Bovie Movie

Dan Brown’s controversial best-selling novel about a powerful secret that’s been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris’ Louvre museum is broken when one of the gallery’s leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim’s granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbologist from the United States. As Sophie and Robert dig deeper into the case, they discover the victim’s involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. Also starring Ian McKellen, Jean Reno, and Alfred Molina, The Da Vinci Code was shot on location in France and the United Kingdom; the Louvre allowed the producers to film at the famous museum, but scenes taking place at Westminster Abbey had to filmed elsewhere when church officials declined permission.

In this adaptation of Ian Fleming’s 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. “Jaws,” the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as “M” in this most costly of James Bond’s 1970s escapades.

This big-budget sequel from writer/director Stephen Sommers navigates much of the same cliffhanger territory as George Lucas and Steven Spielberg’s Indiana Jones franchise. It is 1933, eight years after the events of The Mummy (1999). Legionnaire Rick O’Connell Brendan Fraser has married his Egyptologist girlfriend Evelyn Carnahan (Rachel Weisz) and the couple has settled in London, where they’re raising their young son Alex (Freddie Boath). The family’s domestic tranquility is shattered when the 3,000-year-old mummified corpse of Imhotep (Arnold Vosloo), which has been shipped to the British Museum, is resurrected once again to resume his evil quest for immortality. In the meantime, another ancient threat emerges in the form of the Scorpion King (professional wrestler Dwayne Johnson, aka. the Rock), a mighty warrior frozen in time with his supernatural army. In order to save his family, Rick is forced to seek a mythical pyramid of gold, facing marauding bands of pygmy skeletons, among other hazards. The Mummy Returns co-stars John Hannah, Oded Fehr, and Patricia Velasquez.

A popular video game comes to the screen with this big-budget adventure starring Angelina Jolie as a buxom heroine recalling equal parts Indiana Jones and James Bond. Jolie is Lara Croft, a proper British aristocrat groomed at schools for the children of the elite. Croft leads a double life, however, as an acquirer of lost antiquities through questionable means, highly trained in combat skills with the help of a robotic opponent called Simon. Despite her exciting profession and a life of wealth and breeding, Lara pines for her father, Lord Croft (Jon Voight), whose passing left her orphaned. On the eve of a celestial event that will also mark the anniversary of Lord Croft’s death, Lara comes up against an ancient organization called the Illuminati, represented by the sinister Powell (Iain Glen), who’s in pursuit of an ancient relic with power over time and even death itself. With the aid of her high-tech support team, Lara travels to some exotic locales in search of the artifact, including a foray into a decrepit Asian temple guarded by lethal stone apes and other creatures that spring to life. Filmed at various locations in Great Britain as well as Iceland and the Angkor Wat temples of Cambodia, Tomb Raider co-stars Noah Taylor, Chris Barrie, Daniel Craig, Rachel Appleton, Leslie Phillips, Mark Collie, and Julian Rhind-Tutt.

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man’s thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film’s allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Still more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky & co. re-edited it to conform to a PG-13 rating.

This lucrative, elephantine-budgeted sci-fi opus paved the way for director Roland Emmerich’s mega-hit Independence Day (1996). The story commences in Giza, Egypt, circa 1928, where an archaeological expedition unearths an ancient ring with cryptic hieroglyphs. The film then moves to the present day, where Egyptologist Daniel Jackson (James Spader) is busily trying to convince a group of skeptics that the pyramids were not built by man, but by an extraterrestrial force. After the lecture, a military man approaches him and offers him a job translating the said ring; its inscriptions actually constitute a map to a massive stargate (or interstellar portal). The army sends over resident crackpot colonel Jack O’Neill (Kurt Russell) to travel through the stargate and see what’s on the other side; Jackson accompanies him, and the two men turn up in a desert planet on the other side of the universe, with three moons in its sky. The world in question is ruled by Ra (Jaye Davidson), a hermaphroditic Egyptian sun god, who oppresses hordes of slave workers. Jackson and O’Neill then join forces to help the said workers revolt against their oppressor.

Though not Ian Fleming’s most famous James Bond novel, 1962’s The Spy Who Loved Me was distinguished by the unique device of telling the story from the heroine’s point of view; in fact, Bond doesn’t make an appearance until the book is two-thirds over. This would hardly work in the film world’s Bond franchise, so the original austere plotline of the novel was eschewed altogether in favor of a labyrinthine story involving outer-space extortion. The leading lady, a “hard-luck kid” in the original, is now sexy Russian secret agent Barbara Bach, who joins forces with Bond (Roger Moore, making his third appearance as 007) to foil yet another megalomaniac villain (Curt Jurgens), who plans to threaten New York City with nuclear weaponry. Beyond the eye-popping opening ski-jump sequence, the film’s best scenes involve seven-foot-two Richard Kiel as steel-toothed henchman Jaws. Fifteen scriptwriters worked on The Spy Who Loved Me; only two were credited, including Bond-film veteran Richard Maibaum.