Bovie Movie

The made-for-cable musical satire Reefer Madness is based on the award-winning play of the same name, which in turn was inspired by the notorious — and deliciously awful — 1936 anti-marijuana film originally titled Tell Your Children. A smarmy lecturer (Alan Cumming in the first of his three roles in the film) arrives in a typical small town of the late ’30s to warn the populace of the dangers of the “evil weed,” bringing along a lurid propaganda film to dramatize his message. In broad, unsubtle, and hilarious strokes, the movie-within-a-movie shows how even a squeaky-clean pair of highschoolers named Mary Lane (Kristen Bell) and Jimmy Harper (Christian Campbell) can become hopeless dope addicts by succumbing to the lure of marijuana. Reefer Madness is not only a savage skewering of the original black-and-white movie (some of the musical’s campiest lines are taken directly from the earlier script!), but also a devastating attack on what playwrights Kevin Murphy and Dan Studney consider to be the real reason that the 1936 movie was made: to frighten the public out of their wits in order to keep them under the thumb of an oppressive government. Thus, the musical manages to take a number of not-so-veiled swipes at xenophobia, racism, McCarthyism, the Bush Administration’s Homeland Security policy, and even the recent FCC clampdown on “offensive” TV fare (one of the film’s highlights is a garish nightclub number featuring Jesus Christ). The ebulliently staged songs include “The Stuff,” “Down at the Ol’ Five and Dime,” “Lonely Pew,” “Listen to Jesus Jimmy,” “Mary Jane/Mary Lane,” “The Brownie Song,” “Tell ‘Em the Truth,” and the title number. Officially titled Reefer Madness: The Movie Musical, this film first aired April 16, 2005, on the Showtime cable service.

The most tempting of all sweets becomes the key weapon in a battle of sensual pleasure versus disciplined self-denial in this comedy. In 1959, a mysterious woman named Vianne (Juliette Binoche) moves with her young daughter into a small French village, where much of the community’s activities are dominated by the local Catholic church. A few days after settling into town, Vianne opens up a confectionery shop across the street from the house of worship — shortly after the beginning of Lent. While the townspeople are supposed to be abstaining from worldly pleasures, Vianne tempts them with unusual and delicious chocolate creations, using her expert touch to create just the right candy to break down each customer’s resistance. With every passing day, more and more of Vianne’s neighbors are succumbing to her sinfully delicious treats, but the Comte de Reynaud (Alfred Molina), the town’s mayor, is not the least bit amused; he is eager to see Vianne run out of town before she leads the town into a deeper level of temptation. Vianne, however, is not to be swayed, and with the help of another new arrival in town, a handsome Irish Gypsy named Roux (Johnny Depp), she plans a “Grand Festival of Chocolate,” to be held on Easter Sunday. Based on the novel by Joanne Harris, Chocolat features a distinguished supporting cast, including Judi Dench, Lena Olin, Carrie-Anne Moss, Peter Stormare, Hugh O’Conor, and Leslie Caron.

The youngest child of the family often has the most problems — so why should things be different for the Prince of Darkness and his offspring? Satan (Harvey Keitel) is considering retirement, and is pondering which of his sons should take over the family business — ambitious Adrian (Rhys Ifans), strapping Cassius (Tommy “Tiny” Lister Jr.), or Nicky (Adam Sandler), an accident-prone demon who prefers to stay in his room playing his favorite heavy metal tunes. When Satan decides to stay on for another 10,000 years, Adrian is outraged, and leaves Hell to go to New York, where he and Cassius attempt to round up enough souls to vote Satan out of power. Satan, understandably upset, sends Nicky to bring Adrian and Cassius back home, but Nicky finds life on Earth is more complicated than he expected. Things don’t get any easier when he develops a crush on Valerie (Patricia Arquette), a good-hearted mortal woman. Little Nicky also features Michael McKean as a city official trying to put Nicky behind bars, Kevin Nealon as Hell’s gatekeeper, Rodney Dangerfield as Satan’s father, Robert Smigel as the voice of Beefy — a talking dog who is Nicky’s guide on earth, Allen Covert as Todd — Nicky’s new roommate, and Peter Dante and Jonathan Loughran as a pair of metalheads who dig Satan. Jon Lovitz and Reese Witherspoon play cameo roles, and Regis Philbin and Ozzy Osbourne appear as themselves.

Supernatural forces hover over the courtroom in this devilish drama adapted from the novel by Andrew Neiderman. Attorney Kevin Lomax (Keanu Reeves) doesn’t heed the Bible-based warnings of his mother (Judith Ivey), who views New York City as “the dwelling place of demons.” Instead, he leaves Gainesville, Florida, with his wife Mary Ann (Charlize Theron) to put his legalistic skills to the test at a leading Manhattan law firm run by John Milton (Al Pacino). It all goes smoothly — with Milton urging them to stay, putting Kevin on a $400-per-hour salary, and moving the couple into a luxurious apartment in his own building on Fifth Avenue — where Mary Ann falls under the influence of neighbor Jackie (Tamara Tunie). After Kevin defends a weird animal sacrificer (Delroy Lindo, uncredited), he moves up to an important case with an apparent murderer, real-estate tycoon Alexander Cullen (Craig T. Nelson). Ignored by Kevin, the troubled Mary Ann has some disturbing experiences, verging on the occult, while Kevin, at work, becomes attracted to redhead Christabella (Connie Neilsen). Dazzled by his entrance into paradise, Kevin doesn’t grasp who handed him this Big-Apple success. Could it be…Satan? The film features demonic creatures by Rick Baker. Cameos (Senator Alfonse D’Amato, Don King, others) add to the ambiance of ambition and power in the canyons of Manhattan.

“Christmas in South Park” has all the Christmas episodes of South Park up to date. And they’re all great (of course). There isn’t a show better then South Park, and even though there are regular episodes better then the christmas ones, i still can’t think of any holiday show as good as South Parks.

When a motorcycle-riding stuntman offers his soul to Mephistopheles in order to save the life of the one he loves most, he is forced to play host to a powerful supernatural entity whose flaming skull visage strikes fear into the heart of his enemies in this feature-film version of the long-running comic series. By day, Johnny Blaze (actor and comic-book devotee Nicolas Cage) is one of the world’s best-known stuntmen, but when the sun goes down and he is in the presence of evil, the death-defying daredevil bursts into flames to become the indestructible, motorcycle-riding antihero known to the world as the Ghost Rider.

Planned for years, but plagued by problems such as the death of director John Frankenheimer before production had even begun and the exiting of star Liam Neeson, the fourth installment of the Exorcist saga finally got off the ground with Paul Schrader (Affliction, Auto Focus) behind the camera and Stellan Skarsg?rd filling the shoes left empty by Neeson. But the pitfalls didn’t stop there, as Morgan Creek decided against their initial approach assigned to Schrader after seeing his finished cut, and hired Renny Harlin to reshoot the film with extra gore and head-spinning nastiness. The first prequel in the series, Exorcist: The Beginning is based upon events occurring before the first film. Playing the character made famous by Max von Sydow in the earlier films, this entry finds Skarsg?rd as a young Father Merrin facing true evil for the first time in Africa in the wake of World War II. When a young local boy begins to behave strangely, it becomes more and more apparent to Merrin that the child is a victim of demonic possession. Boasting a first-time screenplay by best-selling novelist Caleb Carr (The Alienist), Exorcist: The Beginning features a supporting cast headed by Izabella Scorupco (GoldenEye) and James D’Arcy (Master And Commander).

Near the end of The Usual Suspects, Kevin Spacey, in his Oscar-winning performance as crippled con man Roger “Verbal” Kint, says, “The greatest trick the Devil ever pulled was convincing the world he didn’t exist.” This may be the key line in this story; the farther along the movie goes, the more one realizes that not everything is quite what it seems, and what began as a conventional whodunit turns into something quite different. A massive explosion rips through a ship in a San Pedro, CA, harbor, leaving 27 men dead, the lone survivor horribly burned, and 91 million dollars’ worth of cocaine, believed to be on board, mysteriously missing. Police detective Dave Kujan (Chazz Palminteri) soon brings in the only witness and key suspect, “Verbal” Kint. Kint’s nickname stems from his inability to keep his mouth shut, and he recounts the events that led to the disaster. Five days earlier, a truckload of gun parts was hijacked in Queens, NY, and five men were brought in as suspects: Kint, hot-headed hipster thief McManus (Stephen Baldwin), ill-tempered thug Hockney (Kevin Pollak), flashy wise guy Fenster (Benicio Del Toro), and Keaton (Gabriel Byrne), a cop gone bad now trying to go straight in the restaurant business. While in stir, someone suggests that they should pull a job together, and Kint hatches a plan for a simple and lucrative jewel heist. Despite Keaton’s misgivings, the five men pull off the robbery without a hitch and fly to Los Angeles to fence the loot. Their customer asks if they’d be interested in pulling a quick job while out West; the men agree, but the robbery goes horribly wrong and they soon find themselves visited by Kobayashi (Pete Postlethwaite), who represents a criminal mastermind named Keyser Soze. Soze’s violent reputation is so infamous that he’s said to have responded to a threat to murder his family by killing them himself, just to prove that he feared no one. When Kobayashi passes along a heist proposed by Soze that sounds like suicide, the men feel that they have little choice but to agree.

In this musical comedy-adventure starring self-proclaimed greatest band in the world Tenacious D, a pair of aspiring rock superstars attempt to convince the world of their true talents as they embark on a daring quest to acquire the supernaturally powered guitar pick that will finally allow them to fully realize their vast rock & roll potential. JB (Jack Black) is a na?ve Midwesterner whose strict Christian parents view his burning passion for heavy metal as a mortal sin. After his dad tears down every poster in his bedroom except for a Ronnie James Dio poster on the back of the door, the former Black Sabbath frontman instructs the aspiring young rocker to seek out his fortune no matter what the cost. Subsequently setting his sights on Hollywood and hellbent to take the world of rock music by storm, JB sneaks out his bedroom window and makes his way to Venice Beach, where he soon meets guitar-strumming slacker KG (Kyle Gass). With a future of rock & roll superstardom now well within their reach, JB and KG harness the power of Satan to form hellfire hard rock duo Tenacious D and set out on a quest to achieve musical immortality by stealing the mythical guitar pick said to instill its owner with unprecedented musical prowess.

Her faith shaken by a family tragedy from which she was never quite able to fully recover, a professor of theology from Louisiana State University moonlighting as a debunker of unexplained religious phenomena finds herself faced with an apocalyptic series of events that seem to reflect the ten plagues of Exodus in director Stephen Hopkins’ Southern gothic chiller. The terrified citizens of Haven, Louisiana have been beset by swarms of locusts and watched as rivers turned to blood. As if that wasn’t enough to put the fear of God into any Bible-reading Christian, ominous rumors of a local swamp cult have left many of the small town citizens turning to prayer for fear that the end is finally nigh. Enter Katherine Winter (Hilary Swank), a skeptical myth-buster and renowned theology scholar with a special knack for spotting religious trickery. Though at first exceedingly confident that she will uncover a human component behind the otherworldly occurrences, Katherine quickly learns that just because one doesn’t believe in the supernatural doesn’t necessarily mean that it doesn’t exist.