Bovie Movie

Big-budget special effects, swiftly paced action, and a distinct feminist subtext from writer/director James Cameron turned what should have been a by-the-numbers sci-fi sequel into both a blockbuster and a seven-time Oscar nominee. Sigourney Weaver returns as Ellen Ripley, the last surviving crew member of a corporate spaceship destroyed after an attack by a vicious, virtually unbeatable alien life form. Adrift in space for half a century, Ripley grapples with depression until she’s informed by her company’s representative, Carter Burke (Paul Reiser) that the planet where her crew discovered the alien has since been settled by colonists. Contact with the colony has suddenly been lost, and a detachment of colonial marines is being sent to investigate. Invited along as an advisor, Ripley predicts disaster, and sure enough, the aliens have infested the colony, leaving a sole survivor, the young girl Newt (Carrie Henn). With the soldiers picked off one by one, a final all-female showdown brews between the alien queen and Ripley, who’s become a surrogate mother to Newt. Several future stars made early career appearances in Aliens (1986), including Lance Henriksen, Bill Paxton, and Reiser.

In the final episode of the Star Wars saga, Han Solo (Harrison Ford) emerges intact from the carbonite casing in which he’d been sealed in The Empire Strikes Back. The bad news is that Solo, together with Luke Skywalker (Mark Hamill) and Princess Leia (Carrie Fisher), is prisoner to the grotesque Jabba the Hutt. But with the help of the charismatic Lando Calrissian (Billy Dee Williams), our heroes and our heroine manage to escape. The next task is to rid the galaxy of Darth Vader (body by David Prowse, voice by James Earl Jones) and the Emperor (Ian McDiarmid), now in command of a new, under-construction Death Star. On the forest moon Endor, the good guys enlist the help of a feisty bunch of bear-like creatures called the Ewoks in their battle against the Empire.

Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje’s novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he’s known simply as “the English Patient,” thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn’t be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient’s story from the shards of his memories; he’s actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy’s team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo’s most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche).

Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.

Driver and muscle for hire Frank Martin returns in this sequel to the 2002 box-office hit. Frank Martin (Jason Statham) is a former special-forces officer who will transport anything anywhere for a price, and his latest assignment is acting as chauffeur for Jack Billings (Hunter Clary), the young son of politician Jefferson Billings (Matthew Modine), who has garnered no small amount of controversy for his aggressive efforts to stamp out the trade in illegal drugs. One day, Frank is to take Jack to the doctor for a checkup while his mother, Audrey (Amber Valletta), sets up a birthday party for the tyke. However, Jack’s doctor is not who he appears to be — he’s actually Dimitri (Jason Flemyng), a Russian agent well versed in viruses who works with criminal kingpin Gianni (Alessandro Gassman). After a long and hard-fought chase with Frank, the bad guys get ahold of little Jack and hold him for ransom. The parents comply with their monetary demands and soon have their son back at home — but little do they know that the boy has secretly been injected with a deadly and easily spread virus, which the terrorists hope to spread to the boy’s powerful father and other politicians whom Jefferson will soon be addressing at a public event. When Frank learns what has happened to young Jack, he sets out to find the culprits — and the antidote that will save the boy and all others who have been exposed to the virus from dying a painful death — though his foes have stacked the deck so that it looks as if Frank has been complicit in the crime.

A charmingly na?ve boy from the English village of Wall travels to a magical, mythical world in search of the falling star that will help him win the heart of his true love in this fantasy adventure starring Charlie Cox, Claire Danes, Robert De Niro, Michelle Pfeiffer, Ricky Gervais, and Sienna Miller. For hundreds of years the massive cobblestone barrier that surrounds the sleepy English hamlet of Wall has kept the citizens of the village safe and secure from the malevolent supernatural forces that stir just outside its perimeter. When dashing Tristan Thorne (Cox) promises the fairest girl in the village, Victoria (Miller), that he will prove his love by bestowing her with a genuine falling star, his daring mission sends him on an adventure far outside the comfortable confines of Wall. In order to find the fallen star, Tristan will have to ascend the wall and venture deep into the forbidden heart of the fantastical realm known as Stormhold. Upon discovering that the meteorite he sought was in fact a beautiful girl named Yvaine (Danes), who has stumbled though space and is now being pursued by the King of Stormhold’s (Peter O’Toole) sons (who long to use her cosmic powers to lay claim to the throne), Tristan vows to protect the otherworldly visitor at all costs. But the king’s sons aren’t the only ones in search of the luminous Yvaine; fearsome witch Lamia (Pfeiffer) has become convinced that the young girl’s power can help her to achieve eternal youth and beauty. As Tristan makes his way through Stormhold on a mission to bring the star back to Wall, he will encounter a series of spectacular characters and creatures that will lead him to a fate he never imagined. Layer Cake director Matthew Vaughn serves as director and co-screenwriter for this tale of witches and pirates adapted from the novel by fantasy icon Neil Gaiman, who also produces.

Quentin Tarantino’s sprawling homage to action films of both the East and the West reaches its conclusion in this continuation of 2003’s ultra-violent Kill Bill Vol. 1. Having dispatched several of her arch-enemies in the first film, The Bride (Uma Thurman) continues in Kill Bill Vol. 2 on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assault, attempted to murder her and her unborn child on her wedding day. As The Bride faces off against allies-turned-nemeses Budd (Michael Madsen) and Elle Driver (Daryl Hannah), she flashes back to the day of her deadly wedding, and we learn of how she was recruited to join the DiVAS, her training under unforgiving martial arts master Pai Mei (Liu Chia-hui), and her relationship with Squad leader Bill (David Carradine), which changed from love to violent hatred. Originally planned as a single film, Kill Bill grew into an epic-scale two-part project totaling more than four hours in length; as with the first film, Kill Bill Vol. 2 includes appearances by genre-film icons Sonny Chiba, Michael Parks, Larry Bishop, and Sid Haig; Wu-Tang Clan producer and turntablist RZA and filmmaker and composer Robert Rodriguez both contributed to the musical score.

The legendary rogue of the seven seas confronts a new assortment of dangers and thrills in this animated action-adventure tale. Sinbad (voice of Brad Pitt) and his crews of pirate adventurers are hoping to retire to Fiji, and they discover a treasure that could make that possible — the Book of Peace, which has kept the Twelve Cities in harmony for centuries. But Sinbad’s plan to snatch the magic book is complicated when he learns it’s on board a ship captained by his longtime friend Proteus (voice of Joseph Fiennes). While Sinbad still has his eye on the book, so does the mischievous goddess Eris (voice of Michelle Pfeifer), who sends a deadly sea monster into Sinbad’s path to scuttle his plans. With the help of Proteus, Sinbad prevails over the beast, and determined Eris responds by snatching the book and framing Sinbad for the crime. Noble Proteus offers to step in for Sinbad and take his punishment, so now the adventurer has ten days to rescue the book from Eris or Proteus will pay with his life. While Sinbad is at first uncertain if he should take on such a dangerous assignment or simply high-tail it to Fiji, someone is on hand to persuade him — Marina (voice of Catherine Zeta-Jones), Proteus’ lovely but hard-headed fianc?e, who has stowed away on Sinbad’s ship. Sinbad: Legend of the Seven Seas was the first animated feature written by John Logan, who received an Oscar nomination for his script for Gladiator.

New Zealand filmmaker Peter Jackson fulfills his lifelong dream of transforming author J.R.R. Tolkien’s best-selling fantasy epic into a three-part motion picture that begins with this holiday 2001 release. Elijah Wood stars as Frodo Baggins, a Hobbit resident of the medieval “Middle-earth” who discovers that a ring bequeathed to him by beloved relative and benefactor Bilbo (Ian Holm) is in fact the “One Ring,” a device that will allow its master to manipulate dark powers and enslave the world. Frodo is charged by the wizard Gandalf (Ian McKellen) to return the ring to Mount Doom, the evil site where it was forged millennia ago and the only place where it can be destroyed. Accompanying Frodo is a fellowship of eight others: his Hobbit friends Sam (Sean Astin), Merry (Dominic Monaghan), and Pippin (Billy Boyd); plus Gandalf; the human warriors Aragorn (Viggo Mortensen) and Boromir (Sean Bean); Elf archer Legolas (Orlando Bloom); and Dwarf soldier Gimli (John Rhys-Davies). The band’s odyssey to the dreaded land of Mordor, where Mount Doom lies, takes them through the Elfish domain of Rivendell and the forest of Lothlorien, where they receive aid and comfort from the Elf princess Arwen (Liv Tyler), her father, Elrond (Hugo Weaving), and Queen Galadriel (Cate Blanchett). In pursuit of the travelers and their ring are Saruman (Christopher Lee) — a traitorous wizard and kin, of sorts, to Gandalf — and the Dark Riders, under the control of the evil, mysterious Sauron (Sala Baker). The Fellowship must also do battle with a troll, flying spies, Orcs, and other deadly obstacles both natural and otherwise as they draw closer to Mordor. The Lord of the Rings: The Fellowship of the Ring (2001) was filmed in Jackson’s native New Zealand, closely followed by its pair of sequels, The Two Towers (2002) and The Return of the King (2003).

Divorced architect Jonathan Rivers (Michael Keaton) seems to lead a pretty good life with partial custody of his young son and a happy second marriage to Anna (Chandra West), a best-selling author. Things take an ugly turn when Anna disappears during a thunderstorm, apparently the victim of a freak accident. Eventually, her body is found, and Jonathan sinks into despair. Then he meets Raymond (Ian McNeice), who claims that Anna has contacted him through EVP, or electronic voice phenomena. Raymond explains that the dead can communicate from beyond via static on common electronic equipment like radios and televisions. Jonathan is skeptical until he starts getting phone calls from Anna’s inactive cell phone. He visits Raymond, whose home is filled with audio and video monitors and high-tech recording equipment. There he meets Sarah (Deborah Kara Unger), who has recently received a farewell message from her late fiancé. Jonathan eventually receives what appears to be a communication from Anna, but soon afterward, Raymond turns up dead. Obsessed with maintaining contact with his late wife, Jonathan visits a psychic (Connor Tracy) who warns him that he’s going down a dangerous path, “meddling” in the affairs of the dead. Undaunted, Jonathan continues to study EVP and eventually finds that he’s getting messages from people who haven’t died…yet. White Noise was directed by Geoffrey Sax from an original script by Niall Johnson.