Bovie Movie

After exploring the worlds of toys and bugs in the two Toy Story films and A Bug’s Life, the award-winning computer animation company Pixar delves into the realm of monsters with its fourth feature. Hulking, blue-furred behemoth James P. “Sully” Sullivan (John Goodman) and his one-eyed assistant Mike Wazowski (Billy Crystal) are employed by Monsters, Inc., a scream processing factory. It seems that the denizens of their realm thrive on the screams of kids spooked by monsters lurking under their beds and in their closets. It’s the job of Sully, Mike, and their co-workers, including sarcastic Randall Boggs (Steve Buscemi), crab-like CEO Henry J. Waternoose (James Coburn), and lovely snake-headed receptionist Celia (Jennifer Tilly) to keep the frights flowing. When Sully and Mike are followed back into the monster world by a very unafraid little human girl named Boo (Mary Gibbs), they are exiled to her universe, where they discover that such a modern-day mythological specimen as the Abominable Snowman is a fellow refugee.

“For God’s sake, GET OUT!” was the ad campaign for the 1979 shocker The Amityville Horror. The film was based on the allegedly true story of the luckless Lutz family, who move lock, stock, and barrel into a new home, only to find that it is possessed by the demonic spirits of its previous owners. Variations of the Seven Deadly Plagues emanate from virtually every household fixture, while other forms of otherworldly mischief are suffered by the Lutz children. Enter kindly Father Delaney (Rod Steiger), who does his utmost to exorcise the house. The Amityville Horror was frequently greeted with laughs from its first-run audiences, especially after it was discovered that the “actual” events depicted in the film (based on a book by Jay Anson) were complete fabrications.

Bill Murray plays Phil, a TV weatherman working for a local station in Pennsylvania but convinced that national news stardom is in his grasp. Phil displays a charm and wit on camera that evaporates the moment the red light goes off; he is bitter, appallingly self-centered, and treats his co-workers with contempt, especially his producer Rita (Andie MacDowell) and cameraman Larry (Chris Elliot). On February 2, 1992, Phil, Rita, and Larry are sent on an assignment that Phil especially loathes: the annual Groundhog Day festivities in Punxsutawney, PA, where the citizens await the appearance of Punxsutawney Phil, the groundhog who will supposedly determine the length of winter by his ability to see his own shadow. Phil is eager to beat a hasty retreat, but when a freak snowstorm strands him in Punxsutawney, he wakes up the next morning with the strangest sense of d?j? vu: he seems to be living the same day over again. The next morning it happens again, and then again. Soon, no matter what he does, he’s stuck in February 2, 1992; not imprisonment nor attempted suicide nor kidnapping the groundhog gets him out of the loop. But the more Phil relives the same day, the more he’s forced to look at other people’s lives, and something unusual happens: he begins to care about others. He starts to respect people, he tries to save the life of a homeless man, and he discovers that he’s falling in love with Rita and therefore wants to be someone that she could love in return.

Satan’s son has arrived on Earth and He’s not about to let human parents get in the way. When his wife Katherine’s (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer’s son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn’s fears escalate when photographer Jennings (David Warner) shows him pictures from Damien’s party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien’s identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon.

When the notoriously evil Chucky doll and his lover gave birth, they had no idea that their spawn would grow up to be a peace-loving kind of guy; however, that’s exactly what Glen turns out to be: a gentle soul who is horrified at what he has been told about his family. After hearing the news of a film being made about his parents’ murderous legacy, Glen sets off for Hollywood, where he promptly brings Chucky and Tiffany back to life. Far from diving into doting fatherhood, Chucky is seriously disappointed in his son’s lack of inherent evil and tries his best to impart his vast knowledge of all things malevolent before Glen becomes some sort of do-gooder. Elsewhere, Tiffany finds that she will be played by Jennifer Tilly in their movie and doesn’t hesitate to let her son in on their family’s most cherished tradition — killing sprees. Directed by Don Mancini, Seed of Chucky features Brad Dourif returning as the voice of Chucky, while Tilly plays both herself and Tiffany. The offspring of the evil pair, Glen, is voiced by Lord of the Rings star Billy Boyd. Cult film director John Waters also makes an appearance, as does hip-hop artist Redman.

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

Nick Briscoe’s psychological thriller concerns an artist fixated on images of his wife meeting a most bloody demise. He begins to suspect his neighbor might be behind his fears, but he acts on impulses he has to keep these terrible nightmares from becoming a reality.

This sequel to a box-office sleeper hit that spoofed teen slasher flicks takes its cues from haunted house and possession films, particularly The Haunting (1999) and The Exorcist (1973). Although many of the first film’s main characters were homicide victims, Marlon Wayans, Shawn Wayans, and Anna Faris return anyway to “re-possess” their roles for this follow-up in which four students are invited by their professor (Tim Curry) to his haunted mansion, Hell House, for a weekend sleep-deprivation study. Providing the sleep deprivation, however, is a series of murderous, supernatural goings-on. Scary Movie 2 co-stars Tori Spelling, Andy Richter, Christopher Masterson, Kathleen Robertson, James Woods, Chris Elliott, and Natasha Lyonne.

Director Joe Dante infuses this science fiction comedy with the visual razzle-dazzle and manic, goofball performances typical of his cartoon-inspired sensibilities. Navy test pilot Lt. Tuck Pendleton (Dennis Quaid) has volunteered for a highly dangerous medical experiment. A submersible craft, with Tuck at the controls, is to be shrunk down to molecular size and inserted into the body of a living rabbit. If successful, the test could result in radical breakthroughs in surgical techniques, but some high-tech thieves attempt to steal Tuck and his ship while both are in miniature form. Enter Jack Putter (Martin Short), a mild-mannered, hypochondriac retail store clerk, a nerd who suddenly finds himself injected with Tuck and his tiny ship. Now poor Jack’s got to rise above his mundane existence to help an American hero get back to safety, while also trying to reunite Tuck with his beautiful estranged girlfriend Lydia (Meg Ryan). Innerspace (1987) won an Academy Award for Best Visual Effects.