Bovie Movie

A remake of the Spanish film Open Your Eyes (1997), this thriller from director Cameron Crowe bears one of several discarded titles for his previous, Oscar-winning film Almost Famous (2000). Tom Cruise stars as David Ames, a womanizing playboy who finds romantic redemption when he falls in love with his best friend’s girlfriend Sofia (Penelope Cruz, reprising her role from the original film). Before that relationship can begin, however, David is coaxed into a car driven by an ex-lover, Julie (Cameron Diaz), who turns out to be suicidal. Driving her car off a bridge, Julie kills herself and horribly disfigures David. Reconstructive surgery and the loving support of Sofia seem to reverse David’s luck, but eerie incidents are soon making him question the reality of his existence and his control over his life, even while he is suspected of complicity in Julie’s death. Vanilla Sky (2001) bears the expected Crowe trademark of an obsession with recent pop culture and particularly rock music, a more important element of the remake than the original film. That project’s writer/director, Alejandro Amenabar, crafted his own supernatural hit the same year with The Others (2001), starring Nicole Kidman, the soon-to-be-ex-wife of Cruise.

Prolific television director Gary Nelson made the Walt Disney live-action comedy Freaky Friday, based on the novel by Mary Rodgers. Barbara Harris stars as suburban housewife Ellen Andrews, the wife of Bill (John Astin) and the mother of Annabel (Jodie Foster) and Ben (Sparky Marcus). Ellen just can’t understand what’s going on with teenaged Annabel, who hangs around the house making snappy remarks, eating ice cream for breakfast, and calling her brother Apeface. They each make a separate wish to be in the other’s place, and they get their wish on Friday 13th. Ellen has to go through the day as a kid, playing on the field hockey team and dealing with typing class. Annabel has to deal with grown-up problems like getting appliances fixed and preparing a banquet. The whole silly story ends with a wacky car-chase/water skiing/hang-gliding conclusion in keeping with other Disney movies of the day. Freaky Friday was remade twice with the same title, and spawned a whole subgenre of body-switching movies in the 1980s.

Jane Fonda, Felicity Huffman, and Lindsay Lohan star in director Garry Marshall’s tale of a rebellious young woman who is sent to spend the summer with her grandmother when her frustrated mother fails to find a means of curbing her unruly behavior. Rachel (Lohan) is an out-of-control teen whose reckless drinking, foul mouth, and hysterical fits have become a constant source of embarrassment for her long-suffering mother, Lily (Huffman). When Rachel crashes her car, Lily determines that the only way to tame her savage daughter is to take her as far away from San Francisco as possible. Though Lily had once sworn never to return to the Idaho farm presided over by her demanding mother, Georgia (Jane Fonda), desperation has a funny way of dulling the pains of the past, and it’s not long before Lily is packing Rachel in the car and setting out for potato country. Contrary to the common image of the sweet and doting grandmother, Georgia is a stern matriarch whose beliefs in the power of God and a hard day’s work stand in stark contrast to the carefree lifestyle of the tempestuous Rachel. An interesting thing happens as the summer wears on, though; despite her initial efforts to disrupt the quiet Mormon community, Rachel’s rage is gradually tempered as she learns the value of structure and responsibility. Later, as Rachel’s protective walls begin to crumble and she begins to embrace compassion and kindness, the doors are opened for three generations of family to confront the long-buried secrets of their past and finally move forward in the healing process.

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter’s homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it’s open, he isn’t prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974’s Dark Star.

Two boys learn the hard way about how a marriage falls apart in this independent comedy drama. Bernard (Jeff Daniels) is a novelist whose career has gone into a slow decline as he spends more time teaching and less time writing. His wife, Joan (Laura Linney), meanwhile, has recently begun publishing her own work to widespread acclaim, which only increases the growing tension between them. One day, Bernard and Joan’s two sons — 16-year-old Walt (Jesse Eisenberg) and 12-year-old Frank (Owen Kline) — are told that their parents are separating, with Bernard renting a house on the other side of their Park Slope, Brooklyn, neighborhood. As the parents set up a schedule for spending time with their children, Walt and Jesse can hardly imagine that things could get more combative between their folks, but they do, as Joan begins dating Ivan (William Baldwin), Frank’s tennis instructor, and Bernard starts sharing the house with Lili (Anna Paquin), one of his students. Meanwhile, the two boys begin taking sides in the battle between their parents, with Walt taking after his father and Frank siding with his mom. Based on writer/director Noah Baumbach’s own childhood experiences with his parents’ divorce, The Squid and the Whale won prizes for writing and direction at the 2005 Sundance Film Festival.

A newly single father discovers his daughter is caught up in a web of evil in this thriller. David Callaway (Robert De Niro) has been left to raise his nine-year-old daughter, Emily (Dakota Fanning), on his own after the unexpected death of his wife. David is at first amused to discover that Emily has created an imaginary friend named “Charlie,” but it isn’t long before “Charlie” develops a sinister and violent side, and as David struggles with his daughter’s growing emotional problems, he comes to the frightening realization that “Charlie” isn’t just a figment of Emily’s imagination. Hide and Seek also stars Famke Janssen, Dylan Baker, and Amy Irving.

Michael Bay directed this 150-million-dollar science fiction action thriller about an asteroid on a collision course with Earth, sending fireballs down on Manhattan, prompting a plan to split the asteroid into two sections before it arrives and causes human extinction. NASA executive director Dan Truman (Billy Bob Thornton) brings in the world’s number-one oil driller, Harry S. Stamper (Bruce Willis), who assembles his team that is trained for the task. The group includes top crew hand A.J. Frost (Ben Affleck), who is involved in a relationship with Stamper’s daughter Grace (Liv Tyler). With only days remaining, two shuttles head into space to drill 800 feet into the asteroid and nuke the rock. Back on Earth, as mini-asteroids pelt Paris and Shanghai, humanity hopes and prays for a successful mission.