Bovie Movie

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg’s study of the sexual dimension of man’s relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film’s American release. But though some have leveled charges of pornography, James’ descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film’s point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore’s superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes.

David Flores’ thriller Boa vs. Python begins with an enormous python living on a private reserve escaping from captivity. In order to help find and subdue the deadly animal, the FBI decides to release a Boa Constrictor into the area. Thrill-seeking hunters complicate the situation as they want to kill the python for their own ego.

The Christmas season just got a lot less joyous in this very dark comedy. Willie T. Stokes (Billy Bob Thornton) is a con man and a thief who teams up with his friend Marcus (Tony Cox), a midget, for a very special scam each year during the holiday season. Willie gets a job as Santa Claus at a shopping mall, his pal tags along as an elf, and they use their employee status to crack mall security and rob stores blind just before Christmas. However, there’s one flaw to this plan — Willie is a bitter, foul-mouthed and perpetually grouchy alcoholic who doesn’t care for kids, and it’s all he can do to keep himself from getting fired while on the job. The mall’s manager (John Ritter, in his last film appearance) is certain something’s wrong with the Santa he’s hired, so he asks the mall’s chief of security (Bernie Mac) to do some research on Willie. Meanwhile, one of the kids Willie is forced to talk to becomes a regular customer; overweight, awkward, and the frequent target of bullies, the boy manages to arouse something like sympathy from Willie, who tries to give him some advice and develops something vaguely resembling Christmas sprit along the way. Bad Santa was directed by Terry Zwigoff, who enjoyed previous success with Crumb and Ghost World.