Bovie Movie

Following the death of her drug-addicted mother, a whimsical young girl follows her chemically dependent father to a remote prairie house to discover a wondrous world of magical fireflies and nocturnal bog men in this hallucinatory childhood fantasy from visionary filmmaker Terry Gilliam. Noah (Jeff Bridges) is a burnt-out rock star whose post-superstar voyage to obscurity is hastened by a serious drug addiction that is also shared with his wild-eyed wife (Jennifer Tilly). When the Noah’s increasingly erratic wife suffers a fatal overdose, the faded rock star opts to escape the painful reality by retreating to a ramshackle remote home with his young daughter, Jeliza-Rose (Jodelle Ferland). Left to her own devices as her father stumbles about the grasslands in a drug-induced haze, Jeliza-Rose soon ventures into her own fantasy land before making the acquaintance of mentally challenged youth Dickens (Brendan Fletcher). As the two become fast friends and Jeliza-Rose joins the swimsuit-clad Dickens in defeating the menacing shark that traverses the nearby railways, the pair are watched over by Dickens’ black-clad sister, Dell (Janet McTeer), who acts as Dickens’ guardian and whose overly enthusiastic interest in the art of taxidermy borders on obsessive.

The true story of the kids who created modern skateboard culture is recreated in this drama. In the early ’70s, skateboards were seen as a fad of the 1960s that had all but died out, but in a rough-and-tumble Venice, CA, community known as “Dogtown,” that was about to change. Tony Alva (Victor Rasuk), Stacy Peralta (John Robinson), and Jay Adams (Emile Hirsch) were three guys who liked to surf the rugged beaches around Venice and hung out at the Zephyr Surf Shop, a store run by Skip Engblom (Heath Ledger) that stocked gear for adventurous surfers and skateboarders. With the advent of new urethane wheels that connected with concrete in a way old metal and rubber wheels could not, Tony, Stacy, and Jay began exploring ways to translate radical surf style to skateboarding, and the guys invented a new way to state inside the smooth, round surfaces of empty pools, employing vertical moves and edge flips that added a new and dramatic spin to skating. It didn’t take long for word to spread about the wild new style of the Z-Boys, and they quickly became local celebrities, and later nationwide skating stars, though sudden fame took its toll on these young men. The true story of Lords of Dogtown was previously the basis of the acclaimed documentary Dogtown and Z-Boys, directed by former Z-Boy Stacy Peralta, who like Tony Alva served as a consultant on this project.

A couple coming to terms with living in a new culture discover their troubles are compounded by their son in this drama from filmmaker Mira Nair. Ashoke (Irfan Khan) and Ashima (Tabu) are a young couple who are brought together in an arranged marriage and soon leave Calcutta to seek their fortune in America. As the couple becomes accustomed to one another, they learn to deal with the coolness and superficiality of life in New York, even as they revel in the opportunities the city offers them. Before long, Ashima gives birth to a baby boy, and pressed to choose a name, they dub the infant Nikhil, though he soon picks up the nickname Gogol, after Ashoke’s favorite author. By the time the child is old enough to attend school, he insists upon being called Gogol at all times, and he displays little interest in his Indian heritage. Several years on, Gogol has decided he wants to be called Nick (and is now played by Kal Penn) and has become a thoroughly Americanized teenager, openly rebelling against his parents, smoking marijuana in his room, and dating Maxine (Jacinda Barrett), a preppy blonde from a wealthy family. Ashoke and Ashima are uncertain about how to deal with their son’s attempts to cut himself off from their culture, but Nick begins expressing some uncertainty himself when he meets Moushumi (Zuleikha Robinson), a beautiful girl who also comes from a family of Indian expatriates. The Namesake was adapted from the bestselling novel by Jhumpa Lahiri.

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man’s thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film’s allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Still more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky & co. re-edited it to conform to a PG-13 rating.

A man having trouble with women suddenly finds himself surrounded by them in this independent comedy drama. Carter Webb (Adam Brody) is a successful writer who has fallen into an emotional tailspin after his girlfriend, well-known actress Sophia (Elena Anaya), breaks up with him. When Carter learns that his grandmother (Olympia Dukakis) is in failing health, he decides to leave California and return to his hometown of Detroit to help take care of her and beginning work on his long-planned novel. As Carter spends time with his grandmother, he becomes friendly with her neighbors — single mother Sarah Hardwicke (Meg Ryan) and her two daughters, angst-ridden teen Lucy (Kristen Stewart) and precocious 11-year-old Paige (Makenzie Vega). As Sarah attempts to deal with a pressing personal crisis and Carter begins sorting out his relationship issues, he discovers that sometimes what feels like the end is actually just a new beginning. In the Land of Women was the first directorial project for actor and screenwriter Jon Kasdan, the son of writer and director Lawrence Kasdan.