Bovie Movie

Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler’s designs on Poland, they’re convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw’s na?vet? is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as The Pianist.

Further cementing 2003 as the year of Ron Shelton cop movies, the director continued his vacation from the sports genre with Hollywood Homicide, a police comedy that comes right on the heels of Shelton’s Dark Blue, a decidedly grittier cop thriller. The film stars Harrison Ford and Josh Hartnett as LAPD homicide detectives Joe Gavilan and K.C. Calden, two cops with bigger dreams. Gavilan moonlights as a real estate agent, while Calden teaches yoga and yearns for a career on the big screen. When an entire hip-hop group is murdered on-stage, Gavilan and Calden are called in to handle the case. As their investigation progresses, they begin to suspect that the rappers were offed for attempting to get out of their recording contract with label head Sartain (Isaiah Washington). Along with Bruce Greenwood and Keith David, the supporting cast boasts a plethora of real-life musicians, including Dr. Dre, Gladys Knight, Dwight Yoakam, Master P, and Ronald DeVoe of New Edition and Bell Biv DeVoe.

The life and sordid, untimely death of Hogan’s Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane’s show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early ’60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan’s Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else’s surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn’t long before Anne demands a divorce, and Crane marries his Hogan’s co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who’s more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002.

One man takes on the Irish family law system and the Catholic Church in a bid to be reunited with his children in this drama, based on a true story. In 1953, Desmond Doyle (Pierce Brosnan) was a house painter and decorator who, despite a strong work ethic, had a hard time holding on to steady work. Desmond’s wife had grown tired of her marriage and her husband’s financial problems, and one day walked away from her home, leaving Desmond to raise their three children on his own. While Desmond struggles to keep body and soul together for his children, his sporadic employment eventually attracts the attention of the law, and a court order sends his two sons and young daughter to separate Catholic orphanages until Desmond can prove he’s capable of properly supporting them. However, Desmond discovers merely getting work is not enough to bring his children back to him, and when he learns that his daughter, Evelyn (Sophie Vavasseur), is having a rough time of it at the hands of several stern nuns, he becomes determined to win their custody in a court of law. Through Bernadette (Julianna Margulies), a barmaid who has caught his eye, Desmond meets Michael Beattie (Stephen Rea), a lawyer and Bernadette’s brother. While Michael doesn’t believe Desmond’s case can be won in an Irish court, his partner Nick Barron (Aidan Quinn), an expatriate American who lost custody of his own children in a divorce proceeding, is eager to help, and they agree to take the case. However, they both realize they’re fighting an uphill battle, and so they persuade Thomas Connolly (Alan Bates), a former football star who became one of Ireland’s most respected barristers, to lend his knowledge and prestige to the case. Leading man Bronson also served a co-producer for Evelyn; Bruce Beresford directed, who previously collaborated with Pierce Brosnan on Mister Johnson.

Can a new marriage survive meddling friends, disapproving families, and some of the worst accommodations in Europe? That’s the question posed in this broad comedy. Tom Leezak (Ashton Kutcher) is a regular guy who likes sports and beer and tries to make ends meet working as a nighttime radio traffic reporter. Sarah McNerney (Brittany Murphy) is a beautiful young woman from a wealthy and privileged family who is trying to make a name for herself as a writer. Tom and Sarah have seemingly nothing in common, but that doesn’t stop them from falling in love. Sarah’s family doesn’t much care for Tom’s boorish ways, and Tom’s buddies think Sarah is too highbrow for him, but, if anything, this makes the couple all the more determined to be together, and they decide to get married and head off to Italy for a month-long honeymoon despite the pleas of those closest to them. However, even after the knot is tied, Sarah’s former beau, Peter Prentiss (Christian Kane), is dead set upon breaking up the happy couple, though as it turns out, a seemingly endless stream of bad luck and post-marital jitters may do the job for him. Just Married was written by Sam Harper, who claims to have loosely based the script on his own experiences on an ill-starred European honeymoon with his wife; fortunately, the couple’s marriage survived the experience.

Here’s the basic “schtick” of Bugsy Malone: it’s a gangster picture enacted by children. Acted out before scaled-down sets, the film details the career of Bugsy Malone (Scott Baio), who rises to the top of the criminal ladder in 1920s New York. Whenever gunfire is called for, the kiddie crooks substitute whipped cream for bullets. Paul Williams contributes several good songs, which are performed by adult singers and lip-synched by the pint-sized actors. The cast includes John Cassisi as diminutive Capone clone Fat Sam, and then-13-year-old Jodie Foster as the sultry nightclub thrush Tallulah.

Controversial rap star Eminem makes his acting debut in this hard-edged urban drama, inspired in part by incidents from the musician’s own life. Jimmy Smith (Eminem), known to his friends as Rabbit, is a young man trying to make his way out of the burned-out shell of inner-city Detroit. Rabbit’s entire life has been a hard climb, and it certainly hasn’t gotten any easier lately; Rabbit has just been dumped by his girlfriend, forcing him to move back in with his emotionally unstable mother, Stephanie (Kim Basinger), and he’s getting along especially poorly with Stephanie’s new boyfriend. Rabbit has a factory job that’s tough, demeaning, and doesn’t pay especially well, and he’s convinced his skills as a rapper are his only real hope at a better life. Rabbit makes music with a crew of DJ’s and MC’s who call themselves Three One Third, among them his close friend Future (Mekhi Phifer), but his status as a white kid making music in a predominantly African-American community and culture is extremely intimidating, and after Rabbit freezes up in the midst of an MC battle, he’s convinced he’s missed his chance and that he’s doomed to lead a marginal life as a factory rat for the rest of his days. With the help of his friends, and his new girlfriend Alex (Brittany Murphy), Rabbit struggles to work up the courage and the confidence to take one more shot at making his dream a reality. 8 Mile was shot on location in Detroit; the name refers to 8 Mile Road, a thoroughfare along the city’s perimeter which effectively separates the middle-class suburban neighborhoods from the lower-class inner-city.