Bovie Movie

The three most glamorous and butt-kicking private detectives in the business are back and ready to take on bad guys in this sequel to the 2000 blockbuster screen adaptation of the once-popular television series. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are once again summoned to the office of their boss Charlie (voice of John Forsythe), where they’re introduced to his new right-hand man Jimmy Bosley (Bernie Mac) and given their latest assignment. It seems a pair of rings have gone missing and need to be recovered, but this was no ordinary jewel heist — the rings have been coded with special information that can be used to access a list of every person in the FBI’s Witness Protection Program, and when a handful of protected informants are murdered, the Angels are brought in to help crack the case. As the women search for the culprits, they encounter Madison Lee (Demi Moore), one of Charlie’s former agents who decided that the wrong side of the law pays better, and Seamus (Justin Theroux), who once dated Dylan and wants revenge for her decision to turn him over to the police. Luke Wilson and Matt LeBlanc return as (respectively) Natalie and Alex’s love interests, as does Crispin Glover as the Thin Man; John Cleese, Robert Forster, and Eric Bogosian also appear in supporting roles.

In this family-friendly comedy drama, Walter (Haley Joel Osment) is a shy and bookish boy just short of his teens whose mother impulsively decides to leave him for the summer with his eccentric grand-uncles, Hub (Robert Duvall) and Garth (Michael Caine). Walter isn’t especially happy about being left in the middle of Texas with two old men, while Hub and Garth aren’t too pleased to be stuck minding a boy, especially one who isn’t accustomed to hunting, fishing, or firearms. When Walter starts hearing local gossip about his uncles’ wild and wooly pasts, he begins asking a few questions, and while Hub and Garth don’t enjoy having the boy poking into their pasts, as they start telling tales of their youthful adventures, they find themselves itching for some new adventures in their lives. Soon Walter is a semi-willing accomplice as his elderly guardians rediscover the wild, impulsive spirit of youth. Secondhand Lions was produced in part by the well-respected visual effects house Digital Domain, who also helped create the imagery for the film’s flashback sequences.

Joel and Ethan Coen take on the classic battle-of-the-sexes screwball comedy with Intolerable Cruelty. George Clooney plays Miles Massey, a high-powered Los Angeles divorce lawyer nearing a midlife crisis . While representing wealthy client Rex Rexroth (Edward Herrmann), Miles meets his match in Rex’s gold-digging wife, Marilyn Rexroth (Catherine Zeta-Jones). He’s impressed by her similarly heartless ways of using marriage to fuel an expensive lifestyle, but he still defeats her in court. With Marilyn looking to get her revenge and Miles finding himself attracted to her, the two engage in a ruthless romantic pursuit to out-swindle each other. Billy Bob Thornton shows up in a small role as Texas oil tycoon Howard Doyle.

Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, “the cat who won’t cop out, when there’s danger all about” in Gordon Parks’ seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can’t help him and leaves, only to just miss being waylaid by two of Bumpy’s strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he’s always kept away from his business, has been kidnapped. There’s been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft’s onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend’s comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean — Bumpy knows that it’s the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they’re holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn’t know why they’re there, but he does know that if fighting breaks out between Bumpy’s men and the Mafia, it’s going to look like a race war, and the whole city could erupt. Shaft doesn’t like the way he’s been manipulated, but he sees Androzzi’s point — he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he’s wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben’s friends in an armed assault on the building where they’re holed up.

Eddie Murphy followed up his Beverly Hills Cop success with this fantasy adventure that plops him right into the land of Ray Harryhausen and Indiana Jones. The plot revolves around a God-like youngster (J.L. Reate) known as a “golden child,” who has been sent to Tibet to bring the gift of compassion to humanity. But the devil isn’t idle, sending his emissary, Sardo Numspa (Charles Dance) to kidnap the golden child. Sardo absconds with the child and takes off to Los Angeles. In L.A., a beautiful Tibetan priestess named Kee Nang (Charlotte Lewis) seeks out Chandler Jarrell (Eddie Murphy), a social worker and self-styled “finder of lost children.” She tells Chandler he has been chosen to rescue the magical child from the devil and save the world from evil. Before Chandler can let go of his first riposte, he finds himself holding a magic dagger, following a sacred parakeet, and under-going several trials by fire. He also falls in love with Kee Nang, who at one point in the film has to be brought back from the dead.

The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer’s whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn’t know that he had the answer all along — even before Louis entered his office. Also available in the “unrated” video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet.

The Farrelly Brothers set this romantic comedy in their home state of Rhode Island. In 1985, when teen-nerd Ted Stroehmann (Ben Stiller) challenges a high-schooler who’s bullying retarded Warren Jenson (W. Earl Brown), his concern prompts Warren’s sister, the dazzling and desirable Mary Jenson (Cameron Diaz) to choose Ted as her senior prom date, a fact Ted’s pals find hard to believe. However, on prom night, Ted gets his penis caught in his zipper, so the much-desired date never happens. Living in Providence and waxing nostalgic 13 years later, Ted hires Pat Healy (Matt Dillon) to locate Mary, and the creepy private investigator finds her in Miami, where she lives with her tan-shriveled roommate Magda (Lin Shaye). After Pat develops a stalker-style fixation on the lovely, unattached Mary, he lies to Ted, telling him that she’s now an overweight mother confined to a wheelchair. Employing professional eavesdropping equipment, Pat gathers a dossier on Mary’s life and future plans, information that forms the basis for more lies when Pat begins dating her. Sure enough, Mary falls for Pat, although her friend Tucker (Lee Evans) is very suspicious of Pat’s claim to be a Harvard-educated architect. Meanwhile, Ted learns the truth but continues to encounter offbeat obstacles as he accelerates to Miami in hopes of finding happiness with his true love. Former Modern Lovers singer Jonathan Richman vocalizes a narrative ballad of onscreen commentary in the Cat Ballou (1965) tradition. Most of the cast sings and frolics to Build Me Up, Buttercup by The Foundations during the closing credits.