Bovie Movie

By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled “spaghetti westerns.” Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa’s Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the “Dollars” trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the “Man With No Name” trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone’s eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood’s career and the recognition of the Italian western.

The wind whispers ominous warnings of death before a malevolent entity arrives to claim the life of a young girl as director Courtney Solomon brings author Brent Monahan’s chilling, fact-based tale of supernatural murder to the screen in this tale of terror starring Donald Sutherland and Sissy Spacek. The year was 1818 and the Bell family was a quiet clan residing on a remote farm in Red River, Tennessee. A normal, loving family by all accounts, the uneventful lives of the Bell family began to take a dark turn when strange noises around the farm preceded the arrival of a black wolf with piercing yellow eyes said to strike unspeakable fear into the very soul of all who encounter it. As the sadistic spirit singles out the youngest daughter of the Bell family for torment and her frightened parents search frantically for a rational explanation to the chilling events unfolding in their once happy home, an eerie, disembodied voice promises death from beyond the grave. With the struggle rapidly turning violent and the Bell’s desperate prayers for mercy going unanswered time and again, the shocking murder that followed would prove the only case in recorded American history where the death of a human being was directly attributed to an attack by an evil entity or spirit.

A turning point in 20th century war history is the focus of this fact-based account of the 1942-1943 battle of Stalingrad, in which the Germans were finally defeated by Russian influence — one of the bloodiest battles in World War II history. The film stars Jude Law as Vassili, a marksman from the Urals who is transported to Stalingrad in 1942, and a master German sniper, Major Koenig (Ed Harris). Koenig, an expert German sniper, is determined to eliminate his formidable opponent by any means necessary; meanwhile, Vassili has joined forces with Danilov (Joseph Fiennes), a young Russian political adversary, who is impressed by Vassili’s skills and raises his profile in the Soviet Union. Both Vassili and Danilov become involved with Tanya (Rachel Weisz), whose Jewish parents have been captured by the Germans and have forced her to take up with the men on a sniper expedition. Koenig and Vassili begin to develop traps for each other, until fate inevitably must bring the two sharpshooters together. This large-scale production, financed mostly by Teuton companies, also features Bob Hoskins as Nikita Krushchev and Ron Perlman as an aging Russian sniper.

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

Based on the comic book miniseries by Alan Moore, The League of Extraordinary Gentlemen takes place in an alternate universe where the characters of several literary classics exist in reality. As if that weren’t enough, they’ve been assembled together in 1900 by Queen Victoria as a team of evil-fighting heroes. Among them are Allan Quatermain (Sean Connery) from H. Rider Haggard’s King Solomon’s Mines; Mina Harker (Peta Wilson) from Bram Stoker’s Dracula; Tom Sawyer (Shane West) from several works by Mark Twain; Dorian Gray (Stuart Townsend) from Oscar Wilde’s The Picture of Dorian Gray; Captain Nemo (Naseeruddin Shah) from Jules Verne’s 20,000 Leagues Under the Sea; The Invisible Man (Tony Curran) from H.G. Wells book of the same name; and several others. Working together, the odd assortment of characters must combine their powers to defeat a mysterious villain and save the world from certain destruction. Directed by Stephen Norrington (Blade), The League of Extraordinary Gentlemen also stars Jason Flemyng, Tom Goodman-Hill, and David Hemmings.

The return of director Terrence Malick to feature filmmaking after a twenty year sabbatical, this World War II drama is an elegiac rumination on man’s destruction of nature and himself, based on James Jones’ semi-autobiographical novel, his follow-up to From Here to Eternity. James Caviezel stars as Private Witt, a deserter living in peace and harmony with the natives of a Pacific island paradise. Captured by the Navy, Witt is debriefed by a senior officer (Sean Penn) and returned to an active duty unit preparing for what will be the Battle of Guadalcanal. As Witt goes ashore in the company of his fellow soldiers, they meet diverse fates. Sergeant Keck (Woody Harrelson) is killed by an exploding grenade. Captain John Gaff (John Cusack) is an intelligent, sober leader facing the destruction of his command because his commanding officer Colonel Tall (Nick Nolte) is bucking for a general’s star. Sergeant McCron (John Savage) loses his mind. Private Bell (Ben Chaplin) gets a “Dear John” letter from his beloved wife. However, as the U.S. troops advance up grassy slopes toward entrenched Japanese positions, it is Witt’s voiced-over ruminations on life, death, and nature that are the real heart and soul of The Thin Red Line (1998). Adrien Brody appears as Private Fife, the major character of Jones’ novel and the author’s alter-ego, although Fife has been relegated to a minor supporting role by Malick’s filmed adaptation.

The tragic aftermath of human carelessness travels around the world in this multi-narrative drama from filmmaker Alejandro Gonz?lez I??rritu. Richard (Brad Pitt) and Susan (Cate Blanchett) are a couple from the United States who have traveled to Morocco in Northern Africa on a vacation after the death of one of their children has sent Susan into a deep depression. Richard and Susan’s other two children have been left in the care of Amelia (Adriana Barraza), their housekeeper. Amelia is originally from Mexico, and her oldest son is getting married in Tijuana. Unable to find someone who can watch the kids, or to obtain permission to take the day off, Amelia takes the children with her as she travels across the border for the celebration. Around the same time, in Morocco a poor farmer buys a hunting rifle, and he gives it to his sons to scare off the predatory animals that have been thinning out their goat herd. The boys decide to test the weapon’s range by shooting at a bus far away; the shot hits Susan in the shoulder, and soon she’s bleeding severely, while police are convinced the attack is the work of terrorists. In Japan, Chieko (Rinko Kikuchi) is a teenage deaf-mute whose mother recently committed suicide. This despairing, confused girl experiences such rage and frustration that she causes her volleyball team to lose a match, and later yanks her underwear off and begins exposing herself to boys in a crowded restaurant. Chieko’s father then struggles to reach past the emotional distance which separates him and his daughter. Babel earned Alejandro Gonz?lez I??rritu the prize for Best Director at the 2006 Cannes Film Festival.

Directed by the prolific Rob Zombie, The Devil’s Rejects is a sequel of sorts to 2003’s House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the “Devil’s Rejects.” After learning of the extended family’s horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil’s Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars.

Kevin Costner stars in and directs the Western Open Range. Robert Duvall stars as Boss Spearman, a rugged old-timer who free-grazes cattle. He and Charley Waite (Costner) have been partners for ten years. As the film opens in the 1880s, the pair and their employees — the beefy, rugged, likable Mose (Abraham Benrubi) and the impetuous Mexican teenager Buttons (Diego Luna) — are driving cattle across the West. Mose is attacked and thrown in jail during a visit to a town. The local cattle rancher Baxter (Michael Gambon) wants the free grazers off his land and warns Charley and Boss when they retrieve Mose that they have until the next day to be out of the area. Boss decides to fight back, especially after Baxter’s men do harm to the foursome. Charley confesses his past as a killer during the Civil War and strikes up a tentative romance with Sue Barlow — the sister of the town doctor. The film’s centerpiece is an extended gunfight between the duo (with some assistance from sympathetic townsfolk) and Baxter’s hired gunmen.

Love blooms for a would-be hired killer in Angel’s Dance, which blends elements of a crime thriller with black comedy. Tony (Kyle Chandler) is offered a job with a powerful Mafia family after he saves the life of the capo’s nephew, even though Tony isn’t sure he’s really interested in a life of crime. To give him a crash course in his new line of work, Tony is sent to L.A. to study with Rosellini (James Belushi), a hired killer of no small reputation. After assigning him Nietzsche as required reading and staging a few practice sessions with water pistols, Rosellini gives Tony his final homework project — pick a name at random from the phone book, find the person, and kill him or her. The name Tony comes up with is Angelica Chase (Sheryl Lee), “Angel” to her friends. Tony finds Angel just in time to interrupt her latest suicide attempt; Angel is beautiful and charming, but an emotional wreck with eccentric tastes, a caffeinated personality, and a job at a mortuary (she even lives next door). Tony is immediately infatuated and can’t bring himself to kill her, so Rosellini decides he has to take over the job, but to the surprise of everyone, Angel knows how to handle herself in a time of crisis.