Bovie Movie

Russian filmmaker Vadim Perelman makes his feature-film debut with the psychological drama House of Sand and Fog, based on the novel by Andre Dubus III. Ben Kingsley plays Massoud Amir Behrani, an Iranian immigrant living the United States. Even though he was a high-ranking official in Iran, he works several menial jobs in order to provide his wife, Nadi (Shohreh Aghdashloo), and his son, Esmail (Jonathan Ahdout), with an apartment in California. He buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send Esmail to college. However, the house is the legal property of former drug addict Kathy (Jennifer Connelly). After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer (Frances Fisher) and befriends a police officer (Ron Eldard). Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

A man who has made good in an illegal business discovers going straight is a more complicated matter than he imagined in this urban drama. Victor Rosa (John Leguizamo) is a drug dealer who has made a small fortune selling a heroin-based drug cocktail he’s concocted called “Empire.” Victor doesn’t see himself as a dope pusher; instead, he considers himself an entrepreneur and a businessman who is simply making the most of the economic opportunities presented to him in the ghetto. Through his girlfriend Carmen (Delilah Cotto), Victor makes the acquaintance of Jack Wimmer (Peter Sarsgaard), an upscale investment banker who admires Victor’s business savvy and street smarts. Victor is interested in getting out of drug dealing and into a legitimate business, and when Jack offers Victor the chance to buy into a new business, Victor eagerly accepts and makes a good profit in the deal. After this, Victor is all the more enthusiastic when Jack gives him the opportunity to invest in a much bigger project; the price, however, is more than Victor can afford, and he has to borrow from another high-stakes drug dealer, La Columbiana (Isabella Rossellini) in order to make the nut. It isn’t long before Victor learns La Columbiana is not a good person to be in debt to — and that Jack may not be all he imagined him to be. Empire marked the directorial debut of dancer and choreographer Franc Reyes; the supporting cast includes Denise Richards, Sonia Braga, Ruben Blades, and rapper Fat Joe.

This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film’s appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979’s marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas — who was paid $3 million for the script — keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film’s most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star.

A newly single father discovers his daughter is caught up in a web of evil in this thriller. David Callaway (Robert De Niro) has been left to raise his nine-year-old daughter, Emily (Dakota Fanning), on his own after the unexpected death of his wife. David is at first amused to discover that Emily has created an imaginary friend named “Charlie,” but it isn’t long before “Charlie” develops a sinister and violent side, and as David struggles with his daughter’s growing emotional problems, he comes to the frightening realization that “Charlie” isn’t just a figment of Emily’s imagination. Hide and Seek also stars Famke Janssen, Dylan Baker, and Amy Irving.

Pretty boy actor C. Thomas Howell stars in this dark, violent suspense film about the strange psychological bond between a traveling serial killer and one of his intended victims. Driving cross-country from Chicago to San Diego, Jim (Howell) narrowly avoids an accident when he falls asleep at the wheel. He picks up a hitchhiker to help stay awake, but within five minutes, the erratic John Ryder (Rutger Hauer) has threatened not only Jim’s life, but also his manhood, brandishing a switchblade to the boy’s crotch and ordering him to keep driving. Jim manages to escape, but soon Ryder begins a game of cat-and-mouse across the Texas highways, taunting the lad from the windows of passing cars, then leaving the corpses of his victims in their vehicles by the side of the road for Jim to discover. A sympathetic face arrives in the form of Nash (Jennifer Jason Leigh), the waitress at an otherwise deserted truck stop in this bleak, abandoned landscape, but the local police soon arrive, intent on hanging Jim out to dry for the string of grisly murders. The stakes continue to mount in Ryder’s little game until Jim finds himself embroiled in a statewide manhunt with Nash at his side. Former cinematographer Robert Harmon made his directorial debut with this popular thriller; screenwriter Eric Red, also making his debut, would go on to write similarly brooding genre fare including Near Dark, Bad Moon, and Alien 3.

The traditions of the western and the gangster film meet head-on in this dark crime drama. Jericho is a small town in Texas that in the 1920s looks much like it did in the 1860s, except that two violent gangs of rival bootleggers have driven away nearly all of the citizens not involved in the booze racket. Strozzi (Ned Eisenberg) leads a gang of Italian rum-runners with the help of his right-hand-man Giorgio (Michael Imperioli), while Doyle (David Patrick Kelly) is the head of an Irish mob, with Hickey (Christopher Walken) serving as his enforcer; the town’s sheriff, Ed Galt (Bruce Dern) is powerless to stop the crime in Jericho, and he mainly tries to stay out of the way and keep an uneasy peace between Strozzi and Doyle. John Smith (Bruce Willis) is a ruthless and amoral gunman on the run from the law who passes through Jericho on his way to Mexico. Sizing up the situation, Smith quickly hatches a scheme by which he’ll sell his services first to one of the gangs, and then the other, eventually turning the two sides against each other while he stays in the middle and takes the profits generated by both sides. Writer and director Walter Hill based his screenplay on Akira Kurosawa’s classic samurai picture Yojimbo, which also inspired Sergio Leone’s ground-breaking spaghetti western A Fistful of Dollars.

The (mostly) true story of a Hollywood princess turned bounty hunter is told in this witty action-drama from director Tony Scott. Domino Harvey (Keira Knightley) was the daughter of famed actor Laurence Harvey (played by Jesse Pate) who passed on when Domino was only eight years old. Domino’s mother, former fashion model Paulene Stone (played by Jacqueline Bisset and renamed (%Sophie Wynn) in the film), strove to give her daughter a comfortable life, but Domino was naturally rebellious, and after a contentious stint in boarding school, a brief career as a runway model, and a fling with the fashion business, Domino was looking for something more exciting. She found it when he met Ed Mosbey (Mickey Rourke), an ex-con who had gone on to a successful career as a “bail recovery agent” — in short, a bounty hunter. Ed also taught others how to join his profession, and Domino took his course and joined his team, along with Choco (Edgar Ramirez), a headstrong bail agent who took an immediate fancy to Domino. Domino, Ed, and Choco became a successful team — successful enough that television producer Mark Heiss (Christopher Walken) asked them to become the subject of a television reality series. However, it was after the cameras were turned on Domino that her life got truly crazy. Bail bondsman Claremont Williams III (Delroy Lindo) had hired Domino and her friends for a risky case, and soon Domino, Ed, and Choco were chasing missing men and money while landing in hot water with both the FBI and the Mafia. Domino was loosely based on Domino Harvey’s real life story; sadly her personal life was as reckless as her career, and Domino died as a result of drug abuse on June 27, 2005, after this film was completed. The film also features Lucy Liu, Mena Suvari, Macy Gray, and Dabney Coleman.

A taxi driver is unexpectedly taken on the ride of his life in this stylish thriller from acclaimed director Michael Mann. Max (Jamie Foxx) is a cab driver who hopes to some day open his own limo company; one night behind the wheel begins promisingly when he picks up Annie (Jada Pinkett Smith), an attorney working with the federal government who is attractive, friendly, and gives him her business card after paying her fare. Max thinks his luck is getting even better when his next fare, Vincent (Tom Cruise), offers him several hundred dollars in cash if he’ll be willing to drop him off, wait, and pick him up at five different spots over the course of the evening. Max agrees, but he soon realizes Vincent isn’t just another guy with errands to run — Vincent is an assassin who has been paid to murder five people who could put the leaders of a powerful drug trafficking ring behind bars in an upcoming trial. As circumstances force Max to do Vincent’s bidding, the cabbie has to find a way to prevent Vincent from killing again and save his own skin, a task that becomes especially crucial when he discovers Annie is one of the names on Vincent’s hit list. Collateral also stars Mark Ruffalo, Peter Berg, and Bruce McGill as police detectives hot on Vincent’s trail.

Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone’s final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David “Noodles” Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York’s Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles’ 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone’s ability to make the film work on so many different levels: it’s both a criticism of gangster-film mythology and a continuation of the director’s exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film’s strengths emerge only in its full 229-minute version — the 139-minute and other edited versions don’t make nearly the same impact.