Bovie Movie

The true story of prominent mathematician John Forbes Nash Jr. is the subject of this biographical drama from director Ron Howard. Russell Crowe stars as the brilliant but arrogant and conceited professor Nash. The prof seems guaranteed a rosy future in the early ’50s after he marries beautiful student Alicia (Jennifer Connelly) and makes a remarkable advancement in the foundations of “game theory,” which carries him to the brink of international acclaim. Soon after, John is visited by Agent William Parcher (Ed Harris), from the CIA, who wants to recruit him for code-breaking activities. But evidence suggests that Nash’s perceptions of reality are cloudy at best; he is struggling to maintain his tenuous hold on sanity, and Alicia suspects a diagnosis of paranoid schizophrenia. Battling decades of illness with the loyal Alicia by his side, Nash is ultimately able to gain some control over his mental state, and eventually goes on to triumphantly win the Nobel Prize. Based loosely on the book of the same name by Sylvia Nasar, A Beautiful Mind (2001) co-stars Paul Bettany, Adam Goldberg, Anthony Rapp, Christopher Plummer, and Judd Hirsch.

Love, treachery, and broken furniture are the hallmarks of this rollicking action drama. Dalton (Patrick Swayze) has a Ph.D., but rather than make a living teaching Socrates at some university, he’s opted to become a top-drawer “cooler” — an expert barroom bouncer who can break up fights without getting himself killed in the process. Dalton is hired to keep the peace at the Double Duce, a rough-and-tumble honky tonk in Jasper, Missouri, where beer-soaked free-for-alls are a nightly event. Dalton is hurt on his first night on the job, and he is patched up by “Doc” Clay (Kelly Lynch), a beautiful woman working as the town’s physician. Dalton and Doc immediately hit it off, but Dalton learns that another man, Brad Wesley (Ben Gazzara), already has his eye on her. Wesley is a man used to getting his way; he’s an extortionist and crime boss who has nearly everyone in Jasper under his thumb, and he sets out to teach Dalton a lesson, while Dalton is determined to clean up the town like he breaks up brawls at the Double Duce. Sam Elliott plays Dalton’s mentor Wade, and Red West, a one-time member of Elvis Presley’s “Memphis Mafia,” appears as Webster; Canadian blues-rock guitarist Jeff Healey leads the Double Duce house band.

Sleepless in Seattle director Nora Ephron originally made a name for herself as the writer of romantic comedies such as Heartburn and When Harry Met Sally. She continues the genre with You’ve Got Mail, marking her second collaboration with actors Tom Hanks and Meg Ryan. The story brings romance and courtship into the electronic age of the World Wide Web via e-mail and chat rooms. Joe Fox (Hanks) and Kathleen Kelly (Ryan) live and work blocks from each other on New York City’s Upper West Side. Their lives are practically intertwined. They both shop at the same place, frequent the same coffee shop, and even own competing bookstores on the same street. They also both have significant others of their own. Joe has the overly hyper book editor Patricia Eden (Parker Posey), while Kathleen lives with the scholarly newspaper columnist Frank Navasky (Greg Kinnear). Then they meet in a chat room. Though they keep their identities secret (they’re known only by screen names “NY152″ and “Shopgirl”), they tell each other everything about their lives, including their private feelings, which slowly turn into affection for each other. When Joe decides to open a new branch of his “Foxbooks” chain that risks putting Kathleen’s “Shop Around the Corner” out of business, the tension between them escalates. Surely her boutique business will be lost to the conglomerate with a built-in newsstand and coffee bar. When Joe sees Kathleen waiting for him in the restaurant where they agreed to meet up, he puts two and two together, but cannot face her, given their agreement not to reveal each others’ names and professions. How can he reveal himself to her now, knowing that he is the cause of her misery? Hopefully, love will conquer all.

A teenage girl learns that reaching for your dreams isn’t always easy in this heartfelt drama with music. Terri Fletcher (Hilary Duff) is a small-town girl with a great love of music and a fine singing voice. Already one of the lead vocalists in her church choir, Terri has also appeared at local nightspots with some help from her older brother. When he tragically dies in an auto accident, Terri becomes all the more determined to make the most of her talent, and she’s elated when she’s accepted as part of a summer study program at one of California’s most prestigious music schools; however, Terri attends over the stern objections of her father. As she tries to hold together her relationship with her family, she finds herself falling for one of her fellow students, Jay (Oliver James), and competing for attention against dozens of kids whose talent rivals her own. Raise Your Voice also features Jason Ritter, Rebecca De Mornay, Rita Wilson, David Keith, and John Corbett.

The Creeper is back, and he’s brought his appetite with him in director Victor Salva’s sequel to his popular 2001 sleeper. Stranded on the dreaded East 9 Highway while returning home from winning the championship game, a group of basketball players, cheerleaders, and coaches quickly realize that there’s more to fear than a broken down bus when The Creeper descends mercilessly upon them. As his 23-day feeding frenzy draws to a close, The Creeper needs the sort of nourishment only a vital group of young athletes can provide, and to survive the night, the terrified teens will have to fight to their dying breaths.

The blurry line between a rumor and the truth is stretched to the breaking point in this drama. Three arrogant and self-centered college students, Jones (Lena Headey), Derek (James Marsden), and Travis (Norman Reedus), are brought together for a class project, in which they decide to start a rumor and keep track of how it spreads. Looking for possible gossip material, they see Naomi (Kate Hudson), a girl known for her high-minded views on saving sex for marriage, drunkenly making out with Bo (Joshua Jackson) at a party. The three students begin passing around the rumor that Naomi became a victim of date rape later that evening, embroidering the truth with allegations that Bo forcibly seduced Naomi after she was too inebriated to put up a fight. Before long, the rumor makes its way back to Naomi herself, who suffered a black-out on the night in question after too much alcohol. Naomi panics, and convinced that the rumor is true, contacts the police, who assign Detective Kelly (Sharon Lawrence) to investigate the charges of rape filed against Bo. Featuring a cast of young actors best known for their work on television, Gossip was an appropriate first feature film for director Davis Guggenheim, who previously distinguished himself on such TV series as ER, NYPD Blue, and Party of Five.

In this adventure drama, four men passed over by the space program get one last chance to be heroes and live out their dreams. Frank Corvin (Clint Eastwood), Hawk Hawkins (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland), and Tank Sullivan (James Garner) were top pilots within an elite Air Force squadron and on the fast track to becoming the first Americans in space in the early 1950s. However, when NASA was established, the pilots were cut out of the loop; Corvin went on to become an aerospace engineer, Hawkins continued on as a freelance pilot, O’Neill became an astrophysicist with a sideline in designing roller coasters, and Sullivan took up preaching as a Baptist minister. Years later, a Russian satellite’s guidance system has started to malfunction, and it is expected to crash into the Earth within a matter of weeks. The system is identical to the one Corvin designed for Skylab, so NASA head Bob Gerson (James Cromwell) asks Corvin to help him with the emergency mission to repair the satellite. Corvin agrees under one condition — that he be sent up to do the repairs himself, with Hawkins, O’Neill, and Sullivan as his crew. Clint Eastwood directed Space Cowboys while also starring as Frank Corvin; his supporting cast includes Marcia Gay Harden, Courtney B. Vance, Loren Dean, and William Devane.

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be “completely legitimate.” A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. “The Commission” of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn’t want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there’s Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael’s long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael’s na?ve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather’s future plans.

Tribes of vampires and werewolves battle for supremacy among the undead in this follow-up to the horror hit Underworld. Tracing the bloody history of the ongoing war between the Death Dealers, a gang of upper-crust vampires, and the Lycans, a pack of scruffy werewolves, Underworld: Evolution finds beautiful Death Dealer Selene (Kate Beckinsale) and hunky Lycan Michael (Scott Speedman) exploring their own pasts as well as those of their comrades in hope of uncovering the secrets of this centuries-old conflict. As Selene and Michael deal with their bloody legacy as well as their forbidden romance, the violence between the Death Dealers and the Lycans escalates in what may be the final face-off between them. Directed by Len Wiseman, who also helmed the first film, Underworld: Evolution also stars Shane Brolly, Bill Nighy, Tony Curran, and Derek Jacobi.

In the same year that a hit cable television series, The Sopranos, successfully mined the same premise, this comedy about a mobster seeking advice from a psychiatrist was a box office winner for director Harold Ramis. Billy Crystal stars as Dr. Ben Sobel, a New York shrink who’s becoming a little bored with his upscale but neurotic clientele. Into Sobel’s practice comes a guy with legitimate problems, Mafia kingpin Paul Viti (Robert DeNiro), a godfather who is being reduced to tears and panic attacks by stress and his guilt over his beloved father’s assassination. Intimidated but also fascinated by Viti, Dr. Sobel becomes frustrated when his mob boss patient becomes a full-time occupation, as Viti summons the psychiatrist for his professional help at all hours and in all places, even including the doctor’s Florida wedding to TV reporter Laura MacNamara (Lisa Kudrow). In the meantime, a power struggle is brewing with Viti’s long-time rival Primo Sidone (Chazz Palminteri), but Viti begins employing the feel-good self-help jargon and techniques he’s learned from Dr. Sobel to keep his enemy off balance. Just as the therapist and his powerful patient are making breakthroughs, the FBI attempts to persuade Sobel that Viti is going to have him murdered, leading to a nearly lethal misunderstanding.