Bovie Movie

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children’s toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger’s office, the company president Waring Hudsucker (Charles Durning) is on his way down — through the window of the forty-fourth floor boardroom! Hudsucker’s death sets off a panic that Mussberger sees as an opportunity for taking over the company — by installing a total incompetent in Hudsucker’s place and devaluing the stock. When Barnes stumbles into Mussberger’s office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president.

A woman studying a crime of the past finds her own life becoming a morass of suspicion and deceit in this drama based on the novel by Anita Shreve. Jean Janes (Catherine McCormack) is a photographer working on a project that would document surviving evidence of a multiple murder that occurred a hundred years ago — when a man named Louis Wagner (Ciaran Hinds) brutally killed two immigrant women from Norway with an axe, only to discover a third, Maren Hontvedt (Sarah Polley), witnessed the mayhem and survived to identify him in court. Jean travels to the small New Hampshire coastal town where the killings occurred with her husband Thomas (Sean Penn), an award-winning poet; his brother Rich (Josh Lucas); and Rich’s girlfriend Adaline (Elizabeth Hurley). As Jean digs deeper into the troubling facts of the long-ago murder, as well as the tangential details of Maren Honvedt’s unhappy marriage to John Hontvedt (Ulrich Thomsen) and her incestuous affair with her brother Evan (Anders W. Berthelsen), Jean begins to believe that she has a crisis of her own to contend with: she is convinced Thomas is having an affair with Adaline. The Weight of Water also features Katrin Cartlidge as Maren’s sister Karen and Vinessa Shaw as her sister-in-law Anethe.

A man struggles to get a grip on a life that’s spinning out of control in this emotional comedy drama. Dave Spritz (Nicolas Cage) is a television weatherman on a high-profile Chicago news program. Professionally, Dave is doing just fine — he makes great money for a job that demands little effort, and he has a shot at an assignment with a network morning news and chat show. But Dave’s personal life leaves a lot to be desired — his father, respected author Robert Spritzel (Michael Caine), is in failing health, he’s divorced from his wife, Noreen (Hope Davis), and his relationship with his children is tenuous at best, especially his overweight daughter, Shelly (Gemmenne de la Pena). If Dave is to land his new job, he’ll have to move to New York City, and with his time in Chicago running short, he dedicates himself to trying to salvage his ties with his family before it’s too late, though he discovers this is even harder than he imagines.

This film adaptation of the Broadway musical based loosely on Puccini’s opera La Boh?me features many members of the original cast. It follows a year in the lives of seven friends living the disappearing Bohemian lifestyle in New York’s East Village. AIDS and both its physical and emotional complications pervade the lives of Roger (Adam Pascal), Mimi (Rosario Dawson), Tom (Jesse L. Martin), and Angel (Wilson Jermaine Heredia); Maureen (Idina Menzel) deals with her chronic infidelity through performance art; her partner, Joanne (Tracie Thoms), wonders if their relationship is worth the trouble; Benjamin (Taye Diggs) has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with his former friends; and Mark (Anthony Rapp), an aspiring filmmaker, feels like an outsider to life in general, always behind the camera recording the events but never playing a part.