin Hamlisch.

George Lucas’ mythological popcorn movie is a two-hour roller-coaster ride that has passed into movie legend. The story, for the tiny number of people not familiar with it, concerns a farm boy named Luke Skywalker (Mark Hamill) who discovers that the used robot recently purchased by his family plays back a message from one Princess Leia (Carrie Fisher), begging for help from Obi-Wan Kenobi. Luke asks his father’s friend Ben Kenobi (Alec Guinness) about this, and he discovers that Ben and Obi-Wan are one and the same. Kenobi tells Luke of the battle of the rebels against the ruling Empire and the spiritual energy called “The Force.” Soon Luke, Kenobi, and a mercenary named Han Solo (Harrison Ford) join forces to rescue Princess Leia from the Empire’s mammoth warship, the Death Star, controlled by evil genius Darth Vader (David Prowse, with the voice of James Earl Jones). George Lucas has frequently cited the influence of several films on Star Wars, particularly Akira Kurosawa’s The Hidden Fortress and Yojimbo and John Ford’s The Searchers, as well as the original Flash Gordon serials. After Star Wars became a success, Lucas announced his intention to turn the film into a series, originally totalling nine films (later pared back to six). Consequently, most reissue prints now feature the title Star Wars: Episode IV — A New Hope, with The Empire Strikes Back (1980) and Return of the Jedi (1983) serving as Episodes Five and Six in the serial, and Star Wars: Episode I — The Phantom Menace (1999) going back to the myth’s beginnings.

Tommy Lee Jones returns as United States Marshall Sam Gerard, the role that earned him an Academy Award, in this sequel to the 1993 blockbuster The Fugitive. Gerard has been assigned to escort a federal prisoner to a maximum security prison in Missouri. On the same flight is Mark Sheridan (Wesley Snipes), who has been arrested and charged with the murders of two Federal agents, though he insists he’s innocent. The plane is involved in an accident leading to a crash, and after helping to rescue some of the passengers, Sheridan escapes. The State Department informs Gerard that finding Sheridan and putting him back behind bars is a top priority, and Gerard sets out on his trail, with the very much uncalled-for assistance of eccentric FBI agent John Royce (Robert Downey Jr.). However, Gerard soon begins to wonder just how Sheridan became such an important man in the eyes of the government, while Sheridan is determined to find out who turned him in to the authorities. U.S. Marshals also features Joe Pantoliano, Daniel Roebuck, and Kate Nelligan.

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though “immensely popular” is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) — who is widely regarded as the most powerful wizard of the age — Hogwarts is renowned for its safety. Harry’s nonchalance eventually turns to blind rage after accidentally learning the first of Black’s many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard’s third year back at school — the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned.

Vin Diesel returns as the nocturnally gifted antihero Riddick in this sequel to the 2000 cult item Pitch Black. Riddick, on the run from the law and evading mercenaries eager to claim the price on his head, seeks refuge on the planet of Helion, only to discover he’s walked into a world in chaos. Helion has been seized by the Lord Marshall (Colm Feore), leader of the Necromongers, a race of bloodthirsty warriors determined to wipe out humanity throughout the universe. Aereon (Judi Dench), leader of Helion’s “elementals,” pleads with Riddick to join them in their fight for survival; Riddick agrees, hoping to fill out some of the blank chapters in his history along the way. As he plots his battle strategy against the Necromongers, Riddick becomes reacquainted with Kyra (Alexa Davalos), whom he knew as a girl but has since grown into a strong and beautiful woman eager to join him in the fight against the Lord Marshall.

Based on an actual incident, Steven Spielberg’s first theatrical feature follows the adventures of a Texas outlaw couple striving to keep their family together by any means necessary. Determined not to lose her child to the authorities, Lou Jean Poplin (Goldie Hawn) gets her obedient convict husband Clovis (William Atherton) to break out of jail and help her kidnap their baby from its foster parents. With hostage Officer Slide (Michael Sacks) in tow, the fugitives head across the plains to Sugarland, Texas, pursued by a flotilla of cop cars. Even though Slide becomes the couple’s friend, the Law is bent on capturing its criminal quarry. Even though it was greeted with strong reviews, and Hal Barwood, Matthew Robbins, and Spielberg won the screenplay prize at the Cannes Film Festival, The Sugarland Express flopped. The young audience that had embraced the challenging tonal shifts of Bonnie and Clyde and Easy Rider in the late 1960s was no longer so reliably drawn to narrative uncertainties in 1974. The massive success of Spielberg’s next picture, the popcorn thriller Jaws (1975), would confirm his suspicion that downbeat films were no longer the way to popular approval.

Mike Judge wrote and directed this offbeat sci-fi comedy which gives a new meaning to the expression “people are getting dumber all the time.” In 2005, Pvt. Joe Bowers (Luke Wilson) is a soldier chosen to take part in a secret military scientific experiment in which he will be put into induced hibernation for one year, along with a woman named Rita (Maya Rudolph). Bowers is chosen for the assignment because he is statistically the most average man in the Army, while Rita is a hooker ordered to do some community service; however, Bowers and Rita are forgotten when the military base where the experiment took place is closed down, and when they wake up in the year 2505, Bowers finds himself living in a society where intelligence has taken such a landslide he’s now the smartest man in the world. Can Bowers save America from its own remarkable stupidity, and he can he get the dunderheads around him to believe what he says? Produced under the title 3001, Idiocracy also stars Dax Shepard as Bowers’s numb-skull lawyer, Stephen Root as a judge, and Terry Crews as Camacho, a former porn star and professional wrestler who is now president of the United States.

Director Barry Levinson follows up the low-budget An Everlasting Piece (2000) with another comedy, this one of the homegrown variety from former Twin Peaks (1990) TV series writer Harley Peyton. Bruce Willis stars as suave bank robber Joe, who has escaped from prison with his hypochondriac buddy Terry (Billy Bob Thornton). Together, the two men have devised a clever scheme to take a bank officer hostage the night before a heist, then simply escort the executive to work early the next morning when they clean out the vault. Their ingenious methods have led to the men becoming media darlings dubbed “the Sleepover Bandits,” but all Joe and Terry want is to make a nice pile of money before crossing the Mexican border to a life of freedom and legitimacy. Their quest gets more complicated when Terry is struck by a car driven by Kate Wheeler (Cate Blanchett), a bored housewife who’s then forced to join their crime spree. Soon both Joe and Terry are in love with Kate and she with them, realizing that the two friends put together pretty much equal the perfect man. Bandits co-stars Troy Garity, son of actress Jane Fonda.

Few famous novels have been filmed as often as Alexandre Dumas’ The Count of Monte Cristo–and few versions are as enjoyable as this 1934 adaptation starring Robert Donat. Donat plays Edmond Dantes, wrongly accused of a plot against the post-Napoleonic French government. Condemned to a prison cell in the impenetrable Chateau D’If, Dantes vows vengeance against the four conspirators who framed him. He is particularly anxious to give his ex-friend Mondego (Sidney Blackmer) his comeuppance, since it was Mondego who married Dantes’ fiancee Mercedes (Elissa Landi). Twelve years pass; with the help of ancient fellow prisoner Abbe Foria (O.P. Heggie), Dantes digs his way out of the Chateau D’If and escapes. He finds the treasure of Monte Cristo, which makes him the wealthiest man in the world. He uses his riches to put his plan of revenge into motion, methodically destroying every one of his enemies. Though he lives for vengeance, Dantes–alias the Count of Monte Cristo–has his humanity restored by the love of Mercede, who despite her marriage has always remained spiritually faithful to him. According to publicity, the 1955 TV series based on The Count of Monte Cristo was filmed on the standing sets from the 1934 film. This might well have been true, since both film and series were produced by Edward Small.

In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted of a double murder, even though he stubbornly proclaims his innocence. He’s sentenced to a life term at the Shawshank State Prison in Maine, where another lifer, Ellis “Red” Redding (Morgan Freeman), picks him as the new recruit most likely to crack under the pressure. The ugly realities of prison life are quickly introduced to Andy: a corrupt warden (Bob Gunton), sadistic guards led by Capt. Byron Hadley (Clancy Brown), and inmates who are little better than animals, willing to use rape or beatings to insure their dominance. But Andy does not crack: he has the hope of the truly innocent, which (together with his smarts) allow him to prevail behind bars. He uses his banking skills to win favor with the warden and the guards, doing the books for Norton’s illegal business schemes and keeping an eye on the investments of most of the prison staff. In exchange, he is able to improve the prison library and bring some dignity and respect back to many of the inmates, including Red. Based on a story by Stephen King, The Shawshank Redemption was the directorial debut of screenwriter Frank Darabont.