Bovie Movie

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

After creating an international sensation with the visually dazzling and intellectually challenging sci-fi blockbuster The Matrix, the Wachowski brothers returned with the first of two projected sequels that pick up where the first film left off. Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) have been summoned by Morpheus (Laurence Fishburne) to join him on a voyage to Zion, the last outpost of free human beings on Earth. Neo and Trinity’s work together has been complicated by the fact the two are involved in a serious romantic relationship. Upon their arrival in Zion, Morpheus locks horns with rival Commander Lock (Harry J. Lennix) and encounters his old flame Niobe (Jada Pinkett Smith). Meanwhile, Agent Smith (Hugo Weaving) has returned with some surprises for Neo, most notably the ability to replicate himself as many times as he pleases. Neo makes his way to The Oracle (Gloria Foster), who informs him that if he wishes to save humankind, he must unlock “The Source,” which means having to release The Key Maker (Randall Duk Kim) from the clutches of Merovingian (Lambert Wilson). While Merovingian refuses to cooperate, his wife, Persephone (Monica Bellucci), angry at her husband’s dalliances with other women, offers to help, but only in exchange for a taste of Neo’s affections. With The Keymaker in tow, Neo, Trinity, and Morpheus are chased by Merovingian’s henchmen: a pair of deadly albino twins (Neil Rayment and Adrian Rayment). Filmed primarily in Australia and California (the extended chase scene was shot on a stretch of highway build specifically for the production outside of San Francisco), The Matrix Reloaded was produced in tandem with the third film in the series, The Matrix Revolutions.

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone’s extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo’s eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson’s hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film’s extreme violence — numerous edits were required to win an R rating — became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape.

James Cox directs the sleazy Hollywood murder tale Wonderland, starring Val Kilmer as legendary porn star John Holmes. Using a non-linear plot structure, the film explores different perspectives of the quadruple homicide that occurred on July 1, 1981, in the Hollywood Hills. At the lowest point of his career and the height of his drug addiction, Holmes was implicated in the murders of the Wonderland gang: Ron Launius (Josh Lucas), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner), and Joy Miller (Janeane Garofalo). Launius’ wife, Susan (Christina Applegate), was the only survivor. Led by Detective Sam Nico (Ted Levine), the police investigation reveals a dark criminal underworld surrounding Holmes, his disapproving wife, Sharon (Lisa Kudrow), and his innocent teenage girlfriend, Dawn Schiller (Kate Bosworth). Eric Bogosian stars as notorious Hollywood nightclub owner Eddie Nash. Wonderland premiered at the 2003 Toronto Film Festival.

Douglas McGrath’s Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller’s earlier Capote, recounting the events that belied the writer’s six-year authorship of the seminal “nonfiction novel” In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote’s increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, “conquer all” attitude of Capote in his early years with a seemingly endless string of poor choices in the writer’s later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

A big lie told in fun has deadly consequences in this horror story. A group of students at an exclusive private school decide to have some fun by creating an urban legend and seeing how far it will spread. When a woman is murdered not far from the school’s campus, the students create an elaborate mythology about a serial killer known as “the Wolf,” whose motives and methods would make him a likely culprit for the recent crime. However, when other people begin dying at the hands of “the Wolf,” the students are forced to admit to their lie in hopes of stopping the killings. But will anyone believe them? And how does the real-life killer know so much about the backstory of “the Wolf”? Cry_Wolf stars Julian Morris, Lindy Booth, Jon Bon Jovi, and Gary Cole.

In this black comedy, a criminal discovers a market for murder in the suburbs. After doing time in prison, mobster Jimmy the Tulip (Bruce Willis) moves to a suburban neighborhood. But Jimmy’s new neighbors (Rosanna Arquette and Matthew Perry) soon figure out who he is.

Russian filmmaker Vadim Perelman makes his feature-film debut with the psychological drama House of Sand and Fog, based on the novel by Andre Dubus III. Ben Kingsley plays Massoud Amir Behrani, an Iranian immigrant living the United States. Even though he was a high-ranking official in Iran, he works several menial jobs in order to provide his wife, Nadi (Shohreh Aghdashloo), and his son, Esmail (Jonathan Ahdout), with an apartment in California. He buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send Esmail to college. However, the house is the legal property of former drug addict Kathy (Jennifer Connelly). After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer (Frances Fisher) and befriends a police officer (Ron Eldard). Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

A man who has made good in an illegal business discovers going straight is a more complicated matter than he imagined in this urban drama. Victor Rosa (John Leguizamo) is a drug dealer who has made a small fortune selling a heroin-based drug cocktail he’s concocted called “Empire.” Victor doesn’t see himself as a dope pusher; instead, he considers himself an entrepreneur and a businessman who is simply making the most of the economic opportunities presented to him in the ghetto. Through his girlfriend Carmen (Delilah Cotto), Victor makes the acquaintance of Jack Wimmer (Peter Sarsgaard), an upscale investment banker who admires Victor’s business savvy and street smarts. Victor is interested in getting out of drug dealing and into a legitimate business, and when Jack offers Victor the chance to buy into a new business, Victor eagerly accepts and makes a good profit in the deal. After this, Victor is all the more enthusiastic when Jack gives him the opportunity to invest in a much bigger project; the price, however, is more than Victor can afford, and he has to borrow from another high-stakes drug dealer, La Columbiana (Isabella Rossellini) in order to make the nut. It isn’t long before Victor learns La Columbiana is not a good person to be in debt to — and that Jack may not be all he imagined him to be. Empire marked the directorial debut of dancer and choreographer Franc Reyes; the supporting cast includes Denise Richards, Sonia Braga, Ruben Blades, and rapper Fat Joe.