Bovie Movie

A rag-tag group of con artists and ex-cons team up for the heist to end all heists in this high-profile remake of the 1960 Rat Pack favorite. As with its predecessor, Ocean’s Eleven opens with its titular hero Danny Ocean (George Clooney stepping into the Frank Sinatra role) eager for a new challenge. The similarities to the original end there, as Ocean conspires with his old pal Rusty Ryan (Brad Pitt) to rob 150 million dollars from an underground vault that serves three of Las Vegas’ biggest casinos. Between the two of them, they recruit nine other men, each with his own criminal specialty, to assist in the mission: moneyman Reuben Tishkoff (Elliot Gould), card dealer Frank (Bernie Mac), pickpocket Linus (Matt Damon), aging con artist Saul (Carl Reiner), British explosives pro Basher (Don Cheadle), techie Dell (Eddie Jemison), rude-boy brothers Virgil (Casey Affleck) and Turk (Scott Caan), and professional acrobat Yen (Shaobo Qin). What Ocean doesn’t tell the group is that there’s another reason he’s coordinating the heist: the three casinos they’re robbing are all owned by ruthless gambling mogul Terry Benedict (Andy Garcia), who just happens to be married to Ocean’s former love Tess (Julia Roberts). Ocean’s Eleven was updated by scribe Ted Griffin and marked the third feature shot by director Steven Soderbergh under the alias Peter Andrews.

Shot almost entirely on a two-and-a-half-story recreation of a full-size operating airport terminal, this romantic comedy from director Steven Spielberg revolves around an Eastern European man by the name of Viktor Navorski (Tom Hanks), whose plans of immigrating to New York were hastened by a violent coup in his home country. Unfortunately, Viktor finds himself on the wrong end of a nasty technicality while en route to America: His passport was issued from a country, which, during its upheaval, ceased to exist in an official capacity. Unauthorized to leave Kennedy Airport upon his arrival and unable to return home, Viktor finds himself exiled inside the terminal’s international transit lounge. Though airport official Frank Dixon (Stanley Tucci) views Viktor as an annoying bureaucratic glitch, other airport employees — including a beautiful flight attendant by the name of Amelia (Catherine Zeta-Jones) — come to see him as a welcome, if unofficial, addition to their numbers. As the days stretch on into months, the terminal transforms from an intimidating atmosphere of forced assimilation into a country within itself, complete with culture, ambition, status, complex diversity, and the need for love. The supporting cast includes Diego Luna, Chi McBride, Kumar Pallana, Zoe Saldana, Eddie Jones, and Jude Ciccolella.

Can a new marriage survive meddling friends, disapproving families, and some of the worst accommodations in Europe? That’s the question posed in this broad comedy. Tom Leezak (Ashton Kutcher) is a regular guy who likes sports and beer and tries to make ends meet working as a nighttime radio traffic reporter. Sarah McNerney (Brittany Murphy) is a beautiful young woman from a wealthy and privileged family who is trying to make a name for herself as a writer. Tom and Sarah have seemingly nothing in common, but that doesn’t stop them from falling in love. Sarah’s family doesn’t much care for Tom’s boorish ways, and Tom’s buddies think Sarah is too highbrow for him, but, if anything, this makes the couple all the more determined to be together, and they decide to get married and head off to Italy for a month-long honeymoon despite the pleas of those closest to them. However, even after the knot is tied, Sarah’s former beau, Peter Prentiss (Christian Kane), is dead set upon breaking up the happy couple, though as it turns out, a seemingly endless stream of bad luck and post-marital jitters may do the job for him. Just Married was written by Sam Harper, who claims to have loosely based the script on his own experiences on an ill-starred European honeymoon with his wife; fortunately, the couple’s marriage survived the experience.

The assassination of the most powerful leader in the free world is examined in this controversial mockumentary from British filmmaker Gabriel Range. On October 19, 2007, president George W. Bush is visiting Chicago when he impulsively stops to shake hands with supporters en route to a meeting, while a throng of protesters demonstrate nearby. Shots ring out, and Bush is fatally wounded. As America and its allies deal with the tragic loss of their leader, vice president Dick Cheney is sworn in as the new chief executive, and while he takes the reigns of the nation and pushes new and aggressive anti-terrorism legislation through Congress, the Federal Bureau of Investigation steps into action to track down the gunman. As Secret Service agents and law enforcement officers share their thoughts on how the murder of the president could have been avoided, and people around the globe discuss how Bush’s death has tipped the delicate balance of relations between the United States and the Middle East, a Syrian Muslim activist living in Chicago, Jamal Abu Zikri (Malik Bader), is charged with the murder of the president. While no “smoking gun” connects Zikri to the crime, a wealth of circumstantial evidence points to him as the gunman, and he’s tried, found guilty, and executed in short order. However, lingering questions persist as some wonder if the F.B.I. found the right man with the right motives. Created using a combination of newsreel footage, computer-generated images, and newly staged material, Death of a President (aka D.O.A.P.) received the International Critics Prize at the 2006 Toronto Film Festival, despite negative reaction from many American political commentators, many of whom were deeply offended by the film’s depiction of the assassination of Bush, the sitting U.S. president at the time of the picture’s production and release.