Bovie Movie

Screen newcomer Joseph Cross portrays Augusten Burroughs in director Ryan Murphy’s film adaptation of author Burroughs’ best-selling personal memoir of the same name. A child of the 1970s whose alcoholic father Norman (Alec Baldwin) and delusional, unpublished poet mother Deidre (Annette Benning) serve as the dictionary definition of the word “dysfunctional,” Augusten is sent by his mother to live with her eccentric psychiatrist Dr. Finch (Brian Cox) when his disagreeable parents ultimately decide terminate their turbulent marriage. Suddenly thrust into an environment that is as unfamiliar as it is unpredictable, young Augusten forms a curious relationship with the doctor’s two whimsical daughters while learning to adapt and survive under even the most unusual of circumstances.

A South African mercenary and a Mende fisherman find their fates forever intertwined as they embark on a quest to obtain a rare and highly coveted pink diamond in director Edward Zwick’s frantic adventure drama. Ripped from his family farm and forced to toil away in the sweltering South African diamond fields, Solomon Vandy (Djimon Hounsou) discovered an extraordinary rough stone of immeasurable value. Danny Archer (Leonardo DiCaprio) is a hired gun who specializes in the sale of so-called “blood diamonds” that are used to finance rebellions and terrorist organizations, and is currently serving time for smuggling. As a bloody civil war rages in Sierra Leone and Archer learns that Vandy has safely hidden the diamond in a place where no one would ever suspect, the pair enlist the aid of disillusioned American journalist Maddy Bowen (Jennifer Connelly) in recovering the treasure that has the power to save Vandy’s family and provide the desperate Archer with a much-needed chance for redemption.

An unhinged parody of James Bond theatrics, Johnny English finds Mr. Bean himself suiting up as the eponymous super spy for a series of wild and silly adventures. A lowly pencil pusher working for the MI7 agency, Johnny English (Rowan Atkinson) is suddenly promoted to super spy after Agent One is assassinated and every other agent is blown up at his funeral. When billionaire entrepreneur Pascal Sauvage (John Malkovich) sponsors the exhibition of the Crown Jewels and the valuable gems disappear on the opening night, and on the watch of English, the newly designated agent must jump into action to uncover the thief and procure the missing valuables. Tracking the thieves’ underground escape route with sidekick Bough (Ben Miller), English locks in on Sauvage despite repeated assurances by boss Pegasus (Tim Pigott-Smith) that the respected entrepreneur has nothing to do with the crime. Could the mysterious Lorna (Natalie Imbruglia), who has an odd habit of turning up at the wrong place at the wrong time, hold the key to helping Johnny? A massive hit overseas, Johnny English held its own at the box office in early April 2003, and was slated for wide release in the U.S. If the spoofing in Johnny English strikes especially close to home, that may be because the film was scripted by Neal Purvis and Robert Wade, who teamed to pen such Bond adventures as Die Another Day and The World is Not Enough.

The legendary Mexican hero returns to the screen in this swashbuckling sequel to the 1998 box-office hit The Mask of Zorro. It’s 1850, and the people of California, eager to improve their difficult lot in life, have launched a campaign to become part of the United States. Don Alejandro de la Vega (Antonio Banderas) has become aware of a plot by moneyed Europeans to block the campaign for statehood through nefarious means, and it looks as if Alejandro’s heroic alter ego, Zorro, may have to return to duty. However, Alejandro’s wife, Elena (Catherine Zeta-Jones), has grown weary of his secret life, and she demands that he choose between his family and his clandestine career as a champion of the people. This leads to a rift between Alejandro and Elena, and the couple separates, with Alejandro moving out while Elena continues to care for their son, Joaquin (Adrian Alonso). A few months later, Alejandro finds that Elena is already being wooed by Armand (Rufus Sewell), a suave French nobleman who wants her hand in marriage. However, Alejandro also learns that Armand is actually part of a plot to prevent California from attaining statehood by tampering with an upcoming election; meanwhile, there may be more to Elena’s involvement with Armand than romantic courtship. Zorro must come to the rescue of the people of California and perhaps his beloved Elena as well before they both fall into dangerous hands. The Legend of Zorro was directed by Martin Campbell, who performed the same duties on The Mask of Zorro.

Based on the Pulitzer Prize-winning novel by Robert Penn Warren, All the King’s Men is a roman ? clef inspired by the career of Louisiana governor Huey Long. Broderick Crawford won an Academy Award for his portrayal of Willie Stark, a backwoods Southern lawyer who wins the hearts of his constituents by bucking the corrupt state government. Journalist Jack Burden (John Ireland) is impressed by Willie’s seeming sincerity, and aids Stark on the road to political power. Once he’s reached the governor’s mansion, however, Willie proves himself to be as dishonest and despotic as the crooks whom he’s replaced. He also cheats shamelessly on his wife with both his campaign manager (Mercedes McCambridge, another Oscar winner) and with Anne Stanton (Joanne Dru), the sister of idealistic doctor Adam Stanton (Sheppard Strudwick). Fiercely protective of his power, Willie organizes a fascistic police force and arranges for “accidents” to befall those who oppose him; even so, he retains the love of the voters by lowering the poverty level, improving the school system, and financing building projects. Even when Willie all but orchestrates the suicide of Anne’s uncle, a highly respected judge (Raymond Greenleaf), those closest to him are unable to escape his power and the charismatic hold he has over people. Stockton, CA, stands in for the unnamed state capitol where most of the film’s action occurs. In addition to its Oscars for Crawford and McCambridge, All the King’s Men won the Best Picture prize. Warren’s novel would later be adapted into a stage play, a TV special, and even an opera.

An outlaw is goaded into taking on justice at its most brutal in this hard-edged Western set in rural Australia in the 1880s. Charlie Burns (Guy Pearce) is a criminal living in the outback. He and his two brothers, Arthur (Danny Huston) and Mikey (Richard Wilson), are on the run from the law for rape and murder. Arthur is a violent and dangerous sociopath with a much longer rap sheet than his siblings and a reputation for hiding out in villages so lawless the police are afraid to visit them, while Mikey is a much younger and more impressionable chap.

The authorities capture Charlie and Mikey after a bloody shootout, and the brothers are handed over to Capt. Stanley (Ray Winstone), a British lawman sent to Australia to help bring order to the colonies. Stanley proposes a deal to Charlie, explaining that it’s Arthur he really wants, and that he’s willing to spare the childlike and terrified Mikey if Charlie can find Arthur and murder him. Charlie, realizing that this is his only hope to save his simpleton younger brother (who is scheduled to be hanged on Christmas Day), agrees and sets out to find and execute his other brother, who he believes has gone too far into the world of crime. As Charlie scours the backwaters of Australia, he encounters Jellon Lamb (John Hurt), an educated yet thoroughly menacing bounty hunter. In time, Charlie finds his brother, but isn’t certain if he can carry out his mission. Meanwhile, Stanley struggles to bring a European sense of civility to the rough and tumble land he now calls home, while his wife Martha (Emily Watson) becomes the focus of the lustful appetites of the men in town. The Proposition was written by rock star and novelist Nick Cave; he previously collaborated with director John Hillcoat on the film Ghosts… of the Civil Dead.