Bovie Movie

Paul (Greg Kinnear) and Jessie Duncan (Rebecca Romijn-Stamos) have barely begun the grieving process when Dr. Richard Wells (Robert De Niro) attends the funeral of the Duncans’ eight-year-old son, Adam (Cameron Bright), with a pressing question in tow. Head of the Godsend Fertility Clinic, Dr. Wells claims he can use Adam’s rapidly dying cells to clone a replica of the boy, though the necessary DNA will only be viable for another 24 hours. The process in itself is completely illegal; not only must Jessie and Paul be forced to relocate, but they will also be forced to sever all ties with friends and family in order to ensure the secret remains so. Within the space of a day, the Duncans consider the legal and ethical implications of such a procedure, ultimately deciding that their love for Adam is enough to trump the law and any high-minded philosophical questions. After resettling in an idyllic town near Dr. Wells’ clinic, Jessie is impregnated with the late Adam’s living cells, while Paul is given a beautiful home and a more than suitable job. Shortly afterward, the new Adam — seemingly identical to the original Adam in every way — is born and lives a life quite similar to his predecessor until the morning of his eighth birthday. A series of night terrors is the first thing to disturb the Duncans’ otherwise serene lifestyle. Adam’s violent visions eventually mutate to ill temper, and an aura of menace permeates the aura of a boy who had otherwise been sweetness incarnate from the day of his birth. Eventually, Paul discovers that Dr. Wells is not a pediatrician, but a geneticist, and that their playing God may have been a Faustian bargain of epic proportions.

Upon acquiring a mysterious book in which the number 23 seems to take on powerful cosmic significance, a once-sane man gradually becomes obsessed with the idea that the frequently recurring number may in fact hold a deadly secret in this intense mystery-thriller starring Jim Carrey and Virginia Madsen, and directed by Joel Schumacher. Walter Sparrow (Carrey) is a middle-aged dogcatcher whose wife Agatha (Madsen) has bestowed him with an obscure mystery novel detailing the investigation launched by a tough-talking gumshoe named Fingerling (also Carrey) whose every move seems to be overshadowed by the enigmatic eponymous number. After noting a series of alarming parallels shared between the fictional detective and himself, Walter is quickly drawn in to the story as the hard-boiled private investigator murders raven-wigged moll Fabrizia (also Madsen) and pins the crime on her unsuspecting lover (Danny Huston). Back in the real world, fiction seems to merge with reality as Walter and Agatha’s close friend Isaac (also Huston) begins to ingratiate himself ever deeper into the couple’s relationship and Walter begins experiencing a gruesome series of visions in which he violently murders an unfaithful Agatha. His mind fast descending into a dark and violent whirlwind of madness, Walter enlists the aid of Agatha and the pair’s adolescent son Robin (Logan Lerman) in seeking out the author of the mysterious tome and uncovering the sinister truth behind the so-called “23 enigma.”

A man learns his past was more truth than imagination in this horror story. Tim (Barry Watson) is a man who is still haunted by traumatic memories of his past, many linked to the death of his father. Desperate to resolve his issues, Tim returns to his old hometown so he can pay a visit to the house where he grew up. But while Tim wants to convince himself the ghostly memories he carries are just a figment of his imagination, circumstances lead him to believe that there may be a kernel of truth to them. Boogeyman also features Emily Deschanel, Lucy Lawless, and Skye McCole Bartusiak.

Director David Fincher’s dark, stylish thriller ranks as one of the decade’s most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset’s worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset’s retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset’s last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981).

A terrifying legacy haunts a single mother in this sequel to the frightening box-office hit The Ring. Hoping to leave their terrifying experiences in Seattle behind them, Rachel Keller (Naomi Watts) and her son, Aidan (David Dorfman), move to the small town of Astoria, OR, where Rachel takes a job writing for the local newspaper. When Rachel learns of an unexplained murder, which occurred after a teenager watched a strange videotape with his girlfriend, she suspects her past is following her and she begins looking into the case. Rachel believes that the otherworldly Samara has come back; however, as she tries to convince others of the young girl’s powers, her own son falls ill and is hospitalized, and Rachel’s stories fail to convince either Dr. Emma Temple (Elizabeth Perkins), who suspects Rachel is guilty of child abuse, or David Rourke (Simon Baker), one of Rachel’s colleagues who fears for Aidan’s safety. Also starring Sissy Spacek, The Ring 2 was directed by Hideo Nakata; it was the first English-language project for the Japanese filmmaker, who previously made Ringu, the picture that was the basis for The Ring.

A young man who has flirted with death is forced to come to terms with mortality in this tale of terror based on a story by Stephen King. Alan Parker (Jonathan Jackson) is a college student studying art at the University of Maine in 1969. Cursed with an over-active imagination, Alan constantly obsesses over the worst outcome of any situation, and when he begins to suspect his girlfriend, Jessica (Erika Christensen), is thinking of leaving him, it drives him to the brink of suicide. Shortly after this brush with death, Alan receives word that his mother, Jean (Barbara Hershey), has suffered a severe stroke and may not pull through. Alan grabs his jacket and hits the road, hoping to hitchhike the one hundred miles to the hospital. As it happens, Alan is trying to catch a ride on Halloween night, and after he’s picked up by one George Staub (David Arquette), he realizes that he’s riding the highway with a creature not of this Earth. Riding the Bullet was directed by Mick Garris, marking the fourth time the filmmaker has brought one of King’s stories to the cinema or television screen.

A newly single father discovers his daughter is caught up in a web of evil in this thriller. David Callaway (Robert De Niro) has been left to raise his nine-year-old daughter, Emily (Dakota Fanning), on his own after the unexpected death of his wife. David is at first amused to discover that Emily has created an imaginary friend named “Charlie,” but it isn’t long before “Charlie” develops a sinister and violent side, and as David struggles with his daughter’s growing emotional problems, he comes to the frightening realization that “Charlie” isn’t just a figment of Emily’s imagination. Hide and Seek also stars Famke Janssen, Dylan Baker, and Amy Irving.

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy’s life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple’s New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy’s confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat.

A teenage girl agrees to meet a thirtysomething fashion photographer in person after becoming acquainted with him in an online chat room, and the resulting encounter finds the line between predator and prey slipping slowly out of focus in director David Slade’s provocative and topical thriller. Hayley (Ellen Page) is a 14-year-old teen whose emotional maturity seems to betray her tender age. Jeff (Patrick Wilson) is a potential child predator whose intentions toward his young chat buddy seem less than honorable. After meeting in a coffeehouse and getting to know each other briefly in person, Jeff invites Haley back to his place, and it’s not long before Jeff’s underage guest is pouring drinks and posing provocatively for an impromptu photo shoot. As the evening’s questionable activities take a decidedly sordid slant and the raptorial Jeff appears poised to strike, a sudden turn of events finds that his apparent victim has had a plan of her own from the very beginning.

An ordinary lawman goes outside the law to carry out his own brand of justice in this dark-themed thriller. Frank Castle (Thomas Jane) is an FBI agent who deeply loves his wife and son, but is also strongly devoted to his work. Castle’s investigation of a powerful crime cartel leads to a gunfight which claims the life of a young boy, whose father is underworld kingpin Howard Saint (John Travolta). Furious and eager for revenge, Saint arranges for Castle and his family to be murdered in retaliation. However, while Castle’s wife and son are killed, he somehow survives, even though he’s believed to have perished. Bent on stopping Saint once and for all, Castle remakes himself as The Punisher, a ruthless and heavily armed killing machine who will not rest until Saint and his crew have been wiped clean from the Earth. Based on a Marvel Comics character first introduced in 1974, The Punisher also stars Rebecca Romijn-Stamos, Laura Elena Harring, Roy Scheider, and Kevin “Big Sexy” Nash.