Bovie Movie

The true story of prominent mathematician John Forbes Nash Jr. is the subject of this biographical drama from director Ron Howard. Russell Crowe stars as the brilliant but arrogant and conceited professor Nash. The prof seems guaranteed a rosy future in the early ’50s after he marries beautiful student Alicia (Jennifer Connelly) and makes a remarkable advancement in the foundations of “game theory,” which carries him to the brink of international acclaim. Soon after, John is visited by Agent William Parcher (Ed Harris), from the CIA, who wants to recruit him for code-breaking activities. But evidence suggests that Nash’s perceptions of reality are cloudy at best; he is struggling to maintain his tenuous hold on sanity, and Alicia suspects a diagnosis of paranoid schizophrenia. Battling decades of illness with the loyal Alicia by his side, Nash is ultimately able to gain some control over his mental state, and eventually goes on to triumphantly win the Nobel Prize. Based loosely on the book of the same name by Sylvia Nasar, A Beautiful Mind (2001) co-stars Paul Bettany, Adam Goldberg, Anthony Rapp, Christopher Plummer, and Judd Hirsch.

In Paul Verhoeven’s wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he’s actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on (”We Can Remember It For You Wholesale”), the movie is an entertaining, if very violent, ride.

Jocelyn Moorhouse’s feature-film debut is a jet-black comedy starring Hugo Weaving as Martin, a paranoid blind man, made so because he is convinced that his mother, when he was a child, lied to him about the sights she described to him. As an adult, Martin is reclusive and ill-tempered. Perversely, Martin is also a photographer — he takes the pictures, has them developed, asks friends to describe the pictures to him, and then labels them in Braille to make sure no one is tricking him. His housekeeper, Celia (Genevieve Picot), is also a photographer. Obsessed with Martin, she papers the walls of her home with pictures of him. But this obsession doesn’t carry through to their relationship, which is a far from cordial one — Celia torments Martin and Martin humiliates her. One day at a restaurant, after a nasty confrontation with a waitress who ignores him, Martin makes friends with the dishwasher, Andy (Russell Crowe). Martin invites him home to describe his photographs to him. Back at Martin’s home, Andy meets Celia and he immediately falls in love with her. Jealous of Andy, Celia seduces him in an effort to discredit Andy with Martin and drive Martin into her arms.

Vatel director Roland Joff? teams with screenwriters Larry Cohen and Joselh Tura to adapt an original story by Cohen concerning a fashion model (Elisha Cuthbert) and her chauffer who are kidnapped and held captive by a sadistic serial killer. Jennifer Tree (Cuthbert) is America’s Sweetheart; a top fashion model and ubiquitous cover girl who is adored by millions, Jennifer possesses all of the wealth and power that comes with being a natural, world class beauty. Every girl wants to be Jennifer, and every man wants to have her - one more than all others combined. That man has been lying in wait for precisely the right moment to strike, and when Jennifer makes the fateful mistake of stepping out on her own at a Soho charity event he finally sees the opportunity to take possession of his most prized object. Drugged, taken, and placed in a cell where she is forced to endure unspeakable mental and physical torture, Jennifer struggles against her twisted tormentor with every ounce of courage and fight that she has - but will it be enough for her to endure should her captor continue to maintain the upper hand? A controversial film long before it ever went into wide release, Captivity caused quite a stir when graphic, unapproved ads for the film appeared on billboards and taxi cabs in New York and Los Angeles. Though representatives from Captivity’s releasing company After Dark Films claimed that the wrong materials were shipped to the printers and put up before they realized what had happened, public outcry was such that the MPAA saw fit to suspend the ratings process for the film. As a result, it quickly became apparent that Captivity would fail to procure an MPAA rating before its original target release date.

A clandestine love affair sends one man’s charmed life into a tailspin in this dark, disturbing drama written and directed by Woody Allen, his first film set and shot in Great Britain and one his few films sans any humor. Chris Wilton (Jonathan Rhys-Meyers) is an Irish tennis player with an impoverished background. Just accomplished enough to make his way onto the professional circuit, but not skilled enough to be a consistent winner, he now works as an instructor at a London tennis club. The wealthy Tom Hewett (Matthew Goode), who is as impressed by Chris’s charm and good looks as he is by his game, takes a tennis lesson from the young man. Chris’s intelligence and wit also make a strong impression on Tom’s pretty sister, Chloe (Emily Mortimer), who soon falls for him. It isn’t long before Chris and Chloe are engaged to be married, a match that pleases both Tom and his father, Alec (Brian Cox), a successful businessman who believes Chris has a bright future in his firm. However, Chris also feels an overwhelming attraction to Nola Rice (Scarlett Johansson), a sexy blonde from the United States who is dating Tom. Though Nola initially puts up some resistance, Chris gently nudges her in the direction of an affair. Passion soon ignites between the two, and they have a one-time sexual encounter, even as Chris and Chloe plan their wedding. Nola resists, however, when Chris makes additional attempts to wheedle her into bed. Nola drops out of Chris’s life shortly before his wedding, but a chance meeting a few months later resurrects the relationship as Chris and Chloe try to start a family. Match Point received its world premiere in an enthusiastically received presentation at the 2005 Cannes Film Festival.

Based on the novel by Hubert Selby Jr., this gritty drama concerns four people trapped by their addictions. Harry (Jared Leto), and his best friend Tyrone (Marlon Wayans) are impoverished heroin addicts living in Coney Island, NY, while Harry’s girlfriend Marion (Jennifer Connelly) is a fellow addict trying to distance herself from her wealthy father. Harry dreams of scoring a pound of smack, from which he could make enough money to open a clothing boutique with Marion, but so far he and his friends can barely scrape by supporting their own habits. Meanwhile, Harry’s mother Sara (Ellen Burstyn), who spends her days watching television, is told she has the opportunity to appear on her favorite game show; wanting to lose enough weight to fit into her favorite red dress, she visits a sleazy doctor who gives her a prescription for amphetamines. Soon Sara has a drug habit of her own that is spiraling out of control. Requiem for a Dream was directed by Darren Aronofsky, who also co-wrote the screenplay with Selby; it was Aronofsky’s second feature, following his acclaimed independent film Pi

A man is determined to find justice after the loss of a loved one, even though he is incapable of fully remembering the crime, in this offbeat thriller. Leonard (Guy Pearce) is a man who is struggling to put his life back together after the brutal rape and murder of his wife. But Leonard’s problems are different from those of most people in his situation; he was beaten severely by the same man who killed his wife. The most significant manifestation of Leonard’s injuries is that his short-term memory has been destroyed; he is incapable of retaining any new information, and must resort to copious note-taking and Polaroid photographs in order to keep track of what happens to him over the course of a day (he’s even tattooed himself with a few crucial bits of information he can’t get along without). Leonard retains awareness that his wife was brutally murdered, however, and he’s convinced that the culprit still walks the streets. Leonard is obsessed with the notion of taking revenge against the man who has ruined his life, and he sets out to find him, getting help from Natalie (Carrie-Anne Moss), who appears to be a sympathetic barmaid, and Teddy (Joe Pantoliano), who claims to be Leonard’s friend, even though Leonard senses that he cannot be trusted. Writer/director Christopher Nolan adapted Memento from a short story by his brother Jonathan Nolan.

Supernatural forces hover over the courtroom in this devilish drama adapted from the novel by Andrew Neiderman. Attorney Kevin Lomax (Keanu Reeves) doesn’t heed the Bible-based warnings of his mother (Judith Ivey), who views New York City as “the dwelling place of demons.” Instead, he leaves Gainesville, Florida, with his wife Mary Ann (Charlize Theron) to put his legalistic skills to the test at a leading Manhattan law firm run by John Milton (Al Pacino). It all goes smoothly — with Milton urging them to stay, putting Kevin on a $400-per-hour salary, and moving the couple into a luxurious apartment in his own building on Fifth Avenue — where Mary Ann falls under the influence of neighbor Jackie (Tamara Tunie). After Kevin defends a weird animal sacrificer (Delroy Lindo, uncredited), he moves up to an important case with an apparent murderer, real-estate tycoon Alexander Cullen (Craig T. Nelson). Ignored by Kevin, the troubled Mary Ann has some disturbing experiences, verging on the occult, while Kevin, at work, becomes attracted to redhead Christabella (Connie Neilsen). Dazzled by his entrance into paradise, Kevin doesn’t grasp who handed him this Big-Apple success. Could it be…Satan? The film features demonic creatures by Rick Baker. Cameos (Senator Alfonse D’Amato, Don King, others) add to the ambiance of ambition and power in the canyons of Manhattan.

Oscar-nominated filmmaker Todd Field teams with novelist Tom Perrotta to adapt Perrotta’s acclaimed novel concerning the suburban malaise experienced by a handful of small-town individuals whose intersecting lives converge in a variety of surprising, and sometimes ominous, ways. Kate Winslet, Jennifer Connelly, and Patrick Wilson star in a cinematic adaptation that doesn’t aim so much to simply reproduce the book for the screen as it does to re-imagine the written word by exploring new possibilities for the characters and situations originally presented in Perrotta’s 2004 best-seller. Sarah (Winslet) is a suburban outsider who, unlike the other playground moms, isn’t afraid to approach the dreamy but long-absent father whom smitten housewives have taken to calling the “Prom King.” Long days at the local community pool with their respective children soon find Sarah becoming acquainted with local husband and father Brad (Patrick Wilson) — who seems to share in her seething discontentment with life in their quaint commuter town. An English literature major who never envisioned a fate as a soccer mom, Sarah has a growing dissatisfaction with her successful husband (Gregg Edelman) that parallels Brad’s increasing frustration with his inability to pass the bar and connect with his wife, Kathy (Jennifer Connelly), a successful documentary filmmaker. It’s not long before the dejected pair is meeting for a series of illicit afternoon trysts as their unsuspecting spouses work and their children lie quietly napping. Meanwhile, after the community is riled by the return of a convicted sex offender (Jackie Earle Haley) who leaves the concerned parents scrambling to protect their young ones, an attempt made by Sarah and Brad to legitimize their clandestine relationship by dining together with their respective spouses begins to awaken Kathy’s suspicions about the fidelity of her husband.

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.