Bovie Movie

A very loose remake of the classic multi-star comedy It’s a Mad Mad Mad Mad World (1963), this madcap comedy is directed by Jerry Zucker, one third of the Zucker-Abrahams-Zucker comedy team and director of Ghost (1990). John Cleese stars as an eccentric casino owner who devises a contest pitting six teams against each other in a race to claim two million dollars from a locker in New Mexico. The competitors are Owen (Cuba Gooding Jr., who ends up driving a bus full of Lucille Ball imitators, a foreigner (Rowan Atkinson) who hitches a ride in an organ donor vehicle, and a recently reunited mother and daughter (Whoopi Goldberg and Lanei Chapman) who anger a “squirrel lady” (Kathy Bates) — much to their regret. There are also two con artist brothers (Seth Green and Vince Vieluf), the upright Nick (Breckin Meyer), who gets a lift from cute but psychotic pilot Tracy (Amy Smart), and the eccentric Pear family, headed up by Jon Lovitz. Rat Race also stars Dave Thomas, Kathy Najimy, Wayne Knight, Dean Cain, and Paul Rodriguez.

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie’s great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie’s record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie’s own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate’s long-suffering flunkey Max, Keenan Wynn as Leslie’s faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer’s The Sweetheart Tree. The Great Race was dedicated to “Mr. Laurel and Mr. Hardy”.

From the producers of The Lion, the Witch, and the Wardrobe and mind of author Katherine Paterson comes a rousing fantasy adventure about family, friendship, and the wondrous power of imagination. A perpetual outsider both at home and at school, Jess Aarons (Josh Hutcherson) just never seems to fit in no matter how hard he tries. When his goal to become the fastest runner in middle school is unexpectedly thwarted by newly arrived classmate Leslie Burke (AnnaSophia Robb), who enters in an “all boys” race and leaves her competitors in the dust, Jess soon strikes up a friendship with the imaginative outsider. Their bond is soon cemented thanks to Leslie’s love for storytelling and Jess’ skill as an artist, and the two lonely kids create a secret kingdom called Terabithia that is only accessible by swinging over a stream on a nearby rope. Though Jess and Leslie may be considered outcasts by their classmates, their adventures in Terabithia find the pair doing battle against the dreaded Dark Master and his malevolent creatures while plotting revenge against the schoolyard bullies. Now, thanks to his adventures in Terabithia and his friendship with Leslie, Jess finally finds the confidence needed to stand tall and be himself.

Bill Cosby’s gang of childhood pals evolve from standup comedy to an animated cartoon series to real life in this family-friendly comedy. Doris (Kyla Pratt) is a teenager who doesn’t fit in with most of her classmates at school, has been depressed since the death of her grandfather, and is disturbed by her foster sister’s willingness to remake herself in order to be popular. One of Doris’ few solaces comes from watching reruns of the animated television series Fat Albert and the Cosby Kids, and one day while watching the show she starts to cry, with a tear dropping into her remote. The tear draws big-hearted (and just plain big) Fat Albert (Kenan Thompson) from the animated universe into Doris’ real world in hopes of cheering her up and helping her deal with her problems. As Fat Albert and his pals — Rudy (Shedrack Anderson III), Bucky (Alphonso McAuley), Mushmouth (Jermaine Williams), Weird Harold (Aaron A. Frazier), Dumb Donald (Marques B. Houston), and Bill (Keith D. Robinson) — adapt to the three-dimensional world and try to teach Doris to believe in herself, they learn that traveling back to the animated world is harder than they thought, which becomes alarming when they start to fade away. The real world also poses some new dilemmas for Fat Albert when he falls in love with Doris’ foster sister, Lauri (Dania Ramirez). Bill Cosby co-authored the screenplay for Fat Albert, using his full name, William H. Cosby Jr., and collaborating with Charles Kipps; the project was begun with Forest Whitaker as director, who left midway through shooting, with Joel Zwick taking over in his place.

After the blockbuster success of Pirates of the Caribbean, another Disney theme park ride is adapted for the big screen in this family-friendly mix of comedy and chills. Jim Evers (Eddie Murphy) is a real estate agent whose latest project is to find a buyer for a huge but dilapidated old house in New Orleans. However, when Evers visits the property with his family, he discovers it’s already inhabited by 999 ghosts, none of whom are interested in sharing the space. As the spirits make their displeasure known, Evers and his family try to shoo them away with the help of an eccentric medium named Madame Leota (Jennifer Tilly). The Haunted Mansion also stars Terence Stamp, Don Knotts, and Wallace Shawn.

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson’s alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of “gonzo journalism.” Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. “This is not a good town for psychedelic drugs,” says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether “you can actually watch yourself behaving this terrible way, but you can’t control it.” The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko’s Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke’s intro to the drug scene jump back to love-Haight relationships in San Francisco’s Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson’s book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival.