Bovie Movie

One young man’s dream takes him on a remarkable journey in this sports-themed drama. Santiago Munez (Kuno Becker) was born in Mexico, and came to California with his family when he was just a boy. One of the few things Santiago brought with him was a love for soccer, and while he holds down two jobs — working landscaping during the days with his father, Hernan (Tony Plana), and as a busboy at night — he still dreams of playing the game professionally, and spends his precious spare time with an amateur team in Los Angeles. One day, Santiago is approached by Glen Foy (Stephen Dillane), a part-time scout for powerhouse British team Newcastle United; Glen has seen Santiago play and thinks he has talent, and can get him a tryout with Newcastle if he can make his way to England. While Hernan refuses to help Santiago pay for the trip, his grandmother (Miriam Colon) empties her savings to help him follow his dream. Santiago’s first reserve game with the team happens during a typically British rainstorm, with Santiago suffering a mild asthma attack to boot; he doesn’t play at his best and is turned away from the team, but he refuses to go home, determined to make good. After striking up a friendship with star kicker Gavin Harris (Alessandro Nivola) and demonstrating his mettle to coach Mal Braithwaite (Gary Lewis), Santiago earns a second chance to show Newcastle United what he can do and make his father proud of him. Goal! was a major international hit, and a sequel was already in production before the film opened in the United States in the spring of 2006.

Written and directed by Alec Berg, David Mandel, and Jeff Schaffer, Eurotrip is a teen comedy from the Montecito Picture Company (makers of similar movies Old School and Road Trip). Mainstream teenager Scott (Scott Mechlowicz) forms an online friendship with German student Mieke in order to get a passing grade in his high school German class. When he finds out Mieke is a buxom blonde girl (Jessica B?hrs), he travels to meet her with his pals Cooper (Jacob Pitts), Jenny (Michelle Trachtenberg), and Jamie (Travis Wester). The group of randy teens head to Berlin by way of London, Paris, and Amsterdam.

One of Marvel Comics’ most popular characters comes to the screen for the first time in this sci-fi action-thriller. Matthew Murdock (Ben Affleck) is a lawyer whose father, a prizefighter, was killed by gangsters when Murdock was just a boy. Since then, Murdock has devoted his life to bringing wrongdoers to justice and is willing to help others by taking on cases no other attorney will touch. Murdock is also blind, after being struck down by a truck while trying to save a man from being hit. What no one knows is that Murdock was also doused with an unusual radioactive isotope which had a strange effect on him — while Murdock’s sight may be gone, his other senses have been raised to such a keen pitch that they act like radar, allowing him to tell where he’s going and what happens around him, both near and far away. Murdock puts his gifts to use at night as the costumed crime-fighter Daredevil, whose pursuit of justice has earned him the wrath of underworld leader Kingpin (Michael Clarke Duncan). Kingpin wants Daredevil out of his way once and for all, and hires Bullseye (Colin Farrell), a super-assassin with an uncanny ability to throw blades, to do the job. Daredevil also makes the acquaintance of Elektra Natchios (Jennifer Garner), a woman with super-heroic talents who is also on Kingpin’s bad side, though it remains to be seen if she has aligned herself with the forces of good as Daredevil has done. Jon Favreau, Joe Pantoliano, and David Keith highlight Daredevil’s supporting cast.

Two low-level American crooks head to Australia, where they match wits with a kangaroo (who appears to have an intellectual edge on his pursuers) in this broad comedy. Charlie Carbone (Jerry O’Connell) is a hairdresser from Brooklyn whose best friend, Louis Booker (Anthony Anderson), scrapes together a living moving stolen merchandise. Charlie’s stepfather, Sal Maggio (Christopher Walken), is a crime kingpin who has loaned Charlie a lot of money and wants to know when he’ll get it back; Sal’s not especially fond of Louis, especially after he and Charlie accidentally lead the police to a storehouse of burgled goods owned by Sal. Charlie owes Sal a big favor, and Sal wants Charlie and Louis out of his hair for a while, so Sal sends them to Australia, where they’re to deliver a large amount of cash to a mysterious Mr. Smith (Marton Csokas). En route to their meeting in the outback, Charlie and Louis accidentally run over a kangaroo, and the half-bright tourists decide to dress the dead marsupial in sunglasses and Louis’ favorite jacket for snapshots. However, the animal wasn’t as dead as they imagined, and it soon hops away, shortly after Louis realizes the payment to Mr. Smith was in the pocket. Now Louis and Charlie are out to find the fast-moving critter, with the help of Jessie (Estella Warren), a wildlife expert; Mr. Jimmy (David Ngoombujarra), a wilderness guide; and Blue (Bill Hunter), a pilot familiar with the outback.

Australian filmmaker known for such classics as The Chant of Jimmie Blacksmith and Six Degrees of Separation, Fred Schepisi tells this story about a group of lifelong chums coming to terms with their friend’s death, based on a prize-winning novel by Graham Swift. When Jack Dodd (Michael Caine) passes on, his three best buddies (Tom Courtenay, Bob Hoskins, and David Hemmings) along with his son (Ray Winstone) carry out his last wish — to have his ashes cast off the pier of the seaside town of Margate, where he and his beloved wife honeymooned and where he hoped to retire. As the group venture to the coast in a large black Mercedes, they reminisce about their younger, wilder days. Eventually, they end up in a pub where, in a haze of beer and tears, secrets are unveiled. Meanwhile, Jack’s wife, Amy (Helen Mirren), visits the mentally disabled daughter that Jack refused to acknowledge. This film was screened at the 2001 Toronto Film Festival.

One man takes on the Irish family law system and the Catholic Church in a bid to be reunited with his children in this drama, based on a true story. In 1953, Desmond Doyle (Pierce Brosnan) was a house painter and decorator who, despite a strong work ethic, had a hard time holding on to steady work. Desmond’s wife had grown tired of her marriage and her husband’s financial problems, and one day walked away from her home, leaving Desmond to raise their three children on his own. While Desmond struggles to keep body and soul together for his children, his sporadic employment eventually attracts the attention of the law, and a court order sends his two sons and young daughter to separate Catholic orphanages until Desmond can prove he’s capable of properly supporting them. However, Desmond discovers merely getting work is not enough to bring his children back to him, and when he learns that his daughter, Evelyn (Sophie Vavasseur), is having a rough time of it at the hands of several stern nuns, he becomes determined to win their custody in a court of law. Through Bernadette (Julianna Margulies), a barmaid who has caught his eye, Desmond meets Michael Beattie (Stephen Rea), a lawyer and Bernadette’s brother. While Michael doesn’t believe Desmond’s case can be won in an Irish court, his partner Nick Barron (Aidan Quinn), an expatriate American who lost custody of his own children in a divorce proceeding, is eager to help, and they agree to take the case. However, they both realize they’re fighting an uphill battle, and so they persuade Thomas Connolly (Alan Bates), a former football star who became one of Ireland’s most respected barristers, to lend his knowledge and prestige to the case. Leading man Bronson also served a co-producer for Evelyn; Bruce Beresford directed, who previously collaborated with Pierce Brosnan on Mister Johnson.

After a rather decided departure with his 1999 homage to Gilbert and Sullivan, Topsy-Turvy, Mike Leigh returns to his usual form for All or Nothing, a melancholy look at the day-to-day lives of a dysfunctional lower-middle class British family called the Bassetts. Timothy Spall and Lesley Manville (familiar to fans of Leigh’s previous films) star as Phil and Penny, a common-law husband and wife who toil their gloomy days away as a cab-driver and grocery-store cashier, respectively. When the couple come to realize the growing emptiness in their relationship, an unexpected emergency within their family brings them closer together and offers the possibility of reigniting the long-extinguished spark in their marriage. Hoping to repeat the Palm D’or win of Leigh’s 1996 film Secrets and Lies, All or Nothing was screened in competition at the 2002 Cannes Film Festival.

The classic Burt Reynolds football-behind-bars flick The Longest Yard crosses the pond and gets an appropriate British accent in the process in this rough-and-tumble mixture of sports and action-comedy. Danny Mehan (Vinnie Jones) was one of the biggest stars in British football (what Americans call soccer), until he was caught rigging a game during a championship tournament. In the wake of this scandal, Danny’s career takes a nosedive and his life spins out of control, until he finally ends up in prison for three years on an assault and battery conviction. Danny discovers there are a number of football fans behind bars who still hate him for fixing the game, but Danny has one powerful fan in this prison. The warden (David Hemmings) is a devoted football supporter with a taste for gambling; he’s been trying to assemble a semi-pro team comprised of the prison’s guards, but Danny is just smart enough to know this would seal his fate with his fellow prisoners. Instead, he offers to put together a team of inmates, who can play practice games against the guards. A new inmate, Sykes (John Forgeham), gets wind of Danny’s idea and arranges an exhibition match between Danny’s new team and the guards, though Sykes’ motivation is more than just good fun. A powerful bookie, Sykes lost a fortune on the game Danny threw, and expects betting to be heavy for this game. If Danny and his men win, Sykes could make back the fortune he lost, but if the guards come out ahead, Danny’s goose is cooked. Can Danny turn a gang of losers, misfits, and violent psychopaths — including muscle-bound lunatic Monk (Jason Statham), creepy but loyal Billy the Limpit (Danny Dyer), tough guy Massive (Vas Blackwood), pyromaniac Nitro (Robbie Gee), and enthusiastic but out-of-shape Raj (Omid Djalili) — into a proper team with a fighting chance of winning? Mean Machine was produced by Matthew Vaughn, who was also behind Guy Ritchie’s tough-but-stylish crime comedies Lock, Stock and Two Smoking Barrels and Snatch. Star Vinnie Jones, by the way, enjoyed a career as a professional footballer in Great Britain before turning to acting.

An American abroad is introduced to the heady but dangerous pleasures of violence in this powerful drama from Great Britain. Matt Buckner (Elijah Wood) is a journalism student from America who is expelled from college when his roommate sets him to take the fall after drugs are found in their dorm room. Needing time to sort out what his next move should be, Matt travels to London to visit his sister Shannon (Claire Forlani), who has married British Steve Dunham (Marc Warren). As it happens, Matt arrives at a less than opportune moment, and he ends up spending his first evening in the U.K. with Steve’s brother Pete (Charlie Hunnam). Pete hangs out with a “firm” of friends who call themselves “the Green Street Elite” and are passionate fans of the West Ham United football club (Matt quickly discovers calling British football “soccer” is an easy way to get your teeth knocked out). Pete has little use for Matt until the Green Street Elite get into a dust-up with another firm; Matt turns out to be a fierce if inexperienced fighter, and discovers he enjoys the kick of street brawling. Matt is cautiously accepted by Pete and the other members of the firm, and is soon absorbed into the very British world of violent football fandom. But when Pete and his friends learn that Matt studied journalism, they begin to suspect he’s a reporter doing an undercover piece on hooliganism, and they set out to teach him an ugly lesson about loyalty. The debut feature film from British director Lexi Alexander, Green Street Hooligans (initially shown simply as Hooligans) was the first film ever to win both the Jury Prize and the Audience Award at the South by Southwest Film Festival.

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg’s stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider’s recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.