Bovie Movie

What if virtual reality wasn’t just for fun, but was being used to imprison you? That’s the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It’s the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It’s through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson — none of what’s going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people’s minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they’re through. Morpheus, however, is convinced Neo is “The One” who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound.

Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie’s room, making him think there might be something to Frank’s prophesies after all. The rest of Donnie’s world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie’s quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director’s cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly’s first cut of the film.

The second prequel to the original Star Wars trilogy takes place ten years after the events depicted in Star Wars: Episode I — The Phantom Menace. Now 20, young Anakin Skywalker (Hayden Christensen) is an apprentice to respected Jedi knight Obi-Wan Kenobi (Ewan McGregor). Unusually powerful in the Force, Anakin is also impatient, arrogant, and headstrong — causing his mentor a great deal of concern. The pair are ordered to protect Padme Amidala (Natalie Portman), the former queen of the planet Naboo, now representing her world in the Galactic Senate. Someone is trying to assassinate her on the eve of a vote enabling Supreme Chancellor Palpatine (Ian McDiarmid) to build a military force that will safeguard against a growing separatist movement led by mysterious former Jedi Count Dooku (Christopher Lee). After another attempt on Padme’s life, Obi-Wan and Anakin separate. The young Jedi and Padme fall in love as he escorts her first to the security of Naboo and then to his home world of Tatooine, where the fate of his mother leads him to commit an ominous atrocity. Meanwhile, Obi-Wan travels to the secretive planet Kamino and the asteroid-ringed world of Geonosis, following bounty hunter Jango Fett (Temuera Morrison) and his son, Boba (Daniel Logan), who are involved in an operation to create a massive army of clones. A vicious battle ensues between the clones and Jedi on one side and Dooku’s droids on the other, but who is really pulling the strings in this galactic conflict? In late 2002, the movie was released in IMAX theaters as Star Wars: Episode II — Attack of the Clones: The IMAX Experience, with a pared-down running time of 120 minutes in order to meet the technical requirements of the large-screen format.

Young wizard-in-training Harry Potter (Daniel Radcliffe) returns to Hogwarts for his fifth year of studies, only to find that the magical community seems to be in a curious state of denial about his recent encounter with the sinister Lord Voldemort (Ralph Fiennes) in the fifth installment of the popular fantasy film series based on the best-selling books by author J.K. Rowling. Rumor has it that the dreaded Lord Voldemort has returned, but Minister for Magic Cornelius Fudge (Robert Hardy) isn’t so sure what to make of all the hearsay currently floating around the campus of Hogwarts. Suspecting that Headmaster Albus Dumbledore (Michael Gambon) may be fueling the rumors regarding Voldemort’s return in order to undermine his authority and lay claim to his job, Fudge entrusts newly arrived Defense Against the Dark Arts professor Dolores Umbridge (Imelda Staunton) with the task of tracking Dumbledore and keeping a protective watch over the nervous student body. The young wizards of Hogwarts will need something much more effective than Umbridge’s Ministry-approved course in defensive magic if they are to truly succeed in the extraordinary battle that lies ahead, however, and when the administration fails to provide the students with the tools that they will need to defend Hogwarts against the fearsome powers of the Dark Arts, Hermione (Emma Watson), Ron (Rupert Grint), and Harry take it upon themselves to recruit a small group of students to form “Dumbledore’s Army” in preparation for the ultimate supernatural showdown.

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man’s thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film’s allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Still more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky & co. re-edited it to conform to a PG-13 rating.

British director Stephen Norrington helmed this David S. Goyer adaptation of the Marvel Comics character created in 1973 by scripter Marv Wolfman and artist Gene Colan. In the Tomb of Dracula comic book origin, just before Blade’s mother gave birth to Blade, she was bitten by a vampire, which made Blade immune to vampires. Now a vampire hunter, Blade, joined by vampire detective Hannibal King and Dracula-descendent Frank Drake, stalks vampires. In the 1990s (in Marvel’s Nightstalkers), Blade teamed with Drake and King in an agency created to fight a variety of supernatural beings. The Marvel origin is retold in this 1998 Norrington film, with Blade’s mother dying as he is born. Thirty-some years later, Blade now exists somewhere between the two worlds, not human but not fully vampire. He has become a relentless and superhuman vampire hunter, out to avenge the death of his mother and protect the rest of humankind from the evil vampire race. In this pursuit, Blade storms a notorious vampire nightclub and in a virtual bloodbath manages to wipe out most of the blood-lusting denizens. But the burnt corpse of vampire Quinn (Donal Logue) is reanimated at the hospital morgue and bites hematologist Karen Jenson (N’Bushe Wright). Blade magically appears at the hospital just in time to whisk Karen to his hideaway, a machine-shop run by his mentor Abraham Whistler (Kris Kristofferson), who once rescued Blade and who now produces a antidote to keep Blade from turning into a full-fledged vampire and who builds custom weapons for Blade to use against his evil foes. Meanwhile, Blade’s vampire arch-nemesis Deacon Frost (Stephen Dorff) uses computers to translate the Book of Erebus, with the ultimate aim of bringing down the old-guard vampire council, headed by Dragonetti (Udo Kier), and triggering the Blood Tide — an event in which everyone in the world becomes a vampire.

After creating an international sensation with the visually dazzling and intellectually challenging sci-fi blockbuster The Matrix, the Wachowski brothers returned with the first of two projected sequels that pick up where the first film left off. Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) have been summoned by Morpheus (Laurence Fishburne) to join him on a voyage to Zion, the last outpost of free human beings on Earth. Neo and Trinity’s work together has been complicated by the fact the two are involved in a serious romantic relationship. Upon their arrival in Zion, Morpheus locks horns with rival Commander Lock (Harry J. Lennix) and encounters his old flame Niobe (Jada Pinkett Smith). Meanwhile, Agent Smith (Hugo Weaving) has returned with some surprises for Neo, most notably the ability to replicate himself as many times as he pleases. Neo makes his way to The Oracle (Gloria Foster), who informs him that if he wishes to save humankind, he must unlock “The Source,” which means having to release The Key Maker (Randall Duk Kim) from the clutches of Merovingian (Lambert Wilson). While Merovingian refuses to cooperate, his wife, Persephone (Monica Bellucci), angry at her husband’s dalliances with other women, offers to help, but only in exchange for a taste of Neo’s affections. With The Keymaker in tow, Neo, Trinity, and Morpheus are chased by Merovingian’s henchmen: a pair of deadly albino twins (Neil Rayment and Adrian Rayment). Filmed primarily in Australia and California (the extended chase scene was shot on a stretch of highway build specifically for the production outside of San Francisco), The Matrix Reloaded was produced in tandem with the third film in the series, The Matrix Revolutions.

Mel Gibson’s well-publicized production The Passion of the Christ concerns the last 12 hours in the life of Jesus of Nazareth. The dialogue is spoken in the ancient Aramaic language, along with Latin and Hebrew. In the Garden of Gethsemane near the Mount of Olives, Jesus (James Caviezel) is betrayed by Judas Iscariot (Luca Lionello). Jesus is condemned to death for blasphemy and brought before Pontius Pilate (Hristo Naumov Shopov), the Roman governor of Judea, for sentencing. The roaring crowd demand his death, so Pilate orders his crucifixion. Jesus is severely beaten and made to carry his cross up to Golgotha, the hill outside Jerusalem, where he is nailed to the cross. Romanian theatrical actress Maia Morgenstern plays Mary, Mother of God, and Italian superstar Monica Bellucci plays Mary Magdalene. Amid much controversy involving Gibson and various religious organizations, The Passion of the Christ received an international theatrical release in February of 2004. In March 2005, Gibson released an unrated version of the film, dubbed The Passion Recut, that eliminated five to six minutes of the more graphic scenes of flogging and crucifixion.