Bovie Movie

A chance meeting between two middle-aged men leads one into a life of crime in this offbeat comedy. Danny Wright (Greg Kinnear) is an American businessman whose life has been going through a sour patch after he and his wife, Carolyn (Hope Davis), lost their young son. During a business trip to Mexico City, Danny strikes up a conversation in a hotel bar with fellow out-of-towner Julian Noble (Pierce Brosnan), and while Julian’s loud and brassy manner initially puts Danny off, in time the two become friends, and Julian feels comfortable enough with Danny to tell him what he does for a living. It seems Julian is a hired killer working under the auspices of underworld kingpins Lovell (Dylan Baker) and Mr. Randy (Philip Baker Hall), and Julian tries to persuade Danny to help him with his latest assignment. Danny refuses, but a few months later a distraught Julian appears unannounced on Danny’s doorstep. It seems Julian has blown his two most recent assignments due to a variety of psychosomatic illnesses, and now Lovell and Mr. Randy want him dead. Julian has also done something to put Danny in his debt, and the previously non-criminal businessman is forced to help his friend stage a hit, with Julian’s presence in his home upsetting the precarious balance of Danny and Carolyn’s marriage.

Model-turned-actress Charlize Theron leaves her glamorous image behind for this gritty drama, in which she plays a disturbed prostitute who becomes a serial killer. Aileen Wuornos (Theron) was a woman who survived a brutal and abusive childhood in Michigan to become a thick-skinned but emotionally damaged adult. Homeless most of her life, Wuornos subsisted by working as a street prostitute; later, when she was in Florida, down to her last five dollars and pondering suicide, she stopped into a bar for a beer. There, Aileen met Selby Wall (Christina Ricci), a woman in her early twenties who had been sent to live with relatives after her Christian parents became aware of her lesbian lifestyle. Selby is immediately attracted to Aileen, and while Aileen tells Selby she’s never been in a lesbian relationship, she soon finds herself equally infatuated with her. Selby runs away from her family and moves into a cheap hotel with Aileen, who initially pays the bills by hooking. However, as their money runs low and Aileen finds herself unable to land a regular job, tensions mount between the two. One night, after a john attacks her, Aileen pulls a gun and kills the man. Although her first murder can be categorized as self-defense, Aileen’s loathing for the men who pay her for sex becomes so extreme that she begins killing her customers regardless of their behavior. Meanwhile, Selby slowly becomes aware of the full extent of her lover’s instability and the bloody consequences of her actions. Monster was inspired by the true story of Aileen Wuornos, whose life and death was chronicled in two documentaries by filmmaker Nick Broomfield, Aileen Wuornos: The Selling of a Serial Killer, and Aileen: The Life and Death of a Serial Killer.

In Bernardo Bertolucci’s art-house classic, Marlon Brando delivers one of his characteristically idiosyncratic performances as Paul, a middle-aged American in “emotional exile” who comes to Paris when his estranged wife commits suicide. Chancing to meet young Frenchwoman Jeanne (Maria Schneider), Paul enters into a sadomasochistic, carnal relationship with her, indirectly attacking the hypocrisy all around him through his raw, outrageous sexual behavior. Paul also hopes to purge himself of his own feelings of guilt, brilliantly (and profanely) articulated in a largely ad-libbed monologue at his wife’s coffin. If the sexual content in Last Tango is uncomfortably explicit (once seen, the infamous “butter scene” is never forgotten), the combination of Brando’s acting, Bertolucci’s direction, Vittorio Storaro’s cinematography, and Gato Barbieri’s music is unbeatable, creating one of the classic European art movies of the 1970s, albeit one that is not for all viewers.