Bovie Movie

A thesp-turned-crook gets a chance at career in movies as well as crime scene investigation in this offbeat action comedy with nods to Raymond Chandler. Harry Lockhart (Robert Downey Jr.) is a struggling New York actor who high-tails it to Los Angeles. Once there, Lockhart winds up at the posh home of the aptly-named homosexual private eye Gay Perry (Val Kilmer) amid a lavish Hollywood party, hoping to score a life-changing role in a Hollywood feature. Harry becomes reacquainted with Harmony (Michelle Monaghan), a girl he had a major crush on in his small-town Indiana high school, who may be a bit more interested in him now than she was years ago. He takes both her and her girlfriend home with him, but - in a moment of drunken stupor - accidentally sleeps with the wrong woman. Meanwhile, when a series of female bodies turns up across L.A., Harry slowly breaks into detective work, mentored by Perry. The biggest twist? Black riffs Adaptation and other films by having Harry (via satirical narration) write the movie while he is living it. Harry assures the audience that unlike Lord of the Rings, this one won’t have seventeen endings. Kiss Kiss, Bang Bang marks the first directorial credit for Shane Black, who created the Lethal Weapon franchise.

After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer. Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-’50s New York City as a men’s room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he’s living a carefree life with his father’s money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie’s father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity. The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley.

In Robert Zemeckis’s trailblazing combination of animation and live-action, Hollywood’s 1940s cartoon stars are a subjugated minority, living in the ghettolike “Toontown” where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown’s leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic “evil land developer” plotline –and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg’s Amblin Entertainment, and George Lucas’s Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that “toons” exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn’t come to terms with the producers. Of the film’s newly minted Toons, the most memorable is Roger Rabbit’s curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit’s Tex Avery-style director.

Gary Cooper more or less repeats his international-roue characterization from 1938’s Bluebeard’s Eighth Wife for the 1957 romantic comedy Love in the Afternoon (both films were co-scripted by Billy Wilder, who also directed the latter picture). Audrey Hepburn co-stars as the daughter of Parisian private eye Maurice Chevalier. Investigating the amorous activities of Cooper, Chevalier relates what he’s discovered to cuckolded husband John McGiver, who declares that he’s going after Cooper with a pistol. Overhearing this conversation, Hepburn rushes off to rescue Cooper. She keeps him far away from McGiver by adopting a “woman of the world” pose. Cooper quickly sees through this charade; still, she is fascinated by Hepburn and attempts to relocate her after she disappears. Meeting Chevalier one day, Cooper relates the story of the Mystery Woman, never dreaming that he is describing Chevalier’s daughter. Equally in the dark, Chevalier offers to locate the elusive Hepburn. Once he’s tumbled to the fact that his quarry is his own flesh and blood, Chevalier advises Hepburn against contemplating a relationship with the much-older Cooper. She, of course, fails to heed this warning, setting the stage for an ultraromantic finale. Love in the Afternoon is highlighted by a superb running gag involving a quartet of gypsy violinists, who insist upon dogging Cooper’s trail wherever he goes-including a steam bath. Love in the Afternoon was adapted by Wilder and I.A.L. Diamond from the novel Ariane by Claude Anet.

Taking home a paycheck that nearly rivals the budget of the first film, Reese Witherspoon reprises the role of Elle Woods in this sequel to 2001’s surprise blockbuster Legally Blonde. When she’s fired from her job at an upscale law firm for voicing her stance against the testing of cosmetics on animals, Elle heads to Capitol Hill to fight for her cause before Congress, leaving her boyfriend, Emmett (Luke Wilson, reprising his role from the film’s predecessor), behind. Once there, she runs into plenty of adversity and red-tape and can’t seem to find anyone who will listen to her proposals. While staying at the Watergate hotel though, she meets and befriends an elderly bellman (Bob Newhart in his first theatrical role since 1997’s In & Out) who’s been around politicians long enough to know the ins and outs of the political machine. With his help, Elle attempts to convince disillusioned U.S. Representative Rudd (Sally Field) to help her get her voice heard in front of the stodgy old coots of the legislative branch. Directed by Charles Herman-Wurmfeld hot off the success of his critically acclaimed indie comedy Kissing Jessica Stein, Legally Blonde 2: Red, White and Blonde boasts a supporting cast led by Jennifer Coolidge (Best in Show, American Pie) and Regina King (Jerry Maguire, Daddy Day Care).

Five years after achieving commercial and critical success with his film Three Kings, director and screenwriter David O. Russell returns to the more idiosyncratic territory of his earlier work with this intelligent and offbeat comedy. Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes’ latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert’s problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert’s environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he’s being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad’s girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian’s ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert).

Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is “diamonds are a girl’s best friend.” Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond’s father (Taylor Holmes) to make certain that Lorelei isn’t just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that’s how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George “Foghorn” Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe’s rendition of “Diamonds are a Girl’s Best Friend,” a production number later imitated by pop icon Madonna.

Producer Joel Silver, director Tony Scott, and screenwriters Shane Black and Greg Hicks team up for this gridiron-set action thriller. Bruce Willis stars as Joe Hallenbeck, who was once a top-of-the-line Secret Service agent but has since become an alcoholic, flea-bag detective. While performing the chores of a two-bit shamus, he discovers his wife Sarah (Chelsea Field) is having an affair with his best friend. Joe is hired to protect Cory (Halle Berry), a stripper who has been getting death threats; Joe begins to sober up when Cory is blown to smithereens. Cory’s boyfriend, Jimmy Dix (Damon Wayans), was at one time a NFL football quarterback, but was thrown out of the game for gambling and addiction to Demerol. Smelling something fishy, Joe and Jimmy begin to investigate further and discover layers of corruption in professional football circles, leading up to Sheldon Marcone (Noble Willingham), a corrupt team owner who wants to pay off legislators to legalize gambling on pro football games.

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.

The three most glamorous and butt-kicking private detectives in the business are back and ready to take on bad guys in this sequel to the 2000 blockbuster screen adaptation of the once-popular television series. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are once again summoned to the office of their boss Charlie (voice of John Forsythe), where they’re introduced to his new right-hand man Jimmy Bosley (Bernie Mac) and given their latest assignment. It seems a pair of rings have gone missing and need to be recovered, but this was no ordinary jewel heist — the rings have been coded with special information that can be used to access a list of every person in the FBI’s Witness Protection Program, and when a handful of protected informants are murdered, the Angels are brought in to help crack the case. As the women search for the culprits, they encounter Madison Lee (Demi Moore), one of Charlie’s former agents who decided that the wrong side of the law pays better, and Seamus (Justin Theroux), who once dated Dylan and wants revenge for her decision to turn him over to the police. Luke Wilson and Matt LeBlanc return as (respectively) Natalie and Alex’s love interests, as does Crispin Glover as the Thin Man; John Cleese, Robert Forster, and Eric Bogosian also appear in supporting roles.