Bovie Movie

Terence Young directed this first of a long line of screen adventures with Ian Fleming’s unflappable British Secret Service Agent 007 in a fast-paced, tongue-in-cheek style that set the tone for the rest of the popular series. Sean Connery sets the standard by which all future takers must measure themselves as the insouciant and devil-may-care James Bond. The story concerns Bond being sent to Jamaica to investigate the murders of a British agent and his secretary. During his investigation, he comes into contact with the evil and unscrupulous Chinese scientist Dr. No (Joseph Wiseman) who, living on an island called Crab Key, is hard at work in a nuclear laboratory. Dr. No’s scheme is to divert rockets being fired from Cape Canaveral off their charted course and to blackmail the United States to get their rocket launches restored to normal. Helping Bond is Ursula Andress (mostly undressed in a bikini throughout most of the film), as well as bad gals like Zena Marshall, who almost leads Bond to his death in her bedroom, and Eunice Gayson, a Bond pickup in a London gambling house who proves herself a greater adversary than even James Bond can handle.

Borrowing liberally from the French film La Totale, this is an action picture, domestic comedy, and political thriller rolled into a crowd-pleasing ball of entertainment. Producer James Cameron wrote and directed the film. Henry Tasker (Arnold Schwarzenegger) is a workaholic computer salesman neglecting his mousy wife Helen (Jamie Lee Curtis), a legal secretary. Simon (Bill Paxton) seduces Helen with the lie that he is a secret agent; he’s really a used car salesman. Harry suspects that Helen is cheating on him, and he sends a few colleagues to kidnap them. Helen then discovers that Harry is a secret agent by night, working for a shadowy group called the Omega Sector. Harry and his partner Gib (Tom Arnold) are trying to find four nuclear warheads that have disappeared from a former Soviet republic.

In this adaptation of Ian Fleming’s 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. “Jaws,” the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as “M” in this most costly of James Bond’s 1970s escapades.

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola’s Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz’s compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz’s insane dictum to “Drop the Bomb. Exterminate them all.” Coppola himself was not certain either, and he tried several different endings between the film’s early rough-cut screenings for the press, the Palme d’Or-winning “work-in-progress” shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker’s Apocalypse. Despite the studio’s fears and mixed reviews of the film’s ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall’s psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro’s cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

An unlikely band of scientists and soldiers join forces to save the world from certain destruction in this action-drama. As the world is struck with a variety of inexplicable phenomena — attacks by enormous swarms of birds in London, the explosion of the Colosseum in Rome, a potentially deadly malfunction which forces the Space Shuttle into a Los Angeles riverbed, and the simultaneous deaths of 32 people with pacemakers in Boston — a team of top scientific minds from around the globe is assembled to determine what has thrown the world into such a frenzy. Dr. John Keyes (Aaron Eckhart) makes the startling discovery that the Earth’s electromagnetic forces have begun to collapse, thanks to a sudden lack of movement of the molten ore at the center of the Earth. If the planet is to be saved, the core of the Earth needs a jump start, and Keyes assembles a team to burrow to the center of the planet and bomb the insides back into action. Joining Keyes on this dangerous, last-chance mission are the brilliant but arrogant Conrad Zimsky (Stanley Tucci), French arms expert Dr. Serge Levesque (Tch?ky Karyo, maverick researcher “Brazz” Brazzleton (Delroy Lindo), geeky computer genius Rat (DJ Qualls), and two no-nonsense military types, Commander Richard Iverson (Bruce Greenwood) and Major Rebecca Childs (Hilary Swank). However, as the crew digs deeper into the Earth, the more they discover what they haven’t been told about their mission and what’s really been causing the worldwide chaos. The Core was originally scheduled for release in the fall of 2002, but the movie didn’t reach theaters until the spring of 2003 as special-effects experts perfected the film’s more spectacular scenes.

This (13th) time around, “007″ receives the usual call to come and visit “Mother” when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby’s. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare.

Though not Ian Fleming’s most famous James Bond novel, 1962’s The Spy Who Loved Me was distinguished by the unique device of telling the story from the heroine’s point of view; in fact, Bond doesn’t make an appearance until the book is two-thirds over. This would hardly work in the film world’s Bond franchise, so the original austere plotline of the novel was eschewed altogether in favor of a labyrinthine story involving outer-space extortion. The leading lady, a “hard-luck kid” in the original, is now sexy Russian secret agent Barbara Bach, who joins forces with Bond (Roger Moore, making his third appearance as 007) to foil yet another megalomaniac villain (Curt Jurgens), who plans to threaten New York City with nuclear weaponry. Beyond the eye-popping opening ski-jump sequence, the film’s best scenes involve seven-foot-two Richard Kiel as steel-toothed henchman Jaws. Fifteen scriptwriters worked on The Spy Who Loved Me; only two were credited, including Bond-film veteran Richard Maibaum.