Bovie Movie

Writer/director Nicole Kassell makes her feature film debut with the drama The Woodsman. Co-written by Steven Fechter, the original script won first place at the Slamdance Screenplay Competition in 2001. Kevin Bacon plays Walter, a child molester who gets out of prison after serving a 12-year sentence. He returns to his old town and tries to start over by working at a woodyard. Fortunately, his brother-in-law (Benjamin Bratt) helps him get a place to live. He even strikes up a relationship with local gal Vickie (Bacon’s real-life wife, Kyra Sedgwick). However, Walter still struggles with his past and the suspicions of co-worker Mary-Kay (Eve) and Detective Lucas (Mos Def). The Woodsman premiered at the Sundance Film Festival in 2004 as part of the dramatic competition.

After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer. Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-’50s New York City as a men’s room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he’s living a carefree life with his father’s money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie’s father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity. The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley.

Austin Powers — fashion photographer, denizen of Swingin’ London, international espionage agent, and bane of dental hygienists everywhere — returns in his second screen adventure. Powers (once again played by Mike Myers), a 1960s superspy stranded in the 1990s, discovers that his nemesis, criminal genius Dr. Evil (also Mike Myers), has somehow stolen his “mojo” (the secret to his otherwise inexplicable sex appeal) and traveled back in time to the 1960s as part of his latest fiendish scheme. Powers must also travel back in time to retrieve it, but if Austin doesn’t quite fit into 1998, he’s been there just long enough not to fit in in 1968 anymore, either. Powers also discovers that Dr. Evil has new allies this time: Mini-Me (Verne Troyer), a clone of Dr. Evil one-eighth his size but just as nasty; Fat Bastard (Myers yet again), whose name describes him just fine; and vixenish assassin Robin Swallows (Gia Carides). Powers’ lack of mojo also proves troublesome when he’s paired with his new partner, saucy CIA operative Felicity Shagwell (Heather Graham). Other characters returning from the first film include Elizabeth Hurley as Vanessa Kensington, Robert Wagner as Number Two, Michael York as Basil Exposition, Seth Green as Scott Evil, and Mindy Sterling as Frau Farbissina. Austin Powers: The Spy Who Shagged Me also includes cameo appearances from Tim Robbins, Jerry Springer, Woody Harrelson, and Burt Bacharach with his current songwriting partner, Elvis Costello.

The novel of the same name by author Tom Savage becomes this horror film starring Marley Shelton as Kate Davies. Kate’s in a troubled relationship with journalist Adam Carr (David Boreanaz), a problem drinker, but she receives support from her best friends, the same four girls she’s known since grade school: Paige Prescott (Denise Richards), Dorothy Wheeler (Jessica Capshaw), Lily Voight (Jessica Cauffel), and Shelly Fisher (Katherine Heigl). When Shelly is murdered and the other girls begin receiving gruesome Valentine’s Day cards signed “JM,” they begin to speculate that the killer could be an awkward schoolmate named Jeremy Melton, whom they once teased mercilessly at a school dance, leading to his beating and humiliation. Dorothy in particular is afraid that a false accusation she made against Jeremy might be causing him to seek bloody retribution, but the macho detective (Fulvio Cecere) assigned to investigate Shelly’s murder has some other suspects in mind. As the body count is racked up and Dorothy’s lavish Valentine’s Day party approaches, Kate begins to suspect that the true identity of Jeremy, who likely underwent plastic surgery to alter his appearance, could hit very close to home. Valentine is the second slasher flick from Urban Legend (1998) director Jamie Blanks.