Bovie Movie

Tense thrills and action mix in the gritty suspense drama Don't Say a Word starring Michael Douglas and Brittany Murphy. Fox has done a very good job on this 2.35:1 anamorphic widescreen transfer. All aspects of this transfer look very good, from the evenly saturated color schemes to the deep, dark black levels. No edge enhancement, shimmer, or digital artifacting is spotted anywhere on this disc. The audio is presented in Dolby Digital 5.1 in English (as well as 2.0 in French) and DTS Surround in English. Both the DTS and Dolby 5.1 soundtracks are full and bombastic with surround sounds utilized during much of the film. All aspects of these tracks are clear and free of any excessive hiss or distortion. Also included on this disc are English subtitles. This edition of Don't Say a Word is chock-full of extra features. Starting off the disc are two commentaries: one feature-length commentary with director Gary Felder; and a second with actors Michael Douglas, Sean Bean, Famke Janssen, Oliver Platt, and Brittany Murphy. While the director's commentary is insightful and runs the length of the film, the actor's commentaries are broken up in sections so each actor can give some information about their character or thoughts on the film separately. Taken as a whole, these commentary tracks are very thorough and informative. Next up are three sections: "Preproduction," "Production," and "Post-production." In the "Preproduction" section there is a screen test for actress Brittany Murphy and two insightful storyboard-to-scene comparisons. In the "Production" section is a featurette called "You Are There" which takes a behind-the-scenes look at three separate sequences narrated by the director. Also included are some screening room dailies which show how a scene is comprised of multiple takes or shots, and a set tour with production designer Nelson Coates that features Coates walking the viewer through many of the sets used in the film. In the "Post-production" section, there is an interview with director Gary Felder discussing filmmaking and what works best as a director, "Thriller Themes" which is a short spot about the music in the film (featuring composer Mark Isham in a few brief scenes), and "Inside a Scene: Trench Sequence," a feature that looks at how the end scenes was filmed and why the use of computer graphics was necessary. Also included on this disc are some deleted scenes which don't add much to the proceedings, a short making-of featurette that includes many clips from the film, and some vital statistics on the cast and crew. Finally, there is a DVD trailer for the Michael Douglas drama Wall Street. Strangely, there is no theatrical trailer available for Don't Say a Word anywhere on this disc. This DVD is filled to the brim with special features and should leave fans speechless.

Clint Eastwood delivers one of his finest performances, as a secret service agent haunted by his past in Wolfgang Petersen’s taut thriller In the Line of Fire. Eastwood plays Frank Horrigan, a secret service agent who keeps thinking back to November 22, 1963, when, as an agent hand-picked by President Kennedy, he became one of the few agents to have lost a president to an assassin. Decades later, psychotic Mitch Leary (John Malkovich) is stalking another president (Jim Curley) running for re-election. He has spent long hours studying the psyche of Frank Horrigan, and he taunts Horrigan (feeling that there is a bond between them), telling him of his plans to kill the president. After his conversation with Leary, Horrigan makes sure he is assigned to presidential protection duty. Horrigan has no intention of failing his president this time around, and he is more than willing to take a bullet. But everything goes Leary’s way — he is smart and cagey and the president’s aides refuse to alter the itinerary. As the election draws closer, Horrigan’s chances to catch Leary look to be less and less a possibility, and he begins to doubt his own abilities — both now and in the past, when Kennedy was murdered.

A hard-nosed star reporter learns who her real friends are — and gets in way over her head — investigating a murder in this twisty thriller. Perfect Stranger stars Halle Berry as Rowena, a prominent New York journalist who writes using a pseudonym to entrap some of the tri-state area’s most corrupt individuals, using a network of informants, acquaintances, and digital gadgets. When her latest expos? is buried at the behest of her paper’s corporate backers, she walks off the job and into a personal quagmire. Her childhood friend Grace (Nicki Aycox) is murdered when she threatens to reveal she’s been sleeping with married advertising mogul Harrison Hill (Bruce Wills). With the help of her loyal techie friend Miles (Giovanni Ribisi), she goes undercover — and online — to find the smoking gun that will indict Hill. But Rowena soon finds herself caught in a web of manipulation, deceit, and false truths.

Following the phenomenal success of The Silence of the Lambs and Hannibal, Anthony Hopkins returns as brilliant madman Hannibal Lecter in this thriller based on the novel in which author Thomas Harris introduced the character. Will Graham (Edward Norton) is an FBI agent with a rare gift for tracking serial killers who brought Hannibal Lecter to justice; however, his confrontation with Lecter proved to be a bloody, near-death experience, and afterward Graham retired from the Bureau, moving to Florida to spend his time with his wife, Molly (Mary-Louise Parker), and their son. However, a particularly grisly killer is on the loose, and Jack Crawford (Harvey Keitel), Graham’s one-time mentor at the Bureau, asks him to return to duty to find him. The “Tooth Fairy” is a vicious murderer who kills entire families at once, covering the eyes of his victims with bits of a shattered mirror. Graham finds he needs help putting together the pieces of the “Tooth Fairy” case, and he calls upon Lecter looking for advice. Lecter, at once vaguely helpful and self-serving, as usual, offers scraps of information to Graham which help him zero in on the killer. But Lecter knows more than he’s telling; the “Tooth Fairy” is actually Francis Dolarhyde (Ralph Fiennes), a troubled and withdrawn man who admires Lecter’s violent panache and corresponds with him. Dolarhyde works at a film processing lab, where one of his co-workers, a blind woman named Reba McClane (Emily Watson), seems to be quite attracted to him. As Dolarhyde wrestles with both his murderous impulses and his feelings for McClane, Lecter plays Graham and Dolarhyde against one another so that, as the FBI agent comes closer to catching “the Tooth Fairy,” Dolarhyde moves in on his next victim — Graham’s family. Red Dragon marked the second time Harris’ novel of the same name had been brought to the screen; five years prior to The Silence of the Lambs, Michael Mann adapted the book for the screen as Manhunter, which starred William Petersen as Graham and Brian Cox as Lecter.

Nick Briscoe’s psychological thriller concerns an artist fixated on images of his wife meeting a most bloody demise. He begins to suspect his neighbor might be behind his fears, but he acts on impulses he has to keep these terrible nightmares from becoming a reality.

Two men cut off from the world in different ways become unlikely friends and protectors in this offbeat action drama. Danny (Jet Li) is a physically powerful but emotionally stunted man; never given any sort of proper education, Danny has learned little in his lifetime but how to fight, and his minder, Bart (Bob Hoskins), treats him more like a guard dog than anything else, using him in illegal no-holds-barred brawls that earn Bart plenty of money but only reinforce Danny’s violent alienation. When Bart is injured in an auto accident, Danny is left to fend for himself, and stumbles upon Sam (Morgan Freeman), an elderly piano tuner who has lost his sight. Sam is the first person to treat Danny with kindness, and the music he plays soothes the troubled soul of the fighter. However, Danny’s fighting skills soon come in handy when Sam runs afoul of a pack of small-time crooks who believe he knows too much about their operations.

In this tense tale of psychological terror, Dr. Malcolm Crowe (Bruce Willis) is a child psychologist whose new patient has a problem far outside his usual area of expertise. Cole Sear (Haley Joel Osment) is six-years-old and claims to see the spirits of dead people all around him. It seems that Cole has psychic powers and can channel the ghosts of those who were troubled. Cole doesn’t understand his powers, and he has little control over them; he’s constantly terrified by what he sees, and Dr. Crowe is the only one with whom he feels he can share this secret. However, as the doctor digs deeper into Cole’s strange powers, it leads to strange and unexpected consequences for both of them. M. Night Shyamalan, who wrote and directed the film, has a small role as Dr. Hill.

A young man who has flirted with death is forced to come to terms with mortality in this tale of terror based on a story by Stephen King. Alan Parker (Jonathan Jackson) is a college student studying art at the University of Maine in 1969. Cursed with an over-active imagination, Alan constantly obsesses over the worst outcome of any situation, and when he begins to suspect his girlfriend, Jessica (Erika Christensen), is thinking of leaving him, it drives him to the brink of suicide. Shortly after this brush with death, Alan receives word that his mother, Jean (Barbara Hershey), has suffered a severe stroke and may not pull through. Alan grabs his jacket and hits the road, hoping to hitchhike the one hundred miles to the hospital. As it happens, Alan is trying to catch a ride on Halloween night, and after he’s picked up by one George Staub (David Arquette), he realizes that he’s riding the highway with a creature not of this Earth. Riding the Bullet was directed by Mick Garris, marking the fourth time the filmmaker has brought one of King’s stories to the cinema or television screen.

A structural engineer (Anthony Hopkins) and an ambitious young district attorney (Ryan Gosling) become locked in a deadly battle of wits when the former is found innocent in the attempted murder of his wife in director Gregory Hoblit’s tense tale of courtroom mind games. Ted Crawford (Hopkins) is an engineer who lives with his wife Jennifer (Embeth Davidtz) in the couple’s lavish Southern California home. One day, after carefully planning out the details to ensure that there is no way he can be convicted of murder, Ted shoots his wife in a blatant attempt to murder the woman. When head hostage negotiator Rob Nunnaly (Billy Burke) arrives on the scene to speak with Ted, he is shocked to find that the victim of the shooting is in fact his longtime lover. Though Jennifer survives the trauma of being shot in the head at close range, she hovers comatose between life and death as star prosecutor Willy Beachum (Gosling) reluctantly accepts the case while preparing to leave the Los Angeles criminal court system behind for a more promising career at a posh private law firm. Though the D.A. (David Strathairn) vehemently resents Beachum’s lofty plan for departure, the hotshot young lawyer remains convinced that he can expedite the apparently open-and-shut case and be on his way to greener pastures in one week’s time at the very most. Beachum’s swelling ego betrays him, however, as his future boss Nikki Gardner (Rosamund Pike) begins to turn up the heat and fracture mechanics specialist Ted chooses to represent himself at the trial knowing well that a career spent spotting structural flaws in aeronautical systems has instilled him with just the kind of argumentative skills needed to riddle the swaggering young lawyer’s “foolproof” case with doubt.

A newly single father discovers his daughter is caught up in a web of evil in this thriller. David Callaway (Robert De Niro) has been left to raise his nine-year-old daughter, Emily (Dakota Fanning), on his own after the unexpected death of his wife. David is at first amused to discover that Emily has created an imaginary friend named “Charlie,” but it isn’t long before “Charlie” develops a sinister and violent side, and as David struggles with his daughter’s growing emotional problems, he comes to the frightening realization that “Charlie” isn’t just a figment of Emily’s imagination. Hide and Seek also stars Famke Janssen, Dylan Baker, and Amy Irving.