Bovie Movie

Director Robert Rodriguez picks up where his successful independent debut El Mariachi left off with this slam-bang South of the Border action saga. Bucho (Joaquim DeAlmeida) is a wealthy but casually bloodthirsty drug kingpin who rules a seedy Mexican border town. Bucho and his men make the mistake of angering El Mariachi (Antonio Banderas), a former musician who now carries an arsenal in his guitar case. Bucho was responsible for the death of El Mariachi’s girlfriend and put a bullet through his fretting hand, making him unable to play the guitar. Bent on revenge, the musician-turned-killing machine arrives in town to put Bucho out of business, though he finds few allies except for Carolina (Salma Hayek), who runs a bookstore that doesn’t seem to attract many readers. Desperado features supporting performances from Cheech Marin as a cynical bartender, Steve Buscemi as the cantina patron who sets up the story, and Quentin Tarantino as a man with a really terrible joke to tell.

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

This high-octane semi-sequel to Sam Raimi’s cult hit The Evil Dead has nearly eclipsed its predecessor’s reputation thanks to an endless barrage of hyperkinetic camera acrobatics, rapid-fire editing and “splatstick” gore effects … not to mention a truly goofy performance by Bruce Campbell. Nearly the entire storyline of the previous film has been re-shot and presented in a drastically condensed form within the first few minutes: rock-jawed but clueless “hero” Ash (Campbell) now visits the mountain cabin only with girlfriend Linda (played here by Denise Bixler). Upon arrival at the cabin, Ash discovers the Sumerian Book of the Dead, the ritual dagger and a reel-to-reel tape containing the professor’s translations of the book’s hieroglyphics. The incantations summon an unseen, growling spirit from within the woods, which bursts into the cabin and takes possession of Linda’s soul. Ash is forced to decapitate her with a shovel, after which he buries her in the forest. At first dawn, Ash tries to make his escape, but is promptly set upon by the spirits, given a solid thrashing and nearly possessed himself, saved only by the arrival of sunlight. Cut off from the outside world, Ash is forced to hole up in the cabin and wait for the next demonic onslaught — which arrives sooner than expected, led by Linda’s rotting corpse. After being bitten by Linda’s chatty decapitated head, Ash’s hand becomes independent of his body and begins pummeling him repeatedly. The story then jumps to a local airport, where the professor’s daughter Annie (Sarah Berry) and her partner Ed Getley (Richard Domeier) have just arrived with the missing pages to the Necronomicon. They employ a cranky pair of local rednecks, Jake (Dan Hicks) and Bobbie Joe (Kassie Wesley), as guides to lead them through the dense woods to the cabin … where, at that very moment, Ash is removing his belligerent hand with a chainsaw, creating yet another ambulatory foe. Driven to the brink of insanity, Ash fires blindly at a noise outside, unaware that the new arrivals are Annie and company. Bobbie Joe is injured by the gunshot, which incurs the wrath of Jake, who knocks Ash senseless and locks him in the fruit cellar. Believing her father was murdered by Ash, Annie plays the rest of the professor’s recording to learn the truth, and discovers her possessed mother was buried in the same cellar — and not exactly resting in peace. This touches off a string of unbelievably gruesome (and hysterically funny) events, including Henrietta’s transformation into a stop-motion creature (reminiscent of a Ray Harryhausen creation), Ed’s sudden metamorphosis into a toothy, levitating ghoul, and Ash’s climactic confrontation with the forest demon itself. The obvious glee with which Raimi and company present this cavalcade of slime-drenched monstrosities and Three Stooges pratfalls makes it impossible to take seriously as a horror film, but Evil Dead 2 is nevertheless essential viewing among connoisseurs of truly demented cinema. The film’s sardonic coda opened the way for a slightly less successful sequel, Army of Darkness.

Jack Lemmon and Robert Mitchum star as Tony and Felix, co-owners of a tramp-steamer service in the West Indies. Threatening their friendship is itinerant trollop Irena (Rita Hayworth). Tony seethes with jealousy as Irena gravitates towards Felix, leading to a heated confrontation. Felix retaliates by blowing the whistle on Tony’s under-the-counter smuggling activities. Tony in turns plots to kill his former partner, but changes his mind when Felix saves his life during a shipwreck. The supporting cast includes Herbert Lom, Bernard Lee, and Anthony Newley.

Top-notch action sequences and exciting stunt work highlight this fast-moving thriller. John Kruger (Arnold Schwarzenegger) is a top agent in the U.S. Marshalls’ Witness Protection Program; it’s his job to “erase” the pasts of Federal witnesses under his watch and deal with anyone who tries to hurt them. Kruger’s latest assignment is to protect Lee Cullen (Vanessa Williams), who while working for a major weapons manufacturing firm discovered evidence that the company was selling new, high-tech weapons to intentional terrorists groups with the cooperation of a faction of enemy agents within the United States government. However, when Kruger discovers that the Witness Protection Program has a rat in the house — and that rat is his boss, U.S. Marshall Robert Deguerin (James Caan) — Kruger has to guard his own life while trying to protect Lee’s. The supporting cast is highlighted by James Coburn, Robert Pastorelli, and James Cromwell.

Action star Steven Seagal crosses Rip Van Winkle with Clint Eastwood in this belabored revenge odyssey. Seagal plays L.A. Detective Mason Storm and, over the opening credits, Storm is seen busily eavesdropping on crooked politician Vernon Trent (William Sadler). Once he has the goods on Trent, Storm phones his partner Kevin O’Malley (Frederick Coffin) to report on his progress. Unfortunately, crooked cops in the same room pick up the extension phone and listen in, thereby dooming Storm. Soon killers show up at Storm’s home and blow away Storm’s wife Felicia (Bonnie Burroughs) and their young son. Storm himself is also assumed dead, but when he is taken to the hospital, he lapses into a coma. O’Malley spirits him away, and everyone else, for all intents and purposes, thinks Storm has died. Seven years later, under the tutelage of incredibly beautiful nurse Andy Stewart (Kelly LeBrock), Storm rises from his coma and plots his revenge. With the able assistance of Andy, Storm heads off on a killing spree, becoming (as one character describes him), “the most unstoppable sonuvabitch I ever met.”

A hard-drinking, hard-living cop assigned the task of transporting a small-time criminal to the nearby courthouse finds that a simple, 16-block drive can be the longest ride of his life in director Richard Donner’s urban action thriller. Hung-over, has-been cop Jack Mosley (Bruce Willis) has seen better days, and all that the force expects out of him these days is to stay out of trouble while he’s on the clock. Eddie Bunker (Mos Def) is set to testify before a grand jury at 10:00 a.m., and it’s up to Mosely to make sure that Bunker makes it to the courthouse in one piece — a job that Mosely estimates will take a maximum of 15 minutes. A black van has been trailing the pair unnoticed, though, and after stopping off at a nearby liquor store to pick up some breakfast, Mosely emerges from the store just in time to save Eddie from the lethal bullet of a determined assassin. When backup arrives in the form of Detective Frank Nugent (David Morse), Mosely quickly realizes that the detective on Nugent’s team is the same cop that Bunker is set to testify against. Now faced with the tough task of dodging bullets and eluding a massive onslaught of corrupt cops, Mosely must keep Bunker alive long enough to get him before the judge and ensure that justice is served.

The director (Rob Cohen) and star (Vin Diesel) of the previous summer’s hit The Fast and the Furious (2001) are reunited for this spy thriller billed as a next-generation James Bond adventure. Diesel stars as Xander Cage, a nihilist extreme sports enthusiast nicknamed “Triple X” because of a large tattoo covering his back and neck. Cage’s illegal stunts and poor attitude (he’s given to spouting dialogue such as, “Have you ever been punched in the face for talking too much?”) land him in jail, where he’s recruited/blackmailed into government service by the National Security Agency’s Augustus Gibbons, who likes Cage for his skills and expendability. The new secret agent is assigned to infiltrate a Russian crime ring called Anarchy 99, whose access to biochemical weaponry is making the United States extremely nervous. With the help of some high-tech gadgets from weapons master Toby Lee Shavers (Michael Roof), Cage is able to make his way into Anarchy 99, where he targets the group’s leader Yorgi (Marton Csokas) and falls for the organization’s second-in-command, Yelena (Asia Argento). XXX (2002) is the first in a hoped-for franchise of sequels for the film’s producer, Revolution Studios.

Made on a miniscule budget primarily financed by its star Franchot Tone, Jigsaw is a strange little crime film. Howard Malloy (Tone), a crusading New York assistant district attorney, is dedicated to exposing a group of supposedly patriotic Americans who have murdered his friend after he discovered that they were truly a fascist “hate group.” The group sends Barbara, (Jean Wallace) to seduce and compromise Malloy. Barbara regrets her actions and is murdered as she attempts to confess to Malloy. Malloy now is determined to expose the group. All the loose ends are tied up in the climax, which takes place in a modern art museum. Jigsaw is a competent, uninspired crime drama peppered with cameo appearances by top Hollywood stars including Marlene Dietrich, Henry Fonda, Burgess Meredith and John Garfield.