Bovie Movie

Written and directed by Alec Berg, David Mandel, and Jeff Schaffer, Eurotrip is a teen comedy from the Montecito Picture Company (makers of similar movies Old School and Road Trip). Mainstream teenager Scott (Scott Mechlowicz) forms an online friendship with German student Mieke in order to get a passing grade in his high school German class. When he finds out Mieke is a buxom blonde girl (Jessica B?hrs), he travels to meet her with his pals Cooper (Jacob Pitts), Jenny (Michelle Trachtenberg), and Jamie (Travis Wester). The group of randy teens head to Berlin by way of London, Paris, and Amsterdam.

Much as Steven Spielberg followed 1993’s special-effects blockbuster Jurassic Park with a far more downbeat and personal project later the same year, Schindler’s List, in 2005 after tearing up the box office with War of the Worlds the director closed out the year with a powerful and thoughtful drama about the human costs of international terrorism. The 1972 Olympics in Munich, Germany, were supposed to be a peaceful gathering of outstanding athletes from around the world, but on September 5, the games took a sinister turn when eight masked Palestinian terrorists invaded the Olympic village, killing two Israeli athletes and abducting nine others. The kidnappers demanded safe passage out of Germany in addition to the release of Arab prisoners in Israeli and German prisons, but when they arrived at the Munich airport they were met by German police and military forces, and in the melee that followed, all nine hostages were killed. In the wake of the killings, the Israeli government gave Mossad, the nation’s intelligence agency, a special assignment — to track down and eliminate the Palestinians responsible for the death of the Israeli athletes. A young and idealistic Mossad agent (Eric Bana) is assigned to the four-man unit created to wipe out the Olympic terrorists, but while he believes in serving his country, as their bloody work goes on he begins to buckle under the weight of his work and wonders if he can morally justify his nation’s acts of revenge. Munich also stars Geoffrey Rush, Daniel Craig, Mathieu Kassovitz, and Ciar?n Hinds.

The third entry in Tom Cruise’s Mission: Impossible film series involves super Impossible Mission Forces (IMF) agent Ethan Hunt (Cruise) being forced back into the field just when he was planning on marrying his girlfriend, Julia (Michelle Monaghan). The agency asks Hunt to save an operative (Keri Russell) he trained after weapons dealer Owen Davian (Philip Seymour Hoffman) kidnaps her. With the help of his field team — played by Ving Rhames, Jonathan Rhys-Meyers, and Maggie Q — Hunt achieves his goal, but becomes involved in a web of double-crosses that leave him wondering if he can trust his superiors (Billy Crudup and Laurence Fishburne). Eventually Davian threatens Julia’s life in order to get away with his evil plan. Simon Pegg appears as an IMF tech expert.

Stigmata is a supernatural suspense story about good, evil, and faith. Frankie Paige (Patricia Arquette) is a hair stylist in her mid-20s who has no strong religious convictions until odd things start happening to her after she’s given a rosary by her mother: she begins speaking with another person’s voice; unknown and unseen forces start to attack her; and she develops stigmata, bleeding wounds that spontaneously appear on her wrists, feet, and side, as Christ was wounded at Calvary. Some people believe that a holy miracle has been visited on Frankie, though no one can say why. A Cardinal from the Vatican (Jonathan Pryce) sends a priest, Father Andrew Kiernan (Gabriel Byrne), to investigate Frankie and her condition; after getting a first-hand look, Father Andrew finds himself less concerned with whether Frankie’s wounds are a legitimate miracle and more concerned with saving her life. Billy Corgan, leader of the rock group The Smashing Pumpkins, composed the score for Stigmata in collaboration with keyboardist Mike Garson.

Satan’s son has arrived on Earth and He’s not about to let human parents get in the way. When his wife Katherine’s (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer’s son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn’s fears escalate when photographer Jennings (David Warner) shows him pictures from Damien’s party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien’s identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon.

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won’t allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention — a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world’s greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires — Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) — won’t let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci’s gold-making machine, and destroy the world’s monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks’s pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk.

Jim Jarmusch’s deadpan comedy-of-the-night is a collection of five vignettes taking place in the enclosed space of a cab ride, each occurring simultaneously in five different cities and five different time zones — Los Angeles, New York City, Paris, Rome, and Helsinki. The Los Angeles episode takes place at dusk, as high-powered casting agent Victoria (Gena Rowlands) gets a ride from L.A. International Airport with tomboy driver Corky (Winona Ryder), who would rather go on driving her cab than take up Victoria’s offer to make her a superstar. In New York City, novice East German cabbie Helmut Grokenberger (Armin Mueller-Stahl) has difficulty working the foot pedals to his hack, and his passenger, YoYo (Giancarlo Esposito), ends up driving himself to Brooklyn, picking up the shrill-voiced Angela (Rosie Perez) along the way. In Paris, an African cab driver (Isaach De Bankol?) ejects a collection of drunken African diplomats from his cab and picks up a beautiful but surly blind girl (B?atrice Dalle). In Rome, cab driver Gino (Roberto Benigni) engages in a heartfelt monologue confessing his past sexual exploits to his passenger, a priest who is dying of a heart attack in the back seat. The film winds down in the last melancholy vignette, taking place in Helsinki, as taxi driver Mika (Matti Pellonp??) picks up three inebriated workmen who regale him with hard-luck stories. But Mika has a much harsher story of his own to tell.

An unlikely band of scientists and soldiers join forces to save the world from certain destruction in this action-drama. As the world is struck with a variety of inexplicable phenomena — attacks by enormous swarms of birds in London, the explosion of the Colosseum in Rome, a potentially deadly malfunction which forces the Space Shuttle into a Los Angeles riverbed, and the simultaneous deaths of 32 people with pacemakers in Boston — a team of top scientific minds from around the globe is assembled to determine what has thrown the world into such a frenzy. Dr. John Keyes (Aaron Eckhart) makes the startling discovery that the Earth’s electromagnetic forces have begun to collapse, thanks to a sudden lack of movement of the molten ore at the center of the Earth. If the planet is to be saved, the core of the Earth needs a jump start, and Keyes assembles a team to burrow to the center of the planet and bomb the insides back into action. Joining Keyes on this dangerous, last-chance mission are the brilliant but arrogant Conrad Zimsky (Stanley Tucci), French arms expert Dr. Serge Levesque (Tch?ky Karyo, maverick researcher “Brazz” Brazzleton (Delroy Lindo), geeky computer genius Rat (DJ Qualls), and two no-nonsense military types, Commander Richard Iverson (Bruce Greenwood) and Major Rebecca Childs (Hilary Swank). However, as the crew digs deeper into the Earth, the more they discover what they haven’t been told about their mission and what’s really been causing the worldwide chaos. The Core was originally scheduled for release in the fall of 2002, but the movie didn’t reach theaters until the spring of 2003 as special-effects experts perfected the film’s more spectacular scenes.

The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O’Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was “only half a man.” O’Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954.

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world’s major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien’s evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film’s lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistable to audiences, resulting in an international smash hit.