Bovie Movie

In the final episode of the Star Wars saga, Han Solo (Harrison Ford) emerges intact from the carbonite casing in which he’d been sealed in The Empire Strikes Back. The bad news is that Solo, together with Luke Skywalker (Mark Hamill) and Princess Leia (Carrie Fisher), is prisoner to the grotesque Jabba the Hutt. But with the help of the charismatic Lando Calrissian (Billy Dee Williams), our heroes and our heroine manage to escape. The next task is to rid the galaxy of Darth Vader (body by David Prowse, voice by James Earl Jones) and the Emperor (Ian McDiarmid), now in command of a new, under-construction Death Star. On the forest moon Endor, the good guys enlist the help of a feisty bunch of bear-like creatures called the Ewoks in their battle against the Empire.

John Frankenheimer directed this $20 million international action thriller from a screenplay by Richard Weisz (pseudonym for David Mamet) and J.D. Zeik. In Paris, Irish organizer Deidre (Natascha McElhone) assembles a team to grab a mysterious briefcase from criminals. They are never told who hired them or the true identity of their targets. The hired specialists: Former CIA officer Sam (Robert De Niro), former Euro intelligence agent Vincent (Jean Reno), German electronics expert Gregor (Stellan Skarsgard), driver Larry (Skip Sudduth), and British weapons wrangler Spence (Sean Bean). After a Seine shootout, the action moves to the South of France, with a recon mission in Cannes, and a chase that brings everyone to Nice. Inevitable betrayals ensue, along with more pursuits.

In this adaptation of Ian Fleming’s 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. “Jaws,” the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as “M” in this most costly of James Bond’s 1970s escapades.

The second prequel to the original Star Wars trilogy takes place ten years after the events depicted in Star Wars: Episode I — The Phantom Menace. Now 20, young Anakin Skywalker (Hayden Christensen) is an apprentice to respected Jedi knight Obi-Wan Kenobi (Ewan McGregor). Unusually powerful in the Force, Anakin is also impatient, arrogant, and headstrong — causing his mentor a great deal of concern. The pair are ordered to protect Padme Amidala (Natalie Portman), the former queen of the planet Naboo, now representing her world in the Galactic Senate. Someone is trying to assassinate her on the eve of a vote enabling Supreme Chancellor Palpatine (Ian McDiarmid) to build a military force that will safeguard against a growing separatist movement led by mysterious former Jedi Count Dooku (Christopher Lee). After another attempt on Padme’s life, Obi-Wan and Anakin separate. The young Jedi and Padme fall in love as he escorts her first to the security of Naboo and then to his home world of Tatooine, where the fate of his mother leads him to commit an ominous atrocity. Meanwhile, Obi-Wan travels to the secretive planet Kamino and the asteroid-ringed world of Geonosis, following bounty hunter Jango Fett (Temuera Morrison) and his son, Boba (Daniel Logan), who are involved in an operation to create a massive army of clones. A vicious battle ensues between the clones and Jedi on one side and Dooku’s droids on the other, but who is really pulling the strings in this galactic conflict? In late 2002, the movie was released in IMAX theaters as Star Wars: Episode II — Attack of the Clones: The IMAX Experience, with a pared-down running time of 120 minutes in order to meet the technical requirements of the large-screen format.

Edward Zwick returned to the director’s chair for the first time since 1998’s The Siege with this sweeping period drama set in 19th-century Japan. After centuries of relying on hired samurai for national defense, the Japanese monarchy has decided to do away with the warriors in favor of a more contemporary military. Tom Cruise stars as Nathan Algren, a veteran of the U.S. Civil War who is hired by the Emperor Meiji to train an army capable of wiping out the samurai. But when Algren is captured by the samurai and taught about their history and way of life, he finds himself conflicted over who he should be fighting alongside. Billy Connelly, Tony Goldwyn, and Ken Watanabe co-star.

A surreal crime drama told as only Jim Jarmusch could, Ghost Dog: The Way of the Samurai stars Forest Whitaker as Ghost Dog, a hit man living in an unidentified but run-down city in what license plates call “The Industrialized State.” Known for his gift of being able to come and go without people noticing him, Ghost Dog is a self-taught samurai who is obsessed with order and his strict personal moral code, drawn from the philosophies of the Japanese warriors. As every samurai needs a leader to whom he swears loyalty, Ghost Dog has devoted himself the service of Louie (John Tormey), a low-level crime boss who once saved his life. When Louie’s superiors decide he must be executed, Ghost Dog leaps into action, methodically wiping out his many enemies. Along with a dizzying series of stylized shoot-outs, Ghost Dog also features carrier pigeons, characters who read Rashomon, a French-speaking ice cream man, and a score by RZA from the top-selling hip-hop group Wu-Tang Clan, who have their own well-documented obsession with Asian culture. Ghost Dog was screened in competition at the 1999 Cannes Film Festival.

John Milius’s jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. Complementing Mulius’s heavy metal production is Arnold Schwarzenegger’s leaden acting, which in any other context would be deadly, but here (as in The Terminator) corresponds nicely with the whole sonorous project. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. The Wheel of Pain seems to have as its only purpose the building up of Conan’s muscles, so it’s no surprise that one day Conan grows up to become Arnold Schwarzenegger. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subota (Gerry Lopez). The trio comes upon a weird snake cult, linked to Doom, and Conan wants to trek off to Doom’s mountain retreat to kill him. But he is prevented from doing that by King Osrik (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.