Bovie Movie

In this Western based loosely on actual events and people, Emilio Estevez stars as William H. Bonney (aka Billy the Kid). Sought for a petty crime in Lincoln County, Billy is taken in by John Tunstall (Terrence Stamp), a British ranch owner seeking to make it in the cattle business. Tunstall employs a group of “regulators,” comprised of wayward youths he’s gathered over the years, to watch over his ranch; in turn, he teaches them how to read and reforms them into better men. Tunstall’s business interests come into conflict with those of corrupt and murderous businessman Lawrence Murphy (Jack Palance), whose widespread connections make him a power to be reckoned with. When Tunstall won’t budge from his right to pursue a living, Murphy’s henchmen stage an ambush and kill him. This triggers a vow of vengeance from the quick-tempered Billy and his five fellow regulators, who are deputized to serve arrest warrants in the murder. However, when Billy decides to gun down the suspects instead of detaining them, his loyal pals become accessories in a vigilante spree to wipe the territory clean of Murphy and his web of conspirators. Soon, the supposed lawmen are on the run from bounty hunters, henchmen, and government soldiers, from all directions of the compass. This box-office hit also stars Charlie Sheen, Kiefer Sutherland, Lou Diamond Phillips, Dermot Mulroney, and Casey Siemaszko.

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie’s great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie’s record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie’s own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate’s long-suffering flunkey Max, Keenan Wynn as Leslie’s faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer’s The Sweetheart Tree. The Great Race was dedicated to “Mr. Laurel and Mr. Hardy”.

Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.

A mismatched group of bored suburbanites longing to escape the stress of their daily lives and embrace the freedom of the open road finds that it takes more than polished chrome and leather jackets to truly experience the biker lifestyle in this revved-up road comedy starring John Travolta, Tim Allen, Martin Lawrence, and William H. Macy. Upon trading the comfort of their couches for the thunderous rumble of two-wheeled street machines, these four adventurous riders cross paths with the notorious Del Fuegos — an authentic biker gang that doesn’t take kindly to the weekend warrior type.

Directed by the prolific Rob Zombie, The Devil’s Rejects is a sequel of sorts to 2003’s House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the “Devil’s Rejects.” After learning of the extended family’s horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil’s Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars.

Old Smokey develops a bad temper in this volcanic disaster spectacle. Harry Dalton (Pierce Brosnan) is a volcano expert whose interest became more than academic after he lost the woman he loved in a volcanic emergency. When he is sent to investigate unusual seismic activity in the quiet Pacific Northwest community of Dante’s Peak, he discovers people boiled to death in the local hot spring and plant and animal life dying or displaying unusual illnesses near the city’s supposedly dormant volcano. Harry becomes convinced that a major volcanic catastrophe is in the cards. Rachel Wando (Linda Hamilton), the town’s mayor, is a single mother who also runs the local cafe, and now that Dante’s Peak has been named one of the most desirable small towns in America, tourists have been flocking to the diner and other local businesses. While concerned with the safety of her community, Rachel takes a cynical view of Harry’s warnings about the volcano; she has no desire to alarm either the town’s residents or the wealthy visitors lining the city’s pockets. Nevertheless, Harry tries to convince Rachel of the potential danger, as they begin to develop feelings for each other that are not strictly professional. The summer of 1997 was a big season for killer volcanoes at the movies, as Dante’s Peak and Volcano opened within a few months of each other.

John Dahl directed and co-wrote (along with his brother Rick Dahl) this quirky and energetic film noir that, after a well-received screening at the Toronto Film Festival, was consigned to oblivion before resurfacing on cable television. When the owner of a San Francisco movie theater, who was a big fan of the film, arranged for a theatrical release, the film clicked and toured the country as an art house hit. The film concerns eternal loser Michael (Nicolas Cage), down to his last five dollars and looking for work. He finds himself at a bar in the town of Red Rock. The bartender, Wayne (J.T. Walsh) eyes him suspiciously and asks him, “You must be Lyle, from Dallas.” Michael, eager to earn some cash, agrees. It seems Wayne has a job for Michael, but what Michael doesn’t realize until too late is that the job is to kill Wayne’s wife for $10,000. Michael heads out to Wayne’s farm with the cash to warn Wayne’s wife, Suzanne (Lara Flynn Boyle). Suzanne responds by offering to double Michael’s fee if he will kill her husband instead. Michael takes the money and tries to leave town, but when a thunderstorm comes up, he runs over a man who was trying to flag him down. The sheriff arrives on the scene to attend to matters — who turns out to be Wayne. Wayne proceeds to drive Michael out of town for an execution, but Michael manages to elude him. Flagging down a driver on the road who is driving back into Red Rock, they return to the bar, where the driver offers to buy Michael a drink. As Michael accepts the offer of a drink, he realizes that he is drinking with the real “Lyle from Dallas” (Dennis Hopper) who is awaiting Wayne’s return.

Robert Altman directed this bittersweet ensemble piece about an eccentric and entangled group of family and friends living in the Deep South. Jewel Mae “Cookie” Orcutt (Patricia Neal) is the widowed matriarch of a small-town Mississippi family, which includes her nieces Camille (Glenn Close), a pretentious would-be artist staging an amateur production of Salome at a local church, and Cora Julianne Moore), her less than enthusiastic leading lady. Willis (Charles S. Dutton), the caretaker of Cookie’s rambling mansion, tries to persuade her sweet but aimless grand-niece, Emma (Liv Tyler), to move in with her, but she’s more interested in her on-again, off-again romance with local cop Jason (Chris O’Donnell). Typical of Altman’s work, Cookie’s Fortune weaves together a number of different plot lines with relaxed grace, and features an impressive cast, including Ned Beatty, Lyle Lovett, and Courtney B. Vance.

A bored motel clerk and his buddies go for a little joy ride in a woman’s car. They don’t realize until it is too late that she is a paid assassin and that her latest victim is in the trunk. Thus begins the clerk’s descent into a shadowy world of lies and murder.