Bovie Movie

Jules Verne’s famous novel of a daring man of science who takes on the greatest voyage in history is once again adapted for the big screen in this adventure comedy. In 1872, eccentric British inventor Phileas Fogg (Steve Coogan) has come up with any number of gadgets to help people travel with greater speed and ease, and is working on plans for a flying machine. In a lively discussion with Lord Kelvin (Jim Broadbent), the head of the Royal Academy of Science, Fogg states his belief that it’s possible for someone to travel around the globe in a mere 80 days. Kelvin, who makes no secret of his belief that Fogg is a crackpot, challenges him to do just that, and adds a wager to the bargain to make things interesting: if Fogg can’t circumnavigate the globe in 80 days, he’ll give up inventing forever. Fogg takes the challenge, and teams up with his manservant, a former acrobat named Passepartout (Jackie Chan), and lovely navigator Monique (C?cile De France) to make the epic voyage — traveling by train, boat, balloon, horseback, or any other means at their disposal. However, Fogg and his companions are dogged along the way by the false accusation that the inventor took part in a bank robbery, forcing him to not only complete the journey but clear his name as well. Like the blockbuster 1956 adaptation of Around the World in 80 Days, this film features a number of major stars in cameo appearances and supporting roles as Fogg makes his way around the globe, including Arnold Schwarzenegger, John Cleese, Luke Wilson, Owen Wilson, Kathy Bates, Sammo Hung, Rob Schneider, Richard Branson, Mark Addy, and more.

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.