Bovie Movie

The Hollywood dreams of two runaway lovers are suddenly transformed into living nightmares when a momentary pause at an abandoned roadside rest stop turns into a struggle for survival against a predator who sadism knows no boundaries in this tense nail-biter from X-Files writer and executive producer John Shiban. The west coast was a long way off, and when Jess and Nichole decided to stretch their legs at a deserted rest stop they could never have anticipated the terror that awaited them. Now Jess has disappeared, and a savage stranger with a penchant for cruel games has turned up in her place. This is no coincidence, however, and before the day is over Nichole will be forced to fight for her life against a murderous maniac whose creative use of power tools will have her screaming for mercy.

Five years after achieving commercial and critical success with his film Three Kings, director and screenwriter David O. Russell returns to the more idiosyncratic territory of his earlier work with this intelligent and offbeat comedy. Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes’ latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert’s problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert’s environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he’s being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad’s girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian’s ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert).

An unhinged parody of James Bond theatrics, Johnny English finds Mr. Bean himself suiting up as the eponymous super spy for a series of wild and silly adventures. A lowly pencil pusher working for the MI7 agency, Johnny English (Rowan Atkinson) is suddenly promoted to super spy after Agent One is assassinated and every other agent is blown up at his funeral. When billionaire entrepreneur Pascal Sauvage (John Malkovich) sponsors the exhibition of the Crown Jewels and the valuable gems disappear on the opening night, and on the watch of English, the newly designated agent must jump into action to uncover the thief and procure the missing valuables. Tracking the thieves’ underground escape route with sidekick Bough (Ben Miller), English locks in on Sauvage despite repeated assurances by boss Pegasus (Tim Pigott-Smith) that the respected entrepreneur has nothing to do with the crime. Could the mysterious Lorna (Natalie Imbruglia), who has an odd habit of turning up at the wrong place at the wrong time, hold the key to helping Johnny? A massive hit overseas, Johnny English held its own at the box office in early April 2003, and was slated for wide release in the U.S. If the spoofing in Johnny English strikes especially close to home, that may be because the film was scripted by Neal Purvis and Robert Wade, who teamed to pen such Bond adventures as Die Another Day and The World is Not Enough.

A big lie told in fun has deadly consequences in this horror story. A group of students at an exclusive private school decide to have some fun by creating an urban legend and seeing how far it will spread. When a woman is murdered not far from the school’s campus, the students create an elaborate mythology about a serial killer known as “the Wolf,” whose motives and methods would make him a likely culprit for the recent crime. However, when other people begin dying at the hands of “the Wolf,” the students are forced to admit to their lie in hopes of stopping the killings. But will anyone believe them? And how does the real-life killer know so much about the backstory of “the Wolf”? Cry_Wolf stars Julian Morris, Lindy Booth, Jon Bon Jovi, and Gary Cole.

Russian filmmaker Vadim Perelman makes his feature-film debut with the psychological drama House of Sand and Fog, based on the novel by Andre Dubus III. Ben Kingsley plays Massoud Amir Behrani, an Iranian immigrant living the United States. Even though he was a high-ranking official in Iran, he works several menial jobs in order to provide his wife, Nadi (Shohreh Aghdashloo), and his son, Esmail (Jonathan Ahdout), with an apartment in California. He buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send Esmail to college. However, the house is the legal property of former drug addict Kathy (Jennifer Connelly). After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer (Frances Fisher) and befriends a police officer (Ron Eldard). Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.

The three most glamorous and butt-kicking private detectives in the business are back and ready to take on bad guys in this sequel to the 2000 blockbuster screen adaptation of the once-popular television series. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are once again summoned to the office of their boss Charlie (voice of John Forsythe), where they’re introduced to his new right-hand man Jimmy Bosley (Bernie Mac) and given their latest assignment. It seems a pair of rings have gone missing and need to be recovered, but this was no ordinary jewel heist — the rings have been coded with special information that can be used to access a list of every person in the FBI’s Witness Protection Program, and when a handful of protected informants are murdered, the Angels are brought in to help crack the case. As the women search for the culprits, they encounter Madison Lee (Demi Moore), one of Charlie’s former agents who decided that the wrong side of the law pays better, and Seamus (Justin Theroux), who once dated Dylan and wants revenge for her decision to turn him over to the police. Luke Wilson and Matt LeBlanc return as (respectively) Natalie and Alex’s love interests, as does Crispin Glover as the Thin Man; John Cleese, Robert Forster, and Eric Bogosian also appear in supporting roles.

A laid-back health inspector’s comfortable routine receives an unwelcome shake up when he’s assigned the task of training his new rookie partner and investigating the outbreak of a mysterious illness at one of the city’s most posh restraints in this no-holds-barred comedy starring Blue Collar standup king Larry the Cable Guy. It’s all greasy spoons and low-rent ethnic eateries in the world of seasoned big-city health inspector Larry (Larry the Cable Guy), and that’s just the way he likes it. After begrudgingly accepting the task of training by-the-books trainee Amy (Iris Bahr), Larry lands the biggest case of his career when a group of high-class diners fall ill following a particularly pricey meal. Though the gruff but lovable health inspector soon loses his job as a direct result of his questionable manners, he soon wins the heart of a shy waitress while attempting to go undercover to crack the case and ensure that the conspirators who engineered the poisonous plan are brought to justice.

Pretty boy actor C. Thomas Howell stars in this dark, violent suspense film about the strange psychological bond between a traveling serial killer and one of his intended victims. Driving cross-country from Chicago to San Diego, Jim (Howell) narrowly avoids an accident when he falls asleep at the wheel. He picks up a hitchhiker to help stay awake, but within five minutes, the erratic John Ryder (Rutger Hauer) has threatened not only Jim’s life, but also his manhood, brandishing a switchblade to the boy’s crotch and ordering him to keep driving. Jim manages to escape, but soon Ryder begins a game of cat-and-mouse across the Texas highways, taunting the lad from the windows of passing cars, then leaving the corpses of his victims in their vehicles by the side of the road for Jim to discover. A sympathetic face arrives in the form of Nash (Jennifer Jason Leigh), the waitress at an otherwise deserted truck stop in this bleak, abandoned landscape, but the local police soon arrive, intent on hanging Jim out to dry for the string of grisly murders. The stakes continue to mount in Ryder’s little game until Jim finds himself embroiled in a statewide manhunt with Nash at his side. Former cinematographer Robert Harmon made his directorial debut with this popular thriller; screenwriter Eric Red, also making his debut, would go on to write similarly brooding genre fare including Near Dark, Bad Moon, and Alien 3.

Martin Scorsese directed this fast-moving, epic-scale biopic documenting the life and loves one of the most colorful Americans of the 20th century, Howard Hughes. The Aviator follows Hughes (played by Leonardo DiCaprio) as the twentysomething millionaire, having already made a fortune improving the design of oil-drilling bits, comes to Hollywood with an interest in getting into the picture business. It doesn’t take long for Hughes, with his passion for airplanes, to jump from producer to director of his first major film project, a World War I air epic called Hell’s Angels, which took three years to complete thanks to the shift from silent to sound filming and Hughes’ relentless perfectionism. However, the film was a massive hit, and the eccentric inventor became a mogul in Hollywood, making Jean Harlow (Gwen Stefani) a star and enjoying a romance with Katharine Hepburn (Cate Blanchett). But Hollywood’s old-boy network never fully accepted Hughes, and in time his passion for flying began to reclaim his attentions as he began designing new planes, setting air speed records, flying around the world, and risking his life testing aircraft. Hughes also found time to romance Ava Gardner (Kate Beckinsale) and founded his own airline, Trans-World Airlines, though as his ideas became bolder, his approach became more eccentric, and he gained many powerful enemies, including the head of Pan-American Airlines, Juan Trippe (Alec Baldwin), and Senator Ralph Owen Brewster (Alan Alda), who attempted to prove that Hughes’ radical design ideas were actually part of an effort to bilk taxpayers for millions of dollars through government contracts. The Aviator’s star-studded cast also includes John C. Reilly, Jude Law, Willem Dafoe, Ian Holm, and Frances Conroy.